FORCED EXPOSURE STORE UPDATE
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NEW RELEASES FOR THE WEEK OF 07/10/2017
first section features releases in stock now and ready to be shipped as of MON 07/10/2017
second section features forthcoming releases; release dates are given for reference, but can be approximate, depending on the label
please use catalog numbers (listed after the format in the descriptions) when ordering
orders can be phoned in at: 781 321 0320 orders can be faxed to: 781 321 0321
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MANURA, CHRIS: Dauerfliege EP 10" (ADUB 033EP)
Chris Manura's Dauerfliege EP on Acker Dub.
$8.39 UPC: 880319869310 ELECTRONIC
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LOVE THEME: Love Theme LP (ALT 034LP)
If there's a single guiding motif to this debut recording from Love Theme, it's the melancholic throb of love learnt and love lost, a descent that tumbles and slips through the overall feeling of looking back. As intimately and carefully as its parts cohesively lament a narrative, it's the after-image that catches your breath, like a memory morphing as it is observed. Comprised of Alex Zhang Hungtai, of the now defunct project Dirty Beaches, along with Austin Milne, and Simon Frank, Love Theme is arranged from an improvised session with twin saxophones, synthesizer, percussion, drum machine, and voice. The aching wane of the saxophone arrangements frisk the propulsive aggro of the mixed percussion, forcing a melancholic halo upon the queasy stupor of the synthetic swing that closes each side of the record. It's a bizarre lust for life that's being divined from equal parts dislocation and invigoration, a potent remedy which perhaps Love Theme can call their own. Percolating and finding form over time, the record instinctively follows a travel narrative, moving across a series of landscapes, reflecting the innate experiences of the expressions and voices that were first collected in South London back in February 2015.
$13.79 UPC: 724190342077 ELECTRONIC
01. Desert Exile
02. Late Crossing
03. Docklands - Yaumatei - Plum Garden
04. She's Here
05. All Sky, Love's End
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CHAIN OF FLOWERS: Let Your Light In/Flesh, Blood And Bone 7" (ALT 703EP)
Cardiff's Chain Of Flowers return to Alter with their first new material since 2015's self-titled debut album (ALT 022LP/CLR-LP). Despite "Let Your Light In" offering a more optimistic tone to what fans of their debut may be used to, the charismatic guitar hooks, hazy vocals, and fist-to-the-horizon anthemic qualities of the group are no less present. "Flesh, Blood And Bone" on the other side channels perfectly the bombastic new wave ambition of early Simple Minds, alongside the dramatic post-punk melancholy of the Chameleons.
$5.79 UPC: 724190342107 ROCK
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VA: Five Years Of Loving Notes 2LP (ATN 5YEARS)
Made of 14 sketches -- each reflecting one of the many shades of Antinote's catalog -- Five Years Of Loving Notes features new names as well as those artists who have been involved with the label since it's very beginning, like Geena or Iueke. The music on this compilation covers a wide spectrum of moods and atmospheres, from the dark and raw excursions from Tolouse Low Trax or Iueke, to the lush instrumental crafted by Nico Motte and Syracuse's Antoine Kogut; however as the listener gets deeper into the compilation, the whole of the tunes, sitting side-by-side on the record, start to make sense as they all seem to point towards the same direction. If one should try isolating a common trait from all these songs, they come to the conclusion that it lies in the way they all speak directly to the listener's emotional receptors, unvarnished and without abusing of producer's "tricks". This is a 63-minute long testimony of exclusive music by the artists who have been shaping Antinote's sound for five years; from the opening Latvian arabesques from Domenique Dumont to the Pink Floyd-ian ending from the latest addition to the label, Alek Lee, via Leonardo Martelli's smoggy electro and Raphael Top Secret's ominous talk-over. Also features: Stéphane Laporte, DK, Inoue Shirabe, Geena, Natsukashii, The Simplists, Or Edry, and Yovav. Comes in a gatefold sleeve.
$20.99 UPC: 769791966925 ELECTRONIC
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IDLES: Brutalism LP (BALLEY 001LP)
LP version. Bristol's finest post-punk polemics Idles have been promising to do great things for some time now, and with their debut album Brutalism, they absolutely fulfill that promise, a furious promise at that. Politically charged, refreshingly confrontational, and infectiously volatile, Idles are a band like no other. Bringing the unsettling reality of the world we live in into their frantic assault on the senses, they are a band that until now could only be truly understood by witnessing in a live environment. But with Brutalism, it surely feels like they have captured the intensity of that live sound. Bottled up here are the abrasive, memorable lyrics of Joseph Talbot delivered with all of the spite and wry humor he puts across on the stage. Dedicated in part to the loss of his mother, who adorns the record's cover, and partly to a perceived decimation of society, from the NHS to public services across Britain, Brutalism is a deadly serious indictment on popular culture.
$15.79 EAN: 5055869522342 ROCK
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I MARC 4: Candy/Roman Blow Up 7" (BCR 45001EP)
2013 release. The backing band to the most admired composers of the '70s, from Ennio Morricone to Piero Umiliani, I Marc 4 had a unique "Italian soundtrack" style. I Marc 4 recorded several albums on their Nelson label between 1970 and 1976, featuring Antonello Vannucchi's incredible use of his Hammond C3, Roberto Podio's kicking rhythm section, and the legendary Maurizio Maiorana on bass, not to forget the real soul of the band, their guitar player, Carlo Pes. This series of limited 7"s in company sleeves, selects six hyper-groovy tunes off that repertoire. Edition of 333 (hand-numbered).
$5.79 EAN: 8592735001459 ROCK
A1. Candy
B1. Roman Blow Up
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I MARC 4: Sweet Beat/Ray Ban 7" (BCR 45002EP)
2013 release. The backing band to the most admired composers of the '70s, from Ennio Morricone to Piero Umiliani, I Marc 4 had a unique "Italian soundtrack" style. I Marc 4 recorded several albums on their Nelson label between 1970 and 1976, featuring Antonello Vannucchi's incredible use of his Hammond C3, Roberto Podio's kicking rhythm section, and the legendary Maurizio Maiorana on bass, not to forget the real soul of the band, their guitar player, Carlo Pes. This series of limited 7"s in company sleeves, selects six hyper-groovy tunes off that repertoire. Edition of 333 (hand-numbered).
$5.79 EAN: 8592735001466 ROCK
A1. Sweet Beat
B1. Ray Ban
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I MARC 4: Blues Work/Suoni Moderni 7" (BCR 45003EP)
2013 release. The backing band to the most admired composers of the '70s, from Ennio Morricone to Piero Umiliani, I Marc 4 had a unique "Italian soundtrack" style. I Marc 4 recorded several albums on their Nelson label between 1970 and 1976, featuring Antonello Vannucchi's incredible use of his Hammond C3, Roberto Podio's kicking rhythm section, and the legendary Maurizio Maiorana on bass, not to forget the real soul of the band, their guitar player, Carlo Pes. This series of limited 7"s in company sleeves, selects six hyper-groovy tunes off that repertoire. Edition of 333 (hand-numbered).
$5.79 EAN: 8592735001473 ROCK
A1. Blues Work
B1. Suoni Moderni
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BLANK FORMS: Magazine Book (BLANK 001BK)
Magazine is the inaugural issue of Blank Forms' journal, bringing together a combination of never-before published, lost, and new materials that supplement the non-profit's live programs. It is envisioned as a platform for critical reflection and extended dialogue between scholars, artists, and other figures working within the world of experimental music and art. Following "Let Freedom Fry" -- a short statement by Joe McPhee drawing out the contemporary political climate in relation to his practice as a creative improviser -- the magazine is bookended by four texts surrounding the practice of pioneering sound artist Maryanne Amacher; an essay by Bill Dietz on his collaborations with Amacher and his work with her archive; an unpublished 1988 interview highlighting Amacher's ideas around her Long Distance Music and Mini Sound Series; a conversation between Marianne Schroeder, Stefan Tcherepnin, and Lawrence Kumpf revealing the archival questions raised by Amacher's work; and science fiction writer Greg Bear's short story Petra, a tale of gargoyles coming to life and breeding with humans in a post-apocalyptic Notre Dame, from which Amacher's 1991 piece got its name. This issue also includes Branden Joseph's interview with The Dead C's Bruce Russell, accompanied by Russell's essay exploring the Situationist tradition of "mis-competence" in New Zealand electronic music. Charles Curtis contributed notes on the interpretive challenges posed by a posthumous performance of Terry Jennings's minimalist classic Piece For Cello And Saxophone. Shelley Hirsch, Richard Skidmore, and Dennis Hermanson provide a series of writings on and remembrances of the late Ralston Farina, whose scarcely documented "visual poetry" was an important precursor to what we now call "performance." And from her own 2016 performances at the Emily Harvey Foundation, Dawn Kasper supplies her original proposal document and score notes for an improvisational interpretation. Magazine features two new French-translations: an excerpt from François Bonnet's book of phenomenology, The Infra-World, translated by Robin Mackay, and a Christophe Broqua interview with enigmatic huntress of sounds Anne Gillis, translated by Adrian Rew. Ian Nagoski's rare 1998 conversation with Éliane Radigue, conducted and largely ignored at a time when there was little interest in her music, provides one of the clearest overviews of the visionary composer's early work and life. Supplementing the texts are numerous archival photos and documents, plus "Dark Matters", a poem by Joe McPhee. Edited by Lawrence Kumpf and Joe Bucciero.
$14.39 EAN: 9780692881682 Misc
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VA: Disque La Raye: 60's French West-Indies Boo-Boo-Galoo LP (BORNBAD 096LP)
LP version. Printed inner sleeve. In 1966, a new pulse spread like wildfire on the sidewalks of Spanish Harlem and local radio waves. Like no music genre ever before, boogaloo brought together African Americans and Latinos. As the ultimate musical syncretism of popular genres in the Barrio, boogaloo is often described as "the first Nuyorican music". A revolutionary hurricane was then blowing on Amerika: in the trail of the Black Panthers and the Young Lords Organization, minorities were gathering in the streets to reclaim their rights from the establishment. Boogaloo was the soundtrack of a social revolution overtaking the country, before it got overshadowed by salsa. Boogaloo's energy seduced young people from different backgrounds, well beyond the borders of the USA, and especially in the Caribbean cradle land. From Fort-de-France to Pointe-à-Pitre, old biguines and mazurkas from West Indian orchestras strong of a bloodline of virtuosos, from father-to-son, became outdated by those modern beats. On Fred Aucagos's "Ti Man'zelle", there's a subtle mix of imports from the mainland, the USA, and the neighboring islands. Musicians dabbled with boogaloo, coming up with rather unorthodox interpretations. This is precisely what gives this compilation its singularity. It incorporates influences from the African continent thanks to the Rico Jazz (an adaptation of "Si Tu Bois Beaucoup" of the Congolese rumba orchestra O.K. Jazz). It rubs elbows with the "Jerk Vidé" of a David Martial before he turned in a doudouiste cliché. With the cheeky humor of the Guyanese Dany Play ("Mais Tu Sais"), the perkiness of Joby Valente ("Disk La Rayé" with Camille Soprann on sax), the listener (re)discovers classics published on two historic Guadeloupean labels: Aux Ondes of producer Raymond Célini, and Disque Debs, whose boss Henri Debs can be heard on "Ou Pas Z'ami En Moins". "Ou Qué Di Moin" from Monsieur X is a Creole funk pamphlet, neither Latin, nor festive, and not strictly boogaloo for that matter. The Nuyorican rhythm is a tiny fraction of what the West Indies orchestras were playing, as they often incorporated biguine and Haitian kopi elements. Assisted by Jean-Baptiste Guillot, Julien Achard spent over three years compiling this best of the Creole boogaloo. Also features: Maurice Alcindor, Gabby Siarras, Les Bois Sirop, Le Ry-Co Jazz, and Les Vickings. LP version comes with a printed inner sleeve with liner notes in English and French.
$11.79 EAN: 3521381543124 ROCK
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VA: Import/Export 12" (CHALICE 002EP)
The Fasaan Recordings crew break out a second volume of their Chalice Records imprint. Malmö-based Fullstandiga Rattigheter delivers the deranged digital guitar strumming of "1988". Manchester cyber-punk Ruf Dug offers the dreamy cut "Cassette Boogie 1", which bounces along to a b-boy beat steeped in lo-fi tape hiss. Tallinn composer Ruutu Poiss turns on his limping drum machine and leads the listener on a wonky trip. Copenhagen-based PRAAH pitches in with a brooding, bass-heavy 808 jam. Fachrur Riaz Hasbullah slides in from Bandung, Indonesia to deliver the ridiculously smooth stepper "Muram". Dubliner Compassion Crew offers "II Y A (Chalice Mix)".
$8.39 UPC: N/A ELECTRONIC
01. Fullstandiga Rattigheter - 1988
02. Ruf Dug - Cassette Boogie
03. Fachrur Riaz Hasbullah - Muram
04. PRAAH - Luxor Equinox
05. Ruutu Poiss - Heinas
06. Compassion Crew - II Y A (Chalice Mix)
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HANNANEH, MORTEZA: Tchashm-e-Del LP (CLPMR 003LP)
The Paris-based Collapsing Market label unveil a gem of found art with Tschashm-e-Del: a radio play recorded in Iran sometime during the '60s by Morteza Hannaneh, co-founder of the Tehran Symphony Orchestra with Parvis Mahmoud, and the grandfather of Collapsing Market co-owner Cyrus Goberville, who discovered the recording on a tape at his home. Without definitive records to go from, Tschashm-e-Del was presumably recorded in the '60s (certainly pre-revolution) and quite possibly broadcast on Radio Tehran. Now restored from the original reels, it reveals a gorgeous and important suite of music set to a Ghazal -- an ancient Arabic ode, or poetic expression of the pain and beauty of love, loss or separation -- written by Hatef Esfehani, who was a famous Iranian poet of the 18th century. The ghazal deals with the founding principles of Sufism and monotheism through a love story between Hatef and a Christian girl, with Morteza Hannaneh's musical arrangement matching the specific rhyming structure of its ancient classical form, itself rooted in tradition stretching back to at least the 10th century, whilst also incorporating string elements of western orchestration relating to Hannaneh's background in composing for cinema. It's the kind of music you might expect to turn up on a Folkways or Dead-Cert release. It's presented with artwork made by Thomas Jeppe, a noted artist familiar with Persian culture; the sleeve image depicts the Ashura procession. Edition of 500.
$14.39 UPC: N/A WORLD
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INLAND: Coriolis 12" (COUNT 009EP)
Ed Davenport continues his techno experiments as Inland with an elegant EP entitled Coriolis. "Coriolis" is a moody ten-minute voyage with a morphing synth array at its core -- bright, detuned stabs are layered upon tough rhythmic foundations. The jagged metallic lead builds, unearthing harmonic bleep accents and syncopated FX swells before folding in on itself. "D10D3" plows forward with an urgent staccato sequence, segueing into Italo-horror filter sweeps and noise-laden moments of drama. Finally, "Tsereteli" is a more reduced modern dub study, continuing Ed's long running fascination with tranced-out time stretching and after-hours vibes. Cover art by Guy Archard.
$9.79 UPC: 880319872716 ELECTRONIC
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FOCUS: Zulu EP 12" (CROWN 001EP)
Zulu EP brings the slow burning dancefloor energy of 1980s South Africa into sharp focus. Comprised of Sello Mmutung and Keith Hutchinson, the original six track album Zulu Disco was recorded in Johannesburg circa 1983. Each track shows the fever for American funk and disco that was sweeping through South Africa at the time, but with unmistakable township elements, infectious grooves, simple melodies, and deep synth workouts. Side A is for the dancefloor and Side B is full of deep, Afro-centric chuggers. Zulu EP includes the original version of "Moger", later covered by Starlight and Ray Phiri's side project, Kumasi.
$13.79 UPC: N/A WORLD
01. Hay-Hay
02. Rock Batlanga
03. Moger
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ELEKFANTZ: Blush 12" (DOC 019EP)
The incredibly gifted Brazilian duo Elekfantz return with this beautiful 180 gram limited edition "translucid clear vinyl", including an extended version of "Blsuh" and a massive remix by label boss Gui Boratto. "Blush" is pure Elekfantz beats, pushing its melodic DNA with beautiful vocals and synths at its best. While Gui Boratto gives his well-known techno punch and unique touch to it, "Blush" is a dancefloor jewel in any town and club. If the forecast is anything to go by, so is Elekfantz, the indie heroes who joined D.O.C. to spread their music and explosive energy.
$8.99 UPC: 880319866111 ELECTRONIC
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CENTRAL: Pillow Peace 12" (DKMNTL 048EP)
Central on Pillow Peace: "This album with the semi-melancholic song 'Pillow Peace' is very personal to me. After a year of forgetfulness, my Dutch friends collected the number. Marco helped me mix it completely and together we made the alternate version. 1000 thanks to Casper and Marco."
$9.79 UPC: N/A ELECTRONIC
01. Pillow Peace
02. Pillow Peace (Andet Mix)
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ATOBE, SHINICHI: From The Heart, It's A Start, A Work Of Art 2LP (DDS 023LP)
From The Heart, It's A Start, A Work Of Art has its origins in early 2000, before Chain Reaction released the legendary Ship-Scope 12" (later released by Demdike Stare in 2015, DDS 014EP). Three of the tracks here are taken from an acetate cut at Dubplates & Mastering at that time, but which wouldn't see the light of day until now, including another batch of tracks taken from original masters. Only five copies of that acetate were ever made, so this is the first time any of these tracks are available for public consumption, and they rank among the finest and most distinctive in either the Chain Reaction or Shinichi Atobe's vaults. The material is effectively some of the Japanese producer's earliest work, showcasing the sort of tender, feminine pressure that would bubble up on the Ship-Scope EP and later be revealed in his new productions, Butterfly Effect (DDS 010CD) and World yet, for many reasons, they would lay sunk in his archive for the next 17 years. The tracks taken from that acetate are labeled "First Plate 1-3" and really are quite remarkable, having taken on so much character and added weight over the years that the incidental crackle of surface noise imbues proceedings with an added dimension that's hard to fathom. It basically sounds like a lost transmission making its way from Paul-Lincke-Ufer at the turn of the millennium to a new, completely changed world all these years later. The patina of crackle lends a mist-on-bare skin feeling akin to summer garden parties at Berghain in the stepping "First Plate 1", and gives a foggier sort of depth perception to the hydraulic, Maurizian heft of "First Plate 2", but it's the submerged euphoria of "First Plate 3" that hits the hardest; a heady, bittersweet reminder of days gone by. The other four tracks are crisply transferred from master tapes, relinquishing a sublime, impossible to categorize house variant that recalls everything from DJ Sprinkles to Ron Trent, yet with that weird, timeless production tick that by now has become something of a signature for this most distinctive and hard to categorize producer. Buoyant dub house and techno with lush, gaseous synths and keys. Remastered by Matt Colton from original tapes and worn actetates -- grit included; Limited copies.
$18.39 UPC: N/A ELECTRONIC
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MARLEY & THE WAILERS, BOB: Soul Revolution Part II PIC. DISC (DOP 8015LP)
Doxy present a picture disc reissue of Bob Marley and The Wailers' Soul Revolution Part II, originally released in Jamaica in 1971 and produced by Lee 'Scratch' Perry. Soul Revolution Part II is a sequel of sorts to Bob Marley And The Wailers' debut LP, 1970's Soul Rebel. The Wailers' work with Scratch is considered by many reggae fans to mark career pinnacles for all involved, and classic hymns like "Don't Rock My Boat" or the re-visitation of Curtis Mayfield's "Keep On Moving" were destined to become among the more widely hailed efforts in the repertoire of Bob Marley. A historical milestone in early reggae history, pressed in a beautiful limited edition picture disc; Includes two bonus tracks.
$14.99 UPC: 889397680152 WORLD
A1. Keep On Moving
A2. Don't Rock My Boat
A3. Put It On
A4. Fussing & Fighting
A5. Duppy Conqueror
A6. Memphis
A7. Mr. Brown*
B1. Riding High
B2. Kaya
B3. African Herbsman
B4. Stand Alone
B5. Sun Is Shining
B6. Brain Washing
B7. Soul Rebel*
*Bonus track.
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CASH, JOHNNY: Original Sun Sound Of Johnny Cash PIC. DISC (DOP 8016LP)
Doxy present a picture disc reissue of Original Sun Sound Of Johnny Cash, originally released in 1964. Though Johnny Cash had been at Columbia for several years by the time this LP was originally released, he recorded and released such a tremendous amount of music between 1955 and 1958 at Sun Studios in Memphis, that Sun Records was releasing his work long after he had defected to a new label. Featuring 12 fantastic recordings with his Tennessee Two and others, including "The Ballad Of A Teenage Queen", his wonderful take on "Goodnight Irene", and the immortal "Big River". Reissued here on a beautiful limited edition picture disc.
$14.99 UPC: 889397680169 ROCK
A1. Always Alone
A2. It's Just About You
A3. Luther Played The Boogie
A4. Wide Open Road
A5. Thanks A Lot
A6. Blue Train
B1. Get Rhythm
B2. Ballad Of A Teenage Queen
B3. New Mexico
B4. Goodbye Little Darlin'
B5. Two Timin' Woman
B6. Leave That Junk Alone
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DYLAN, BOB: Robert Zimmerman Plays Bob Dylan PIC. DISC (DOP 8017LP)
Doxy present a picture disc reissue of Robert Zimmerman Plays Bob Dylan, a compilation released by the label in 2013. As the title, Robert Zimmerman Plays Bob Dylan, implies, these recordings show the young man everybody knows as Bob Dylan, finding his way in New York City after bumming a ride from Madison in the early months of 1961. Featuring songs that were left off of his first two Columbia LPs, Bob Dylan (1962) and The Freewheelin' Bob Dylan (1963), as well as other assorted demos and unreleased recordings, this essential LP of early recordings perfectly captures his growth from traditional folk music interpreter into what he would become: America's greatest living songwriter. Presented here on a limited edition picture disc.
$14.99 UPC: 889397680176 ROCK
A1. He Was A Friend Of Mine
A2. Man On The Street
A3. Hard Times In New York Town
A4. House Carpenter
A5. Rambling, Gambling Willie
A6. Talkin' Hava Negeilah Blues
B1. Talkin' Bear Mountain Picnic Massacre Blues
B2. Let Me Die In My Footsteps
B3. Quit Your Low Down Ways
B4. Worried Blues
B5. No More Auction Block
B6. Kingsport Town
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BEATLES, THE: Thirty Weeks in 1963 PIC. DISC (DOP 8018LP)
Doxy present a picture disc reissue of Thirty Weeks in 1963, originally released by the label in 2014. Deluxe picture disc LP documenting the first days of Beatlemania. Through 30 weeks, from February 11 to September 12, the best band of all-time is captured here in the days before their American invasion. Presented here on a limited edition picture disc.
$14.99 UPC: 889397680183 ROCK
A1. I Saw Her Standing There
A2. There's A Place
A3. Do You Want To Know A Secret
A4. A Taste Of Honey
A5. Misery
A6. From Me To You
A7. Thank You Girl
A8. One After 909
A9. I'll Be On My Way
A10. Baby It's You
A11. Love Me Do
B1. Slow Down
B2. Crying, Waiting Hoping
B3. To Know Her Is To Love Her
B4. Long Tall Sally
B5. Glad All Over
B6. You Really Got A Hold On Me
B7. Honey Don't
B8. Ooh My Soul!
B9. Can't Buy Me Love
B10. Hold Me Tight
B11. Don't Bother Me
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SCIENTIST: Rids the World of the Evil Curse of the Vampires LP (MIR 100739LP)
2017 repress; LP version. Rids the World of the Curse of the Vampires (1981) not only ably displays Scientist's varied approach, but also clocks in as one of his best outings. Scientist keeps things lively with plenty of reverb and echo-treated percussion, ghostly piano parts, video game sound effects, and other wobbly interjections from the mixing board. The record's expert evocation of the Halloween spirit also includes some fiendishly-voiced intros, the cover art's cartoon potpourri of horror film characters, and the dubious claim made in the liner notes that Scientist mixed it all at midnight on Friday the 13th. Along with Keith Hudson's Pick a Dub (1974) and Lee Perry's Blackboard Jungle Dub (1973), this is one of the essential dub albums.
$15.79 UPC: 889397104078 WORLD
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JOR-EL: Tilted Reality EP 12" (ECHO 074EP)
Swedish artist Joel Alter, under his Jor-El alias, offers Tilted Reality EP, comprising three originals. Alter return under his Jor-El guise under which he first started releasing material on DJ Hell's International Deejay Gigolo imprint. Up first is title track "Tilted Reality", laid out over seven minutes with a slowly unfolding dynamic feel, encompassing spiraling atmospherics, distorted rhythms, and blooming stab sequences. "Elevation" follows and takes a more direct groove-driven approach via straight four-four percussion and hooky bass chops. "Solitude" closes out the package delving into deeper realms with soft ethereal dub chords, acid-tinged leads, and emotive strings.
$8.99 UPC: 880319863110 ELECTRONIC
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DESVARIEUX, JACOB F.: Anthology Pt.2 12" (EF 080EP)
The second part of the Jacob F. Desvarieux anthology on Endless Flight. "Sika" by Georges Décimus, bass player of Desvarieux's band Kassav, features outer-national synth works driven by salsa-like percussions and sweet steel-drum melodies. It appeared on Décimus's solo debut La Vie (1983). "Avèou Doudou", written by the former Kassav keyboarder Jean-Claude Naimro, was released in 1985. His tune spreads feathery synth-laden Caribbean boogie vibes. "Do Bay Lan Main" comes from zouk pioneer and former Kassav singer Patrick Saint-Éloi. Japanese producer Kuniyuki delivers a unique edit of "Sika".
$10.99 UPC: 880319857416 ELECTRONIC
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NANGLE, JONATHAN: Pause LP (ERGODOS 027LP)
Jonathan Nangle is a Dublin composer whose work explores many diverse fields -- from notated acoustic and electro-acoustic compositions, through live and spatially distributed electronics, to video, sound installation, and electronic improvisation. His transcendent music for strings comes to life in these luminous recordings by Crash Ensemble, Ireland's leading ensemble for adventurous new music. This is music of serene focus; often fragile, always intricately woven. In "Where Distant City Lights Flicker On Half-Frozen Ponds", Nangle enhances a solo violin with electronic resonators which subtly color the musical material like a heat shimmer. "My Heart Stopped A Thousand Beats" is a slow ritual for viola and cello, unfurling into a series of fragments. The mercurial title track "Pause" was inspired by the idea of data glitches in both music and visual media. A snippet of music by early twentieth-century American composer Charles Ives is processed, rearranged, and deliberately glitched, serving as a springboard to new material. The two "Fragment" tracks also featured on the album are short improvisations on passages that occur within "Pause" -- reflections of fleeting images. The album closes with "Tessellate" for cello and electronics, inspired by the phenomena of tessellations, where a shape is repeated over and over again, covering a plane without any gaps. RIYL: Kronos Quartet, Jóhann Jóhannsson, Max Richter, Kevin Volans, David Lang, Ólafur Arnalds, Nico Muhly.
$14.99 UPC: 751570946167 CLASSICAL
01. Where Distant City Lights Flicker On Half-Frozen Ponds
02. Fragment I
03. My Heart Stopped A Thousand Beats
04. Fragment II
05. Pause
06. Tessellate
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NOMADE ORQUESTRA: Entremundos LP (FARO 198LP)
LP version. Nomade Orquestra return from the stratosphere via Brazil with their second offering: Entremundos ("Between Worlds"). Gazing outward through a kaleidoscope from the heart of Sao Paulo's jazz scene, the collective consciousness of the ten-man orquestra has dreamt up an adventurous amalgam of earth's most far reaching musical cultures. Recorded at Red Bull Studios, Sao Paulo, Entremundos is like a cosmic musical playground where Ethio-jazz, Indian classical, and Oriental sounds dance around Afro-Brazilian roots rhythms and Northern hemisphere jazz, funk, soul, library music, and hip-hop influences. The sheer vastness of the album is astounding, Nomade Orquestra have quite literally conquered the world in sound. Nomade Orquestra are some of the most accomplished musicians in their city. They're also avid record collectors, citing the coming-together of their expansive musical knowledges as key to their unique sound. Album opener "Jardim De Zaira" -- a tribute to the neighborhood on the outskirts of the famous ABC region, where the band meet and rehearse -- hosts a playful unison of vibraphone, guitar, horns, and keyboards reminiscent of Stereolab's funkiest late '90s output. "Felag Mengu" lies somewhere between the groovy, brooding Ethio-jazz of Mulatu Astatke and Tinariwen's hazy desert rock, and "Olho Do Tempo" is another enchanting incarnation of the band's impossible to define brand of global roots music. The album's wildest moment comes from the roaring off-road, big-band joy-ride "Rinoceronte Blues" with hillbilly harmonica, soulful organ stabs, and soaring horn arrangements, further highlighting the depths of Nomade Orquestra's endless span of influences. With Gilles Peterson singing their praise and rave reviews from the likes of Wax Poetics, Record Collector, and Songlines, Nomade Orquestra's self-titled debut album (FARO 189CD/LP, 2015) launched them from their humble beginnings to international recognition. They also embarked on their first tour outside of Brazil.
$12.99 EAN: 5060211503474 WORLD
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TORCINOVICH, MATTEO: Buy Or Die! Ralph Records Artworks 1972-2015 Book (GF 77006BK)
Goodfellas present Buy Or Die! Ralph Records Artworks 1972-2015, the first ever book of its kind on the history of the artwork of The Residents and their label Ralph Records. The life of Ralph Records and The Residents has always been cloaked in obscure mysteries, woven by the anonymous Cryptic Corporation, around which many luminaries have revolved; painters, graphic artists, cartoonists, musicians, film-makers, and writers. All have been channeled together by a powerful creative synergy that helped champion a new, mercurial and thoroughly multi-faceted artifact. Buy Or Die!, for the very first time, brings together a collection of images that represented the sounds of Ralph from 1972 to the present. A historical journey that traces the path of one of the most innovative record labels of the last fifty years. A collection of original, rare, and remarkable images drawn from record covers, fan catalogs, posters, and a wide variety of promotional material, demonstrating the technological and stylistic adaptations undergone through the arc of half a century. 400-page color book in English and Italian.
$39.60 EAN: 9788899770068 Misc
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SQUADRA OMEGA: Materia Oscura LP (GRA 003LP)
Squadra Omega represents the vast spectrum of the Italian underground. Psychedelic, avant-garde, jazz-rock, improvisation, kraut-rock, rock in opposition, and ethno-tribalism blend seamlessly into the work of a collective that moves and expands, depending on the urgency of the moment, focused around a core that rotates around the two members OmegaMatt and OmegaG8. In the band's wide discography, you'll find compositional freedom, improvised jam-sessions, and an amplitude of references, all of which move between different spaces and times. Materia Oscura ("dark matter") offers a glimpse at the same time the soil of the "rock" matter as well as the alien, seen from multiple points of view, neighbors, and materials, distant and mysterious. Three tracks that stretch their eyes at the Orient or Africa, as well as into the depths of the cosmos, landing on the side of the art-rock of the '70s and towards some psychedelic, visionary, cinematic drives that explode into a real ecstatic trip. Inputs from Coltrane, Canterburian jazz-rock, Grateful Dead, and synthy-space views are melted into free-form landings until they discover their own personal form of prog. Different universes collide and coexist in the band in a constant mutation, maintaining faith in one single ideal: "music for the third eye". The album comes in a thick carton cover with a central hole.
$17.79 EAN: 8055323520812 ROCK
A1. Massa Mancante
A2. Mondo-Brana
B1. Le Oscillazioni Dell'universo Giovane
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FAKE LAUGH: Fake Laugh LP (HEADCOUNT 051LP)
LP version. Whilst perpetually in tune with the digital disconnect of contemporary life, Fake Laugh's self-titled album is a vivid rummage through sixties US-pop standards and British alternative stalwarts. Fake Laugh showcases a familiar world of love, confusion, and self-questioning, refocused through the bright lens of the London/Berlin based artist Kamran Khan. Tirelessly writing and recording whenever he can, a busy 2016 saw Khan release the energetic Ice EP, the bubbly trepidation of double A side with Mind Tricks/Birdsong Lullaby, and the more complex and serene Great Ideas EP (2016). All three were important steps towards manifesting the right combination for this eagerly anticipated debut. Khan confesses that once upon a time, Fake Laugh was "a bit of fun on the side". However, now with the project his sole focus, there's a revitalized commitment to recording that has seen him finishing the album in 2017. Reuniting once again with producer Theo Verney (Traams, O.Chapman) in Brighton, Khan has brought the intimacy of his bedroom and added it to a more luscious environment. Certain parts of the record date as far back as 2013, whilst others were recorded only just months before the album's release. The result is a record that flows with a wise but youthful abandon. Echoing latter Belle & Sebastian records -- that retained their adolescent flare and longing -- Khan has fortified his dreams rather than forgotten them.
$20.99 EAN: 5024545784916 ROCK
01. Melt
02. Short Of Breath
03. Kinda Girl
04. As I Get To Know You Better
05. Hiding Place
06. Freely
07. You Would Find Out
08. Wouldn't Bother
09. Physical
10. You Do Know
11. Time To Die
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REBOLLEDO: Mondo Re-Alterado 3LP (HIPPIE 010LP)
Triple LP version. Includes download code. Following 2016's much-acclaimed solo album Mondo Alterado (HIPPIE 008CD/LP), original Pachanga Boy and Hippie Dance mentor Rebolledo returns to the limelight with the jam-packed Mondo Re-Alterado, tapping into his vast and varied network of friends and fellow soundsmiths. Artists such as Superpitcher, DJ Tennis, Maceo Plex, Red Axes, Fango, or Fantastic Twins deliver stunning takes on Rebolledo's unique signature sound, creating a full suite of exclusive remixes, cover versions, and reinterpretations. From the super-energetic club rumblings of Maceo Plex's "Discótico Pléxico" to DJ Tennis's dreamy "Pimiento Drive Version" of "A Numb Gas To The Future" or Fantastic Twins' party bomb "Fantastic Pow Pow", the journey through Mondo Re-Alterado is full of twists and turns -- a world where an epic, cinematic soundscape such as Superpicher's "Rainboy Super Space" sits comfortably alongside the claustrophobic, punishing banger that Fango sculpted from stand-out cut "Pow Pow". Meanwhile, Red Axes turn the casual narrative of "Life Is Strange, Life Is Hard, Life Is Great" into a bouncing workout -- a great companion piece to "WANT", Danny Daze and Shokh's propulsive, jagged dub version of "Fears Come True". Other highlights include Jörg Burger aka The Black Frame with the lush "Black Rainbow Woman", Paulor's country rock extravaganza "Discótico Desértico" and not one, but two excellent contributions from former Italians Do It Better honcho Mike Simonetti. It's a magical, surprising ride that finds beauty in contrasts -- while staying tuned to Rebolledo's spirit of adventure and powerful sense of style.
$29.59 UPC: 880319823435 ELECTRONIC
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ULTRA SATAN: USA/USB 7" (HNR 020EP)
Ultra Satan works with the concept of "More is More" and with that principal, they capture the zeitgeist of over consumption, global warming, and skewed resource allocation. The music presents one part of the whole ambition of this group, and is the strongest sounding source right now. But the more long-going plans of this collective, band, or whatever you want to call it, is by secret networks to connect all the freaks who also sense that the end of the world as we know it will come to an end sooner than later.
$6.99 EAN: 7071245383152 ROCK
A1. USA
B1. USB
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FAIRPLAY, TIMOTHY J.: Mindfighter EP 12" (HNRUK 004EP)
The feeling of full control characterizes every second of Timothy J. Fairplay's Mindfighter EP, his second release on Höga Nord Rekords. T.J.F picks up influences from everywhere and creates a unique sound: house, techno, electro, kraut, and psychedelia. Drips of discrete and contrasting nuances colors hypnotic grooves and creates the effect of double exposition, like on "Jennifer Has Some Strange Ideas", a love affair between hi-fi and lo-fi. In "Nightmare City", the melodies are reminiscent of horror soundtracks by John Carpenter or Fabio Frizzi. The craftsmanship is undoubted on this trip into a dystopic Europe, a not so distant future.
$8.99 EAN: 7071245217877 ELECTRONIC
01. Mindfighter
02. Nightmare City
03. Lost In The Mirror Maze
04. Jennifer Has Some Strange Ideas
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ROMBOY & DORTMUNDER PHILHARMONIKER, MARC: Reconstructing Debussy 2LP (HYPE 004LP)
Double LP version. Includes download code. Claude Debussy (1862-1918) was one of the most popular and forward-thinking composers associated with impressionist music. His innovative and at this time new way to compose music with non-traditional scales and chromaticism inspired countless artists from the likes of Steve Reich, Philip Glass, Miles Davis, and Herbie Hancock. Remarkable attributes of his music include the usage of parallel chords, bitonality, and the many compositions using whole-tone and pentatonic scales, all of which are reminiscent of contemporary electronic music where you hardly find limits or boundaries when it comes to traditional, harmonic sounding scale tone music. After studying countless composers of the last centuries, Marc Romboy decided to accept the challenge to edit, remix, and reconstruct several works of his favorite French composer, ranging from "La Mer" to "Prélude À L'Après-Midi D'Un Faune". Romboy on Debussy: "One sentence of Debussy impressed me a lot when he said that he simply intents to write new sounding music. This is and has been exactly my goal, to create kind of unheard sounds." On the album, Romboy performs together with the Dortmund Philharmonic Orchestra, the renowned conductor Ingo-Martin Stadtmüller, the well-respected Düsseldorf based concert master Miki Kekenj, and sound programmer Ali Khalaj. The recordings were directed December 12th, 2016. It's the first live recording ever released on an album where electronic sounds and classical components are merged in such manner. Mastered by Steffen Müller. Includes dropcard with download code; High grade artwork and packaging by FELD, Berlin.
$19.79 UPC: 880319868634 ELECTRONIC
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LTO: Storybook LP (INJA 006LP)
LTO is a member of mysterious electronic collective Old Apparatus. Their music -- anonymous, dark, ghostly, subterranean -- was reminiscent of garage and grime scenes, but sheened with a nocturnal miasma and a fierce intellect. Acclaim for Old Apparatus is widespread, with very positive reviews coming from The Wire, Dummy Mag, The Quietus, Gilles Peterson, among plenty more. Storybook combines gentle, dulcet synthesis with deep percussive lines, piano dexterity, and alien-landscape sound-design, softly echoing in-and-out of the space, like Katie Gately remixed into Brian Eno's ambient records, or the poise of Max Richter filtered through Chris Clark's production lens. It has fluidity and elasticity, a human-ness that enwraps the mechanical parts. A highly accomplished pianist (indeed, a piano teacher in his civilian life), LTO's astute musicality is the foundation stone beneath the magic and abstractions of Storybook. 180 gram vinyl.
$16.99 EAN: 5070000100326 ELECTRONIC
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OCTUAL: Untold Places EP 12" (JT 015EP)
The next EP on Just This comes from Octual, an established figure on the Dutch underground techno circuit. His third release to date is an exploration in melody and beat composition -- a journey through uncharted territory. "Jupiter's Moon" presents a fleeting view of different landscapes -- claps and hi-hats depict the lights and shadows of a sublunary word. "Untold Places" reaches an otherworldly place where rhythm and meter counteract each other and obscure sounds sway us in and out of reality. Amsterdam based electronic pioneer Sterac provides two remixes, analyzing and repurposing the molecular details of Octual's productions.
$8.99 UPC: 880319863516 ELECTRONIC
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SEBASTOPOL: Gahalowood 12" (KOM 366EP)
French sound-smith Sebastien Bouchet returns to Kompakt under his new moniker Sebastopol. Gahalowood seamlessly merges Bouchet's leftfield sensibilities and unlikely riffs with a strong dancefloor drive. "Gahalowood" gets things off the launch pad quickly, thanks to its stoic kick drum and surging synths -- the vocals evolve from atmospheric swabs of texture to full-blown early '80s new wave mumble-core. "Flash Pool" deploys an intimate groove with whispering upfront, but takes an unexpected turn into psychedelic cowbell territory with feral bleeps and growing hooklines. "Heaven" presents a comparatively straightforward house arc, while still sniffing out some trippy goodness.
$8.99 UPC: 880319824517 ELECTRONIC
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DAVIS: Perle 12" (PLAYRJC 046EP)
The debut single by Davis on Live At Robert Johnson, titled Perle.
$8.99 UPC: 880319868818 ELECTRONIC
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NACHT'RAUM/BANDE BERNE CREMATOIRE: Expanded 1982-1984 LP (MNQ 096LP)
Mannequin Records present an LP compilation of Michael Antener's (Swamp Terrorist) early '80s minimal synth/industrial projects Nacht'Raum (with Michael Stämpfli) and his solo project Bande Berne Crematoire. Heavily influenced by the works of SPK and Nocturnal Emissions, Michael Antener made his first recordings in the basement of his parents' house in a small village nearby Bern, Utzensdorf. He started BBC in 1980, a hybrid of Neue Deutsch Welle and noise/experimental, making a household name in the international home recording scene of the time and participating to many tape compilations. Teaming up with Michael Stämpfli as Nacht'Raum, he self-released the untitled mini-LP in 1983. Coming out from the same town of Grauzone, the duo moved into the darkest minimal electronic sounds, choosing German as main language for the lyrics and a Roland TR-808 as main drum machine, bringing the sound to a proto-electro dimension. Nacth'Raum is a real gem in '80s Swiss underground electronic music, together with Mittageisen, Grauzone, LiLiPut, and The Vyllies. Michael, by the way, later teamed up with Ane Hebeisen. They went by the name of Swamp Terrorists, releasing seven albums and touring throughout the world until the end of the '90s. At the end of the '90s, he sold all of his instruments and became an independent graphic artist. Mastered by Rude 666. Includes two inserts; Edition of 500.
$14.39 UPC: 769791966789 ELECTRONIC
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POLICE DES MOEURS: Dedales LP (MNQ 110LP)
Montréal synth pop band Police Des Moeurs are one of the finest and rawest bands in the minimal synth/wave and cold wave scene. Dédales, their third full-length album, keeps the pure energy of their previous efforts while leaving greater room for atmospheric and textural considerations. Dédales leads you into the passage zone between civilization and wilderness, a mysterious place where truth, lies, light, and darkness collide. For fans of New Order, Martin Dupont, Rational Youth, Xeno & Oaklander. Mastering by Rude 66; Graphic design by Alessandro Adriani. Edition of 500.
$14.39 UPC: 769791966796 ELECTRONIC
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VA: La Musica Futurista Nell'italia E Nel Mondo 2LP (OI 026LP)
The Manifesto Of Futurism by Italian poet Filippo Marinetti, published in 1909, still has an intoxicating force. "We want to glorify war . . . to destroy museums, libraries, and academies of all kinds," wrote Marinetti. "We shall sing to the great crowds excited by work, pleasure or rioting, the multicoloured, many-voiced tides of revolution in modern capitals." Color was as important as force to the movement, and it was a search for new sound colors that fired the ambitions of artist and instrument builder Luigi Russolo, who, though quieter than Marinetti, is now seen as the "father of noise". Russolo's work and ideas anticipated the shape of music to come: the early percussion scores of Edgard Varèse and John Cage; electroacoustic music; recording; graphic scores -- not to mention the inevitable sonic onslaught of effects and sound design in movies, TV, and computer games. In his 1913 manifesto, L'Arte Dei Rumori ("The Art Of Noises"), Russolo argued that the history of music, from primitive races through to 19th-century harmonic sophistication, was a progression that went naturally from ancient silence to modern noise: "The limited circle of pure sounds must be broken, and the infinite variety of 'noise-sound' conquered." La Musica Futurista Nell'italia E Nel Mondo is a stunning anthology of true pioneers of electronic/noise music. Features works by Filippo Tommaso Marinetti, Antonio Russolo, Rodolfo De Angelis, Alexandr Mossolov Eiar Orchestra Victor De Sabata, Arthur Honegger, Dixon Cowell, Julius Ehrlich, Paul Whiteman, Walter Ruttmann, and George Antheil. Comes in a special "flap" deluxe gatefold sleeve, an Italian futurist newspaper replica.
$26.39 UPC: 889397610265 EXPERIMENTAL
A1. Filippo Tommaso Marinetti - Parole In Libertà
A2. Filippo Tommaso Marinetti - Simultaneità Futurista Di Una Battaglia Aeronavale
A3. Filippo Tommaso Marinetti - Sintesi Musicali Futuriste
A4. Filippo Tommaso Marinetti - Amanti Simultanei "Romanzo Futurista Discato Da Marinetti"
A5. Filippo Tommaso Marinetti - Gli Eroi Della Nostra Guerra, Sintesi Musicali Futuriste
B1. Filippo Tommaso Marinetti - Definizione Di Futurismo
B2. Filippo Tommaso Marinetti - Bombardamento Di Adrianopoli
B3. Filippo Tommaso Marinetti- 700 Km All'ora
B4. Filippo Tommaso Marinetti - Spiralando Sul Porto Di Napoli
B5. Filippo Tommaso Marinetti - Ritratto Olfattivo Di Una Donna
B6. Filippo Tommaso Marinetti - Amanti Simultanei "Romanzo Futurista Discato Da Marinetti"
B7. Filippo Tommaso Marinetti - La Morte Della Mula Di Batteria
B8. Filippo Tommaso Marinetti - La Difesa Del Passo Uarieu
B9. Filippo Tommaso Marinetti - Simultaneità Futurista Di Patria E Voluttà
C1. Antonio Russolo - Corale Per Intonarumori E Strumenti
C2. Antonio Russolo - Serenata Per Intonarumori E Strumenti
C3. Rodolfo De Angelis - Brano Del Manifesto Del Teatro Di Varietà
C4. Rodolfo De Angelis - Quattro Piani Di Sensualità In Uno Stabilimento Di Bagni
C5. Alexandr Mossolov Eiar Orchestra Victor De Sabata - Zavod
C6. Arthur Honegger - Pacific 231
C7. Dixon Cowell - Dynamic Motion
C8. Julius Ehrlich - Dnieprostol
D1. Paul Whiteman - Capriccio Futurista
D2. Paul Whiteman - Futuristic Rhythm
D3. Walter Ruttmann - Week End
D4. George Antheil - Sonata Sauvage Nigger
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SCHIFF, HEINRICH: Hommage a Heinrich Schiff 17CD BOX (NEOS 21602CD)
"The cellist and conductor Heinrich Schiff celebrated his 65th birthday in November 2016. . . . A pupil of Navarra and Tobias Kühne, Schiff made his debut in 1971 in Vienna and London. He performed nearly all the essential cello repertoire of the last 300 years from B to Z -- from Bach to B.A. Zimmermann -- and conducted a repertoire of compositions ranging from the Baroque period to the 21st century. He received the 'Grand Prix du Disque' [...] and the 'Deutscher Schallplattenpreis' (German Recording Prize) . . . Although the cello was initially at the center of his career, conducting became an increasingly central part of his life beginning in 1985. . . . As a conductor, Schiff held the position of music director with the Deutsche Kammerphilharmonie Bremen, the Northern Sinfonia, the Musikkollegium Winterthur, and with the Vienna Chamber Orchestra. . . . Heinrich Schiff died in Vienna on 23 December 2016. Thus this CD collection, originally planned for the occasion of his 65th birthday, has become his legacy. Despite his 'overfilled' everyday life due to performances, Heinrich Schiff never allowed his calling as a teacher to suffer on account of it. His pupils -- he has taught in Basle, Cologne, Salzburg and now in Vienna -- did not merely learn the high art of cello-playing from him: he prepared them, with warnings, for the well-oiled business of musical life, warning them against being too well-adjusted, a post-modern lack of orientation, artistic indifference and becoming 'affable' in a slick, streamlined way. I always admired the way in which Heinrich Schiff, in his artistic dramaturgy and his choice of repertoire, went against the capitalist market-driven, profit-orientated economy, pursuing his path unerringly and without compromise. . . . The recordings of his interpretations in this CD collection are intended as a portrait of this artist's personality, thus providing an electrifying reflection of the scale of his noble character and convictions." --Dirk Nabering; Translation: David Babcock.
Features compositions by: Johann Sebastian Bach, Francesco Geminiani, Antonio Vivaldi, Ludwig van Beethoven, Wolfgang Amadeus Mozart, Robert Schumann, Johannes Brahms, Antonín Dvořák, Anton Bruckner, Max Bruch, Gustav Mahler, Henri Vieuxtemps, Niccolò Paganini, Pyotr Iljitsch Tschaikowsky, Sergei Prokofieff, Reinhold Glière, Helmut Schiff, Dmitri Schostakowitsch, Alfred Schnittke, Witold Lutosławski, Rudi Stephan, Bernd Alois Zimmermann, Friedrich Gulda, Carl Maria von Weber, Franz Schubert, Richard Strauss, Vinzenz Lachner, Claude Debussy, Sergei Rachmaninoff, Camille Saint-Saëns, and Henryk Wieniawski.
$59.60 EAN: 4260063216022 CLASSICAL
Johann Sebastian Bach (1685-1750) - Suite für Violoncello solo Nr. 1 G-Dur BWV 1007 (15:49)
1.01. Prélude (1:56)
1.02. Allemande (3:58)
1.03. Courante (2:42)
1.04. Sarabande (2:23)
1.05. Menuett 1 und 2 (3:13)
1.06. Gigue (1:37)
Johann Sebastian Bach (1685-1750) - Suite für Violoncello solo Nr. 4 Es-Dur BWV 1010 (21:05)
1.07. Prélude (3:07)
1.08. Allemande (3:36)
1.09. Courante (3:12)
1.10. Sarabande (3:34)
1.11. Bourrée 1 und 2 (4:47)
1.12. Gigue (2:49)
Johann Sebastian Bach (1685-1750) - Suite für Violoncello solo Nr. 5 c-moll BWV 1011 (21:52)
1.13. Prélude (5:04)
1.14. Allemande (4:40)
1.15. Courante (2:17)
1.16. Sarabande (3:18)
1.17. Gavotte 1 und 2 (4:18)
1.18. Gigue (2:15)
Francesco Geminiani (1680-1762) - Sonate a-moll Opus 5 Nr. 6 für Violoncello und basso continuo (7:50)
1.19. Adagio - Allegro assai - Grave (4:15)
1.20. Allegro moderato - non tanto - Allegro (3:35)
Antonio Vivaldi (1678-1741) - Concerto h-moll für Violoncello und Kammerorchester RV 424 (9:28)
1.21. Allegro non molto (3:45)
1.22. Largo (2:25)
1.23. Allegro (3:18)
Ludwig van Beethoven (1770-1827) - Zwölf Variationen F-Dur Opus 66 für Klavier und Violoncello über "Ein Mädchen oder Weibchen" aus Mozarts "Zauberflöte"
2.01. Thema: Allegretto und zwölf Variationen (10:11)
Ludwig van Beethoven (1770-1827) - Walisische und Irische Lieder (14:24)
2.02. The parting kiss. Andante espressivo. WoO 155 Nr. 25 (3:02)
2.03. Good night. Vivace scherzando. WoO 155 Nr. 26 (1:22)
2.04. The return to Ulster. Larghetto affettuoso. WoO 152 Nr. 1 (4:14)
2.05. Once more I hail thee. Andante espressivo. WoO 152 Nr. 3 (3:25)
2.06. The morning air plays on my face. Allegretto grazioso. WoO 152 Nr. 4 (2:21)
Ludwig van Beethoven (1770-1827) - Sonate A-Dur Opus 69 für Klavier und Violoncello (26:09)
2.07. Allegro ma non tanto (11:48)
2.08. Scherzo. Allegro molto (5:52)
2.09. Adagio cantabile - Allegro vivace (8:29)
Ludwig van Beethoven (1770-1827) - Sonate D-Dur Opus 102 Nr. 2 für Klavier und Violoncello (20:23)
2.10. Allegro con brio (6:49)
2.11. Adagio con molto sentimento d'affetto - (8:40)
2.12. Allegro - Allegro fugato (4:54)
2.13. Bonus: Der Saitenriss (1:13)
Ludwig van Beethoven (1770-1827) - Symphonie Nr. 5 c-moll Opus 67 (28:49)
3.01. Allegro con brio (6:53)
3.02. Andante con moto (8:42)
3.03. Allegro (4:40)
3.04. Allegro (8:34)
Ludwig van Beethoven (1770-1827) - Konzert für Violine und Orchester D-Dur Opus 61 (42:06)
3.05. Allegro ma non troppo (23:01)
3.06. Larghetto (9:50)
3.07. Rondo. Allegro (9:15)
Wolfgang Amadeus Mozart (1756-1791) - Symphonie Nr. 36 C-Dur "Linzer" KV 425 (30:14)
4.01. Adagio - Allegro spiritoso (10:27)
4.02. Poco adagio (8:35)
4.03. Menuetto (3:31)
4.04. Presto (7:41)
Wolfgang Amadeus Mozart (1756-1791) - Symphonie Nr. 40 g-moll KV 550 (29:34)
4.05. Molto allegro (7:01)
4.06. Andante (9:24)
4.07. Menuetto. Allegretto (3:53)
4.08. Allegro assai (9:16)
Wolfgang Amadeus Mozart (1756-1791) - Rondo C-Dur für Violine und Orchester KV 373
4.09. Allegretto grazioso (5:39)
Robert Schumann (1810-1856) - Konzert für Violoncello und Orchester a-moll Opus 129 (22:18)
5.01. Nicht zu schnell (10:55)
5.02. Langsam (4:03)
5.03. Sehr lebhaft (7:20)
Robert Schumann (1810-1856) - Adagio und Allegro As-Dur Opus 70 für Violoncello und Klavier (Arrangement by Friedrich Grützmacher) (9:39)
5.04. Langsam, mit innigem Ausdruck - (4:42)
5.05. Rasch und feurig (4:57)
Robert Schumann (1810-1856) - Fantasiestücke Opus 73 für Violoncello und Klavier (Arrangement by Friedrich Grützmacher) (12:14)
5.06. Zart und mit Ausdruck (4:10)
5.07. Lebhaft, leicht (3:46)
5.08. Rasch und mit Feuer (4:18)
Robert Schumann (1810-1856) - Symphonie Nr. 2 C-Dur Opus 61 (35:50)
5.09. Sostenuto assai - Un poco più vivace - Allegro ma non troppo (11:55)
5.10. Scherzo. Allegro vivace (6:23)
5.11. Adagio espressivo (9:49)
5.12. Allegro molto vivace (7:43)
Johannes Brahms (1833-1897) - Sonate Nr. 1 e-moll Opus 38 für Violoncello und Klavier (23:03)
6.01. Allegro non troppo (11:48)
6.02. Allegretto quasi menuetto (5:18)
6.03. Allegro - più presto (5:57)
Johannes Brahms (1833-1897) - Sonate Nr. 2 F-Dur Opus 99 für Violoncello und Klavier (28:56)
6.04. Allegro vivace (9:12)
6.05. Adagio affettuoso (7:19)
6.06. Allegro passionato (7:50)
6.07. Allegro molto (4:35)
Johannes Brahms (1833-1897) - Trio für Klavier, Klarinette und Violoncello a-moll Opus 114 (25:01)
6.08. Allegro (7:44)
6.09. Adagio (8:05)
6.10. Andantino grazioso (4:43)
6.11. Allegro (4:29)
Johannes Brahms (1833-1897) - Trio für Klavier, Violine und Violoncello H-Dur Opus 8 (34:58)
7.01. Allegro con brio (13:35)
7.02. Scherzo. Allegro molto (6:59)
7.03. Adagio (8:10)
7.04. Allegro (6:14)
Johannes Brahms (1833-1897) - Konzert für Violine, Violoncello und Orchester a-moll Opus 102 (32:52)
7.05. Allegro (16:35)
7.06. Andante (7:45)
7.07. Vivace non troppo (8:28)
Antonín Dvořák (1841-1904) - Konzert für Violoncello und Orchester h-moll Opus 104 (37:30)
8.01. Allegro (14:23)
8.02. Adagio ma non troppo (11:18)
8.03. Finale. Allegro moderato (11:49)
Antonín Dvořák (1841-1904) - "Waldesruhe" für Violoncello und Klavier Opus 68 Nr. 5
8.04. Lento e molto cantabile (5:00)
Antonín Dvořák (1841-1904) - Rondo g-moll Opus 94 für Violoncello und Klavier
8.05. Allegretto grazioso (7:05)
Antonín Dvořák (1841-1904) - Polonaise A-Dur für Violoncello und Klavier
8.06. Allegro con brio (8:09)
Antonín Dvořák (1841-1904) - "Karneval" Konzertouvertüre A-Dur Opus 92
8.07. Allegro assai con fuoco (10:26)
Anton Bruckner (1824-1896) - Symphonie Nr. 4 Es-Dur "Romantische" (62:20)
9.01. Bewegt, nicht zu schnell (18:59)
9.02. Andante - Andante quasi allegretto (13:33)
9.03. Scherzo. Bewegt (10:11)
9.04. Finale. Bewegt, doch nicht zu schnell (19:37)
Max Bruch (1838-1920) - "Kol Nidrei" - Adagio für Violoncello und Orchester Opus 47
9.05. Adagio ma non troppo (10:17)
Gustav Mahler (1860-1911) - Symphonie Nr. 1 D-Dur (52:29)
10.01. Langsam. Schleppend - Im Anfang sehr gemächlich (14:53)
10.02. Kräftig bewegt (7:50)
10.03. Feierlich und gemessen, ohne zu schleppen (9:57)
10.04. Stürmisch bewegt - Energisch (19:49)
Gustav Mahler (1860-1911) - Todtenfeier. Symphonische Dichtung für großes Orchester (Frühfassung des ersten Satzes der Zweiten Symphonie)
10.05. Maestoso (26:18)
Henri Vieuxtemps (1820-1881) - Konzert für Violoncello und Orchester Nr. 2 h-moll Opus 50 (21:27)
11.01. Allegro (10:26)
11.02. Adagio (5:49)
11.03. Finale. Allegretto con moto (5:12)
Niccolò Paganini (1782-1840)
11.04. Cantabile Opus 17 (Arranged by Heinrich Schiff) (3:34)
11.05. Dal tuo stellato nach Rossini: "Mosè" (Arranged by Maurice Gendron) (6:22)
Pyotr Iljitsch Tschaikowsky (1840-1893)
11.06. Valse sentimentale Opus 51 Nr. 6 (2:08)
Pyotr Iljitsch Tschaikowsky (1840-1893) - Symphonie Nr. 6 h-moll Opus 74 "Pathétique" (43:23)
11.07. Adagio - Allegro non troppo (17:24)
11.08. Allegro con grazia (7:55)
11.09. Allegro molto vivace (9:00)
11.10. Adagio lamentoso (9:04)
Sergei Prokofieff (1891-1953) - "Romeo und Julia" Ballett-Suite Opus 64 a/b (33:24)
12.01. Montagues & Capulets (Suite II, Nr. 1) (5:42)
12.02. Julia als Kind (Suite II, Nr. 2) (4:17)
12.03. Szene (Suite I, Nr. 2) (2:00)
12.04. Maskenspiel (Suite I, Nr. 5) (2:35)
12.05. Romeo und Julia (Suite I, Nr. 6) (7:41)
12.06. Tybalts Tod (Suite I, Nr. 7) (4:39)
12.07. Am Grabe Julias (Suite II, Nr. 7) (6:30)
Sergei Prokofieff (1891-1953)
12.08. Marsch aus "Musik für Kinder" Opus 65 (Arranged by Gregor Piatigorsky) (1:35)
Reinhold Glière (1875-1956)
12.09. Valse en la aus "Douze morceaux" Opus 48 Nr. 2, für Klavier zu vier Händen (2:26)
Helmut Schiff (1918-1982) Drei Duos für Violine und Violoncello Opus 63 (9:47)
12.10. Allegro deciso (3:08)
12.11. Adagio (3:27)
12.12. Allegro moderato (3:12)
Dmitri Schostakowitsch (1906-1975) Sonate für Violoncello und Klavier d-moll Opus 40 (25:16)
12.13. Moderato - Largo (8:59)
12.14. Moderato con moto (3:13)
12.15. Largo (8:50)
12.16. Allegretto (4:14)
Dmitri Schostakowitsch (1906-1975) - Konzert für Violoncello und Orchester Nr. 1 Opus 107 (30:56)
13.01. Allegretto (6:38)
13.02. Moderato - (13:22)
13.03. Cadenza - (5:43)
13.04. Allegro con moto (5:13)
Dmitri Schostakowitsch (1906-1975) - Konzert für Violoncello und Orchester Nr. 2 Opus 126 (33:34)
13.05. Largo (14:08)
13.06. Allegretto - (4:05)
13.07. Allegretto (15:21)
Alfred Schnittke (1934-1998) - Concerto grosso Nr. 1 für zwei Violinen, Cembalo, präpariertes Klavier und Streichorchester (28:16)
14.01. Prelude. Andante - (4:59)
14.02. Toccata. Allegro - (4:26)
14.03. Recitativo. Lento (6:55)
14.04. Cadenza - (2:31)
14.05. Rondo. Agitato - (7:08)
14.06. Postludio. Andante - Allegro - Andante (2:17)
Alfred Schnittke (1934-1998) - Sonate für Violoncello und Klavier Nr. 1
14.07. Largo - Presto - Largo (22:52)
Alfred Schnittke (1934-1998) - Streichtrio (28:15)
14.08. Moderato (15:39)
14.09. Adagio (12:36)
Witold Lutosławski (1913-1994) - Konzert für Violoncello und Orchester
15.01. Introduction - Four Episodes - Cantilena - Finale (23:58)
Witold Lutosławski (1913-1994) - Konzert für Violoncello und Orchester
15.02. Introduction - Four Episodes - Cantilena - Finale (23:31)
Witold Lutosławski (1913-1994) - Musique funèbre in memoriam Béla Bartók
15.03. Prologue - Metamorphoses - Apogeum - Epilogue (13:54)
Witold Lutosławski (1913-1994) - Grave. Metamorphosen für Violoncello und Klavier
15.04. Grave (5:56)
Rudi Stephan (1887-1915) - Musik für Orchester 1912 (Neufassung 1913)
16.01. Sehr ruhig (17:34)
Bernd Alois Zimmermann (1918-1970) - Konzert für Violoncello und Orchester "en forme de pas de trois" (24:37)
16.02. Introduzione. Dans la vallée des songes (5:34)
16.03. Allegro. La fée, Don Quichotte et la sentimentale (3:20)
16.04. Adagio. Les trois cygnes blancs (5:27)
16.05. Tempo di marcia. Les trois paladins (1:33)
16.06. Blues e Coda. La fée, le violoncelle et la contrebasse (8:43)
Friedrich Gulda (1930-2000) - Konzert für Violoncello und Blasorchester (30:39)
16.07. Ouverture (4:57)
16.08. Idylle (7:58)
16.09. Cadenza (7:29)
16.10. Menuett - (3:37)
16.11. Finale alla marcia (6:38)
Carl Maria von Weber (1786-1826) - Ouvertüre zur Oper "Oberon"
17.01. Adagio sostenuto - Allegro con fuoco (9:16)
Franz Schubert (1797-1828) - Symphonie Nr. 7 h-moll "Unvollendete" D 759 (24:48)
17.02. Allegro moderato (14:32)
17.03. Andante con moto (10:16)
Richard Strauss (1864-1949) - Romanze F-Dur für Violoncello und Orchester
17.04. Moderato. Cantabile (9:28)
Vinzenz Lachner (1811-1893) - Sechs deutsche Tanzweisen für Violoncello und Klavier Opus 65
17.05. Cantabile (11:44)
Claude Debussy (1862-1918) - Sonate für Violoncello und Klavier (11:02)
17.06. Prologue. Lent. Sostenuto e molto risoluto (7:23)
17.07. Sérénade et Finale. Modérément animé - animé (3:39)
Sergei Rachmaninoff (1873-1943) - Vocalise Opus 34 Nr. 14 für Violoncello und Klavier (Arranged by Leonard Rose)
17.08. Lentamente, molto cantabile (5:44)
Camille Saint-Saëns (1835-1921) - "Le cygne" aus Le Carnaval des Animaux
17.09. Andantino grazioso (2:34)
Henryk Wieniawski (1835-1880) - Scherzo-Tarantelle Opus 16 für Violoncello und Klavier (Arranged by Heinrich Schiff)
17.10. Presto (4:48)
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TRIBE OF COLIN: Wide Berth EP 12" (TNB 001EP)
It's been some time since anyone's heard from Tribe Of Colin (way back in 2015, when that Fruits Of Zion tape took everyone for a real spin). Now the long wait is over. Tribe Of Colin drip feeds four new tracks from a source not specified. Rugged techno tales.
$9.79 UPC: N/A ELECTRONIC
01. Noir Body (The Message)
02. Lion 5
03. Jah Skit
04. Lead And Demonstrate
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ISMAEL: Low Contrast EP 12" (US 015EP)
Ismael's addition to the Nous camp is an impressively expansive account of contemporary electronic club music, with one foot firmly planted in a robust and ripe understanding of its roots in gritty US electro funk and proto house, alongside the industrial machine music exemplified by the first wave, while the other foot finds itself skating around a future reticulation, informed emphatically by the hardcore continuum and all of its awesome sonic artillery, while infused with the rhythm and grime of now. Tzusing from L.I.E.S. says "that release is fressshhhh."
$10.99 UPC: N/A ELECTRONIC
01. Let Down
02. As She Walks By
03. DT 100
04. Cross System Ill
05. Shiel
06. Aftertalk
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WATANABE/KUNIYUKI, HIROSHI: Acid Japan 12" (OT 028EP)
Originally released in Japan in 2015 on DJ Emma's Nitelist Music as part of its Acid EP series. JD Twitch scored a copy and both tracks became firm favorites in his sets. Twitch was kindly granted permission to reissue it on Optimo Trax. Hiroshi Watanabe's "Infinity Sign" is a hypno ecstatic acid piano-tingling monolith. Kuniyuki's "Acid Air" is a slow building organic percussive acid freak-out that will cause a freak-out on the floor. It is hard to do anything with a 303 that is interesting these days but both the tracks on this 12" are 100% club classic.
$8.39 UPC: 880319849916 ELECTRONIC
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MAN POWER: Sonic Pressure 12" (OT 029EP)
Newcastle-born, Mexico-based Man Power debuts on Optimo Trax with two psycho-sonic missives cuts, extra loud for optimum sound system performance. Man Power on the release: "Both tracks sound different, but they're both from the same place in as much as they represent a conscious effort by me to strip back some of unnecessary niceties in my music and really sharpen my focus on what makes people dance without crossing the fine line of what makes me sound like me."
$8.39 UPC: 880319864919 ELECTRONIC
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JIMMY CAKE, THE: Tough Love LP (PENSKE 006LP)
The Jimmy Cake formed as a ten-piece group in Dublin, Ireland in 2000 from the fresh remains of local experimental rock noise-niks Das Madman. In that time they have collaborated live with the likes of Damo Suzuki, Iva Bittova, and Charles Hayward while slowly drifting over the course of six albums from a pastoral psychedelia to full-on kosmische psych, fully realised on Master, their 2015 aural colossus. Drawing from the same sonic palette, Tough Love is another serpentine and ecstatic creation from one of Ireland's most consistently adventurous bands. Tough Love is the sixth studio album from experimental rock group The Jimmy Cake. Written in 2015 as a continuous piece for a one-off performance in The Joinery, a much-loved and badly-missed arts space in Dublin City, Tough Love is part kosmische post-punk dystopia, part time-lapsed motorik stoner rock. Both sides menace and swell, playing with time and space before building to two distinct strains of glorious sonic pay-off. "Thank God for The Jimmy Cake" --The Journal Of Music In Ireland (Review of Master). "In short, Master confirms The Jimmy Cake are this country's finest experimental rock band, hands down" --The Sunday Business Post (Review of Master). "Every city has one, a band that for some strange reason never really made it beyond its borders yet deserves to take over the world. Instead of being known for U2 or Westlife, Dublin should be known for The Jimmy Cake" --Brainwashed.com (Spectre & Crown Review)
$13.79 EAN: 5055869559201 ROCK
01. Tough Love Part I
02. Tough Love Part II
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MCCANN & MATTHEW SULLIVAN, SEAN: Vanity Fair LP (R 001LP)
2012 release. Recital's inaugural release, Vanity Fair, is Sean McCann & Matthew Sullivan's debut collaboration album. A fitting introduction to the ethos of Recital; the desire to turn a new page or to more accurately project what is significant and engaging in contemporary music. McCann speaks about the album: "Matt and I had often talked about collaborating, as our musical understandings and interests align. Both drawn to minimalism and graceful ambience, we would trade tidbits and slivers of ideas casually over coffee or wine. For the better part of a year, we procrastinated our theoretical project, which in retrospect allowed our ideas to ferment. So when it actually came time to pop the cork and record, everything fell right into place. What manifested in the studio was lush and enchanting. The pieces are quite varied, and range from the majestic to the tormented, occasionally synthesizing an almost humorous blend of the two. Presenting a manipulated animal and glockenspiel march, a chamber string and glass rhapsody and a somber harp and phone ballad - it challenges the listener and expresses the development of both acclaimed artists. It is a timeless, refined effort, that both Matt and I are very proud of." Edition of 560.
$10.99 UPC: 769791962606 ELECTRONIC
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IDEA FIRE COMPANY: Rags To Riches LP (R 004LP)
2013 release. An edited and remastered issue of a tape by the Idea Fire Company quartet, originally released in 2005 - Scott Foust, Karla Borecky, Jessi Swenson & Meara O'Reilly. Rags To Riches is a live record documenting pieces from 2003 through 2005. It showcases some top-shelf unreleased works; "The Whole World," "Metropolis," and "The Bitter End." Older material is also included; a fierce version of "Artificial" from 2005's Stranded, as well as the notorious "Cycle-19." Additionally, there is a beautiful voice-based rendition of "Some Of Us" by Idea Fire Company comrades' The Shadow Ring. All these pieces exhibit a contemplative and well-informed use of electronics, radio, and voice interlaced with spoken title announcements in French, punching typewriter passages and audience dialogue. Their mechanical and uncompromising aesthetic is pronounced, as Rags To Riches reminds us all why Idea Fire Company are such an important contemporary outfit. Edition of 285. Includes color insert with an essay by Scott Foust.
$10.99 UPC: 769791962613 ELECTRONIC
01. The Bitter End (5:54)
02. Artificial (12:25)
03. The Whole World (4:19)
04. Cycle 19 (5:35)
05. Some Of Us (8:07)
06. Metropolis (8:43)
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LOCKWOOD, ANNEA: Ground Of Being CD (R 007CD)
2014 release. Annea Lockwood (b. 1939, New Zealand) has been an active member of the sound art world for over 50 years. Known prominently for her "Glass Concerts", exploring the sonic temperaments of glass; her "Piano Transplants", a performance piece where a piano is lit on fire or partially buried; and "Sound Maps", detailed audio studies of rivers in the United States. She has received international recognition for her unique relationship with sound. Lockwood has taught at a number of universities, most notably at Vassar in New York, where she taught since 1982. Although recently retired, she is still constantly engaged in her art, recording and composing from the world around her. Ground Of Being presents four pieces ranging from 1996 to 2013. Unlike her "Sound Map" albums, which often work environmentally, Ground Of Being tells a more detailed story. It's a moving series of memories, or a collection of different dreams. Annea has a keen connection with the resonances of the Earth; whether it be the detail of water sloshing, the reverberation of a voice in a room, or that of acoustical instruments. With these natural resonances in her palette, a unification of all sounds is formed. For example, the piece "Dusk" (2011) juxtaposes recordings from vents on the bottom of the ocean together with transposed bat calls. Additionally, on Lockwood's composition "Ear-Walking Woman" (1996), performed here by Lois Svard, prepared piano acts as a microcosm of the world of sound - A box with treated strings; a smaller reflection, yet still limitless in its ability to produce frequencies and dynamics. The notion of sound as an extension of the physical realm is brought to mind. The aural temper of water, of wood, of rocks, of wind - Lockwood brings all into focus for our consideration. Edition of 500. Housed in a six-panel wallet, with an insert of writings by Annea Lockwood.
$9.79 UPC: 769791962637 EXPERIMENTAL
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VA: Voooxing Poooetre CD (R 012CD)
2015 release. A CD reissue of the long unavailable international sound poetry compilation LP, Voooxing Poooêtre. Originally released in 1982, this collection was assembled by Italian sound poet Enzo Minarelli (who has also curated releases on Slowscan and Baobab, in addition to operating the 3Vitre imprint). Comprised of voice works from the 1970s to the early 1980s the collection spans a wide geography; Eastern Europe, France, Italy, Spain, and America. Including text-sound staple Bernard Heidsieck, Dada artist Klaus Groh, Italian artists Agostino Contò and Adriano Spatola (Edizioni Geiger), along with more unknown sound recordings from artists Giovanni Bignone and Grupo Texto Poetico, in addition to works by Minarelli himself. An appealing showcase of some less-prolific sound poets. The recordings have been retransferred from the original 2 inch tape, yet an inherent "home-recording" quality is prevalent in most pieces, which in a sense adds character and becomes part of the art itself. "When you listen to these sound poems, you will notice that they don't look so old as they appear. Many of the pieces anthologized were made in mid-seventies, at the beginning of the eighties, and yet, despite almost four decades, they still explode their power of communication. Why? This is one of the great intuitions caught by sound poets, when one works into this apparently untouchable but really concrete, physical material of orality, vocality, or vocorality to use a neologism of mine, without being limited by the monopoly of meaning so typical of the written language, it keeps himself inside a safe area, an ever-green mix of words and sounds, of phonetics and linguistics, of notes and noises which make it similar to the Dorian Gray of sound poetry!? Re-editing Voooxing Poooêtre, means to re-affirm the validity of the vocorality as a practice of research, that sort of freedom which allows the polypoets to experiment, to move even more and more forward the border of the vanguard." -- Enzo Minarelli, 2015. Edition of 500. Housed in a six-panel wallet, including a 24-page booklet reproducing the photos, scores, and writings from the original LP. Comes with a new foreword written by Enzo Minarelli in 2015. Also includes the works of: Rod Summers, Giovanni Fontana, Richard Kostelanetz, Vladan Radovanovic, Peter R. Meyer, Tibor Papp, Santo S.A. and Jean Jacques Lebel.
$9.79 UPC: 769791962644 EXPERIMENTAL
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IDEA FIRE COMPANY: Lost At Sea LP (R 013LP)
2015 release. Recital presents Idea Fire Company's Lost at Sea. Lost At Sea imagines the Idea Fire Company as a bar band on a small cruise ship. There are approximately 40 passengers aboard. Around 2/3 of them are in the lounge for the nightly Idea Fire Company performance. Most of them seem more interested in drink than in music. The ship has become lost and seems to be endlessly circling, Well stocked with booze and food, etc., the ship continues on. Idea Fire Company, armed with only a piano, trumpet, radio and synth provide the nightly entertainment. Lost At Sea is certainly the sister of the also piano-heavy The Music From The Impossible Salon (2011), but Lost At Sea has an air of weary optimism replacing the bleak sadness of Impossible Salon. For almost thirty years, Idea Fire Company has carved their own path, or dug their own hole, depending on your view, through the ever-changing world of underground music - Still violently committed to the avant-garde and to new forms of beauty, still romantic, still idealistic. In the old days, this sort of commitment was better appreciated. As a number of people have said over the years, every Idea Fire Company records sound different, but they all sound like Idea Fire Company. Includes a 4″ x 6″ postcard and download code. Edition of 400.
$12.39 UPC: 769791962651 ROCK
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MINARELLI, ENZO: Romanzi Nelle I CD/DVD/BOOK (R 016CD)
Romanzi Nelle I is a stunning new work by Italian sound poet and artist Enzo Minarelli (b.1951). Romanzi Nelle I takes inspiration from the sacred work of Abraham Abulafia (1240-1291), the Jewish mystic and father of linguistic permutation. This edition fully documents the piece, containing audio, video, and literary content. It is rare to get to examine a composition so closely, and I have found to it be an important exercise. Enzo's years of work as a performer and curator come to shine here, and the rainbow of human range is examined - the transposition of meditation, massaging the depth of euphorias, and flipping the coin to paint the curls of despair. A fascinating experience delivered to those who are interested in sound and concrete poetry. Excerpts from book: The Prototype of Permutation: "It is not his life [Abulafia], however challenging it may have been, to have attracted me, but his very original theory of permutational study applied to nouns. If we consider permutation as a creative act, immediately it comes to mind the poetry of Brion Gysin who in 1960 does exploit it in operational terms, although it must be added that his way of permutation was the direct result of programming a computer made by an English student, Ian Sommerville, escaped from Oxford University to take refuge at the Beat Hotel in Paris, where he met Gysin. The same observation must be made for the experience called Tape Mark I (1961) and Tape Mark II (1963), by Nanni Balestrini, where the hardware makes the linguistic choice, or Tag-Surfusion (1996), by Jacques Donguy. They are, in essence, the same kind of texts, acutely called by Max Bense, 'stochastic', as the machine decides for the author. Abulafia, on the other hand, draws his series of permutation, studying the language from its inside, it is the prototype of permutation, the first motionless motor, and without tricks or deceptions, he sets up manually, only with the help of pen and paper, the whole universe of permutation, organizing a constant, linguistic change through a relentless swirl of terminology. Not necessarily, he begins from codified words, but often he takes fragments, syllables, groups of arbitrary monemes that he himself develops and twists exponentially, applying mathematical rules. The declared aim of his exercises is the divine ecstasy." The Primitive Simplicity Of Vocorality: "Romanzi Nelle I is an untranslatable title because it consists of the Italian anagram of my name and surname, in perfect Abulafia style, in its non-sense it means a lot. If it is possible to pursue the writing of the book of the books as Mallarmé was dreaming, moreover I believe I can point at the sound of the sounds, the word of the words, that is the primitive simplicity of vocorality, the big bang of the linguistic explosion, the first sonic imprint. For word, it is not to be understood the comprehensible term, but the arbitrary union of nouns after an eruption, the clinamen, the random fall of syllabic fragments because 'we have to let the letters the chance of continuing to be read [heard], despite the existence of the words' according to a great insight of Rabbi Yosef Razin." Edition of 200. Includes: Hardbound, 71 page, full color book - CD of the 2015 rendition of Minarelli's "Romanzi Nelle I" - DVD holding the original 2013 performance.
$26.99 UPC: 769791962675 EXPERIMENTAL
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SCHMID, ERIC: A Channel, Dedicated To Michael CD (R 018CD)
"In 2013, I was living in California working as programmer and would talk to 'our friend Eric [Schmid]' on the phone every few days - he's always liked talking on the phone and I liked it then because I could take breaks from work and it was also nice to talk with our friend who was living in New York. He left a year and a half before I did just after the beginning of our final semester at school. He'd returned to the city to finish school shortly after I left to go to work. From August 2014 to October 2015 we were both living in New York. On one of our phone calls he talked about an idea for art production that involved recording all his phone calls. At the time a lot of his calls would come directly after he had emailed a poem to me because he wanted feedback. I think that this CD comprised of all of the voicemails found on his phone dating from the years 2010-2015 is a response to that idea. 'We have a calling to redeem weakness in the moment and to treat this indeterminate material as the solution to psychic stabilization,' he once said. Recently when I played him some recordings I had been working on he reminded me that I had expressed discomfort at his proposal to record all of his phone calls, so he did not do it. I know that his poems had altered the way that I corresponded with him through email and text and the nature of communication over the phone seemed in that sense less productive. The voicemails that are found on a phone are the result of an undirected editing process over time and the production of an album from them is the result of an automatic export process - a found form. I like to think about the voicemails in relation to our friend's bag sculptures and poems. What is the bag? We say: a vessel, something of the kind that holds something else within it. He reminds me that in this context it may be fruitful to make reference to Dieter Roth's Flat Waste, the various vagaries of life, self-portraiture, and auto-biography." -- Michael Pollard, 2016. Edition of 200 copies. Glass mastered CD, housed in jewel-case with four-panel insert.
$9.79 UPC: 769791962682 EXPERIMENTAL
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FONTANA, GIOVANNI: Epigenetic Poetry LP (R 020LP)
"Epigenetic Poetry is an anthology documenting the sound works by the Italian sound poet Giovanni Fontana (b. 1946). These pieces, dating from 1968 to 2014, are scarcely available; culled from cassette magazines and art-book compendiums, along with two unreleased recordings. Fontana has been a pioneer of Italian visual poetry, sound poetry, and experimental theater since the mid-1960s. Together with peer Adriano Spatola, Giovanni worked on the publication Tam Tam (founded in 1972). He also rode in the same wagon as Arrigo Lora-Totino, splicing, pasting, and folding the compass of Italy's intermedia. In one light, Fontana's voice erects a brutal and guttural effigy of man, primitive and hermetic. Yet, stepping to the side, one can see the thin strands of support bolstering such combustibles. As chested-strings of a piano, Fontana strikes firmly across the resonating spread of discovery and acceptance. In addition to voice; jaw-harp, guitar, whistle, piano, and harpsichord are featured in these recordings, though the musical elements are secondary to the voice. Mouth, throat and even nose ('Poema a naso' features a microphone inserted in the nostril) take the stage-light. The interconnection between Giovanni's visual and audio artwork is significant. Words twist and dissolve; blotted with ink, soaring across an empty score. This album acts as a frame for these 14 pieces, which can be seen as they are heard, spilling from speakers as letters meeting paper." -- Sean McCann. June 2016. Edition of 315. Includes 16-page 9"x9" pamphlet with three critical essays, score excerpts, artwork, and program notes written by Fontana. Includes download code.
$13.79 UPC: 769791962699 EXPERIMENTAL
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HATAKEYAMA, CHIHEI: Mirage LP (RM 483LP)
"Music is liquid architecture; Architecture is frozen music." --Johann Wolfgang von Goethe
The relation of sound and architecture has been a recurring theme across the centuries. The earliest examples of sound design stem from the interaction of human voice and various architectural spaces used for worship and ritual. It is these sonic reflections on ritual that are at the root of the latest edition from Japanese ambient maestro Chihei Hatakeyama. Recorded over the period of five years, Mirage is a meditation on the phenomenology of music and architecture. During a field trip to Turkey, Hatakeyama became acutely aware of how architecture shapes sound and through doing so affects the very nature of music's resonance. This condition extends beyond the personal into the collective, creating a certain condition of aurality that operates at a societal level. Walking through the labyrinthian bazaars of Turkey, Hatakeyama took inspiration from the way sounds emerged and decayed within those spaces. Looking to replicate these experiences in the creation of the album, he developed a series of new processes and transformations that expanded his approach to textural music. Weaving in location recordings from these spaces, the record began to take on a hazy abstruse quality; the unfamiliar familiar. As the name suggests, Mirage is about the apparent phenomena that exists only in our perception. Like a strong memory, which can feel so very present yet remain intangible, Hatakeyama's music on Mirage maintains a lucid but utterly transcendent quality. Chihei Hatakeyama is a sound artist, an organizer and mastering engineer born in 1978. He lives in Tokyo. Originally a guitarist, his start in music came during his teen years playing in Tokyo metal bands. Gradually his focus shifted to more adventurous sounds and it was during this time he began to work more exclusively in a solo format. Hatakoeyama produces polychromatic, memory-evoking soundscapes with various recorded materials sourced from acoustic instruments such as guitars, vibraphone, and piano. His work is a meeting of the gestural language he has developed for his instruments and expansive processing via a variety of acoustic and digital sources.
$16.39 UPC: 739027481966 ELECTRONIC
A1. Sad Ocean
A2. Starlight And Black Echo
A3. Bus Terminal In Konya
A4. Voices On The Corner
B1. Distant Steam Train Whistle
B2. Anatolia Mirage
B3. Phantom Cats In Cathedral
B4. A Silence Of Day
B5. In The Quiet River
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COOPER, MIKE: Raft LP (RM 484LP)
Mike Cooper's output of the past half century has been described as "post-everything". It's a fitting phrase really when you consider he has been at the beating heart of so many critical musical moments; from the development of the blues touring circuit in the UK, through the growth of the folk scene and into the explosion of free improvisation that came to define a generation of UK musicians. Amidst it all, working at stitching these disparate forms into some kind of de-territorialized zone, was Mike Cooper. It's fitting that he explores the notion of journey on his latest full-length edition. Even more fitting that he examines the vessels that carry us on journeys. With Raft, Cooper charts his interests in ambient exotica and collides it with his research into various South Pacific musical traditions. The record extends his palette considerably, stretching away from the hypnagogic flows of his master piece Rayon Hula (2004), into a more oceanic setting. "Raft 21 - Guayaquil To Tully", for example, sets out a lilting rise and fall of harmony which erupts with spluttering electronics. Specifically inspired by Vital Alsar and William Wills, sailors who undertook some of the 20th century's most impressive solo voyages, Raft reflects upon the determination of the solo traveler. In a musical sense, Mike Cooper's work of recent years has very much reflected a determined solo traveler work ethic. In his commitment to travel alone, he has developed a range of strategies that he works against as a means of surprising himself and uncovering unfamiliar sonic relations. This approach has proved an incredibly fertile pursuit for Cooper, arguably producing some of his most affecting and engaging works, his Room40 albums Fratello Mare (RM 462LP, 2015) and White Shadows Of The South Seas (RM 454CD, 2013) amongst them. Raft is a vital record that sets its sights beyond the horizons of convention and in doing so reveals a perspective that is only available to lifelong voyagers such as Mike Cooper. From Mike: "Raft is my tribute to William Willis, Vita Alsar, Jack London, Robert Louise Stevenson, Louis Becke, Adolph Plate, Jacque Brel, FW Murnau and to all sailors, scribblers and drifters everywhere."
$16.39 UPC: 739027481973 ROCK
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MOTORPSYCHO: Begynnelser 2x10"+CD+DVD (RLP 2193LP)
This music was written for a project Motorpsycho was invited to be a part of by Trøndelag Teater in 2015. It eventually ended up as the play Begynnelser ("Beginnings"); directed, designed and dramatized by the independent theatre group De Utvalgte based on a new text written by Norwegian author Carl Frode Tiller. It was produced and performed at Trøndelag Teater in Trondheim with a cast drawn mainly from their ensemble. Motorpsycho played live at every performance with a line-up that included "utility psychos" Pål Brekkås or Tos Nieuwenhuizen. The play ran for six weeks in September and October of 2016. Not all of this music was eventually used in the play. The band also wrote a lot more during preparations and rehearsals. It was a long process and most of the music was tweaked in a big way to fit the flow and feel of the play. It was also played live every night, so what you would have heard during the performances would in most instances have sounded very different from this album. But these initial recordings have a certain unity of intent, as well as a sound and a definitive vibe to them that the band feels perhaps represents their input into the project the best. It is what they feel works best as a pure listening experience. The music is not sequenced in the order it was used in the play, and a lot of the music that eventually was played in the performances is missing from this album, so this is perhaps best described as "a version of what it might have been", more than a document of what the soundtrack eventually ended up becoming. One presumes this also probably would explain the title of the album. The titles of the various tracks reflect the band's process. The song names are in many cases inner-band shorthand for associations they gave the composers as they were written, and all of them are additionally graced with a place name taken from the area of Norway that both Hans Magnus Ryan and Bent Sæther of Motorpsycho grew up, and where the play is set. The included DVD contains a documentary and a complete two hour filmed performance of the play -- with English subtitles; DVD is PAL format, region free. So all-in-all, you get a lot of new, original Motorpsycho music.
$37.00 EAN: 7033660021934 ROCK
A1. Mærrabotn [Fosen]
A2. Terje's Sang [Bøla 1]
A3. Jaques Tati [Kongensgate]
A4. Trylleball [Sannan]
B1. Dekdektiven Røker Om Natten [Figga]
B2. Taterhjulets Gnaur [Majavatn]
B3. Englevinger [Namskogan]
B4. Sirkelpust [Jørstadbrua]
C1. Satan [Namdalen]
C2. Over Nyhavna [Falstadvalsen]
D1. Tåke På Fjorden/Rinnan Kjæm [Sør-Beistad]
D2. Gutan I Skogen [Sol På Sunnan]
D3. Terje's Sang [Bøla 2]
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BEN & SADAR'S: We Are Righteous People 12" (RHSTORE JAMS10)
The two-tracker arose after Sadar Bahar discovered Ben's Utrecht based studio, which houses 60 synths! Electro fiend Ben was charmed by the electronic elements in Sadar's funk and Sadar loved Ben's ideas. Nuff said -- a new NL based project was born. Nothing sampled for these tracks... only stabbing guitar, bass, sax, and pounding drum programming for dancefloor heat -- two direct disco jams. Artwork by Cosmo Knex.
$9.79 UPC: N/A ELECTRONIC
01. We Are Righteous People
02. Bouncing Atoms
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RITA, MARIA: Brasileira LP (OMSD 001LP)
Selva Discos present an official reissue of Maria Rita Stumpf's Brasileira, originally released in 1988. Brasileira has been on top of collectors and music lovers' wish lists since "Cântico Brasileiro Nº3 (Kamaiurá)" broke out and cast a spell worldwide. Lucky collectors can listen to the whole album -- with gems such as "Lamento Africano/Rictus" and "A Cidade" -- but it was clear that Brasileira is an oeuvre that more people should have access to. Selva Discos is a new label run by Augusto Olivani and Millos Kaiser (the DJ/production duo known as Selvagem) in partnership with JD Twitch's Optimo Music. Here's an extract from Augusto Olivani and Millos Kaiser's sleeve notes about the Brasileira and the label's launch: "We were aware of the originality and rarity of this album since we put our hands on a copy of the Brasileira LP a few years ago, but it took time to learn that Maria Rita from 'Kamaiurá', the track that carried us away as soon as we first heard it, was the same Maria Rita with whom one of us knew since childhood. To reissue Brasileira became a life mission. Also, it turned to be the seed that allowed Selva Discos to bloom." And another extract, taken from Maria Rita's recollection on the serendipity that triggered this reissue: "Many years passed until I got a call from a close friend saying that his son, whom I had known since childhood, was my fan. I found it funny... I was slowly returning to music after years of directing Antares, a company I created and that brought thousands of artists to Brazil. He was a DJ who played my songs at the Selvagem parties and as he said, did not know that I was me, the same Maria Rita who worked with his father. This was a plot twist, a movie thing." Maria Rita Stumpf is now the owner of Brazilian production company Antares Produções, responsible for bringing international artists, such as Philip Glass and Mikhail Baryshnikov, to Brazil for the past 30 years. After distancing herself from the music business since the original release of Brasileira, she's now back in the game. This reissue was overviewed by Maria Rita Stumpf; Remastered from DAT tape of the original release; Artwork updated by Brazilian design studio Colletivo; Features liner notes by Maria Rita.
$16.99 UPC: 880319858413 WORLD
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VA: The Spirit Of Indonesia LP (SK 003LP)
The Spirit Of Indonesia is a newly curated collection of traditional tunes from various regions and ethnic groups of the South East Asian archipelago. These historic live recordings are as "first-take" as it gets, conveying the true soul and spirit of this wonderful region, through discrete pieces coming from very different heritages. 45rpm audiophile vinyl; Limited edition of 300.
$17.79 EAN: 8056099000287 WORLD
A1. Sundanese Song With Zither (Java)
A2. Sundanese Song With Violin (Java)
A3. Batak Music (Sumatra)
A4. Dance Music (Sumatra)
A5. Children Tune (Sumatra)
B1. Djanger Music (Bali)
B2. Balinese Opera Music (Bali)
B3. 'Salendro' Song (Java)
B4. Gamelan Warrior Dance Music (Java)
B5. Dream Song (Bonus Track)
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VA: Early Traditional Instruments In Asia LP (SK 004LP)
From the metal chimes of the gamelan, to the Burmese harp, passing through the Chinese Hu Ch'in, a traditional and ancient chordophone-bowed lute, Early Traditional Instruments In Asia is a sheer historical document that represents some of the most ancient instruments known to mankind. 45rpm audiophile vinyl; Limited edition of 300.
$17.79 EAN: 8056099000737 WORLD
A1. Ancient Maori Song, New Zealand
A2. Australia Tribal Music
A3. Philippines Hanunoo Music
A4. India Old Religious Music
A5. Old Classic Music From India
A6. Folk From Burma
A7. Traditional From Burma
A8. Traditional From Philippines
A9. Japanese Ritual Music
A10. Hanunoo From Philippines
A11. Old Traditional From Australia
A12. Dream Songs From Malaya
A13. Traditional From India
B1. Folk From Burma
B2. Religious Music From India
B3. Traditional From Philippines
B4. Folk Music From Japan
B5. Hanunoo From Philippines
B6. Pakistan Traditional
B7. Folk From Burma
B8. Traditional From Southeast Asia
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HAPPY MEALS: Full Ashram Devotional Ceremony Volumes IV-VI LP (OMSOLOW 001LP)
Optimo Music presents a new offshoot label, So Low, named after the night of the same name in Glasgow, run by Becky Marshall, Iona McHale, JD Twitch, and Katie Shambles. The label's inaugural release is from Glasgow's much-loved Happy Meals, a duo comprised of Suzanne Rodden and Lewis Cook. Full Ashram Devotional Ceremony Volumes IV-VI is the duo's second album release, following 2014's acclaimed Apero on Glasgow's Night School label. Full Ashram is the name of Happy Meals' recording studio. The Devotional Ceremony is Happy Meals connecting with their cosmic inner selves. They realize their Full Ashram Devotional Ceremony as banishing demons, devils, and ill will. Devote your soul to the positive forces before the misguided, suffering spirits pull you down and wipe you out. While the album is comprised of individual tracks segueing into each other, for full salvation, it is recommended to be listened to as one continuous piece.
$15.79 UPC: 880319865213 ELECTRONIC
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SINIGAGLIA, RICCARDO: Riflessi LP (SOAVE 005LP)
Soave present the first vinyl reissue of Riccardo Sinigaglia's Riflessi, originally released in 1986. Riccardo Sinigaglia, along with Gabin Dabiré and Walter Maioli, was a part of Futuro Antico -- one of the most important collaborations to emerge from the 1970s and '80s Italian avant-garde. The project, whose name literally translates to "ancient future", joined traditional sounds and instrumental from around world, with electronic music -- the sonic past, present, and future as one. Recorded shortly after the collective's most prolific period and released in 1986, while more singular and more idiosyncratic, Sinigaglia's Riflessi caries these very concerns at its core. Built from field recordings, collaged samples, synthesis, and unique instrumentations, and shifting from hypnotic rhythm to radical and displacing structures, Riflessi establishes a remarkable link between ancient and non-western musics and efforts emerging from studios like Groupe de Recherches Musicales. A work of staggering rhythm, texture, and beauty, Riflessi builds a world with almost no parallel -- imbuing electronic music with touch, tactility, and humanity, while sacrificing none of its challenges and intellectual heights. Rattling sonorous wonder, emerging for the first time on any format since its original pressing, before us is a historic moment -- a lost piece of the puzzle of the wondrous Italian avant-garde.
$20.99 EAN: 8055323520676 EXPERIMENTAL
A1. Riflessi
A2. Sezioni
B1. Silab
B2. Attraverso
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VA: Somewhere III Vinyl Sampler B 12" (SOHASO 013B-EP)
Something Happening Somewhere return with a new chapter in the Somewhere series. Somewhere III is released over two vinyl samplers. Love Over Entropy teaming up with Ripperton for "Saints De Glace". Downtempo organic grooves and a drifting melody that ebbs in-and-out of consciousness provide disparity with glimmering pads. Equus's "Ash" picks up the pace with a track that was released on Soma Quality Recordings in 1996. Arik Brikha's disco-fueled "Eat The Heart" feels like it's furiously driving along an electronic highway. A rolling bassline motif creates the fierce backbone for Tracey's "Phase 1", as echo feedback waves in-and-out.
$8.99 UPC: 880319860218 ELECTRONIC
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VA: Revolutions Per Minute (The Art Record) 2LP (CY 996LP)
Song Cycle Records present a reissue of Revolutions Per Minute (The Art Record), originally released in 1982. Revolutions Per Minute is a two-record album of twenty-one original sound works by artists represented at that time by the Ronald Feldman Fine Arts, Inc. in New York. Each gallery artist was asked to record or provide a three-to-five minute segment for Jeff Gordon's Greene Street Recording Studio. No further directions were given, and the sound works are an amazing mix. List of the artists involved: Jud Fine, Eleanor Antin, Terry Fox, Margaret Harrison, Les Levine, Hannah Wilke, Douglas Davis, Vitaly Komar & Alexander Melamid, Helen Mayer Harrison / Newton Harrison, Vincenzo Agnetti, Chris Burden, Piotr Kowalski & William Burroughs, Ida Applebroog, Edwin Schlossberg, SITE, R. Buckminster Fuller, Thomas Shannon, Conrad Atkinson, David Smyth, Todd Siler, and Joseph Beuys. Comes on 180 gram vinyl; Gatefold sleeve.
$28.39 UPC: 889397719968 EXPERIMENTAL
A1. Jud Fine - Polynesian/Polyhedron
A2. Eleanor Antin - Antinova Remembers
A3. Terry Fox - Internal Sound
A4. Margaret Harrison - First Lines
A5. Les Levine - Would Not Say No To Some Help
B1. Hannah Wilke - Stand Up
B2. Douglas Davis - How To Make Love To A Sound
B3. Vitaly Komar & Alexander Melamid - Russian Language Lesson
B4. Helen Mayer Harrison / Newton Harrison - Extract From The Second Lagoon: A Memoriam To John Isaacs
B5. Vincenzo Agnetti - Pieces Of Sound
C1. Chris Burden - The Atomic Alphabet
C2. Piotr Kowalski & William Burroughs - You Only Call The Old Doctor Once
C3. Ida Applebroog - Really, Is That A Fact ?
C4. Edwin Schlossberg - Vibrations/Metaphors
C5. SITE - Comments On SITE
C6. R. Buckminster Fuller - Critical Path
D1. Thomas Shannon - Smashing Beauty
D2. Conrad Atkinson - The Louis XIV Deterrent
D3. David Smyth - Typewriter In D
D4. Todd Siler - Think Twice
D5. Joseph Beuys - Excerpt From Cooper Union Dialogue
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BARONCINI & BRUNO BATTISTI D'AMARIO, ANGELO: Music For Movement LP (SME 037LP)
Sonor Music Editions present a reissue Angelo Baroncini and Bruno Battisti D'amario's Music For Movement, originally released in 1969. Another terrific jam and a very obscure Italian library record, originally released on Roman Record Company label, the label responsible for Droga (1972), Traffico (1972), and the Viaggio Attraverso I Problemi Dell'Uomo series. The music is signed by the great guitar players and composers Angelo Baroncini and Bruno Battisti D'Amario, D'Amario being the unmissable guitar man of maestro Ennio Morricone. Crazy early fuzz beats with fast western swings, experimental rock distractions, rhythmic movements, with totally insane acid guitar and sitar riffs and a huge underground psychedelic mood. A truly inspired and deep session recorded for some impossible TV synchronization purpose. Holy grail alert. Original sleazy stereo recording restored sound. Edition of 500.
$21.79 UPC: 712396270225 ROCK
01. Stressing Heart
02. Relax In My Hole
03. Soul's Fire
04. Red Pathostromo
05. Steel Lung
06. Moon Ice
07. Green Type
08. Black Feeling
09. Eco's Drops
10. Hands Up
11. White Dance
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BRAEN & RASKOVICH: Drammatico LP (SME 038LP)
Sonor Music Editions present a reissue Drammatico, originally released in the early '70s. An absolute Italian library holy grail and maybe the most desired item of the genre, originally released on Panda Records. This totally insane library album conceived by maestro Alessandro Alessandroni and Giuliano Sorgini, under their pseudonyms Braen and Raskovich respectively, is surely their highest point of collaboration. This is a concept album where the music is just out-of-this-world and way ahead of its time, nothing is quite comparable. War-themed and dramatic music, ranging from the most evil electronics to dark fuzz distortions and huge hip hop beats, all driven by a mental, psychedelic madness. A record coming from hell -- an unbelievable session remastered from the original master tapes. Enjoy the trip! Remastered from the original Panda Records master tape; Exclusive liner notes by Marsellus Wallace; Revised by Alfonso Carrillo (RendezVous, LA); Edition of 500.
$21.79 UPC: 712396270232 ELECTRONIC
A1. Incubo Dal Cielo
A2. Avanzata
A3. Ultimo Istante
A4. Insidia
B1. Senza Tregua
B2. Scontro Mortale
B3. Accerchiamento
B4. Dispersi
B5. Attacco A Nord-Ovest
B6. Linea Di Resistenza
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PATRICIA: Several Shades Of The Same Color Part 1 LP (SPC 138-1LP)
This grouping of audio recordings is for aural use only. Any emotional content perceived herein is borne of its listener, and is in no way intended by its author. Any sounds resembling speech are not intended to convey meaning. Several Shades Of The Same Color is Patricia's first album for Spectral Sound -- produced in conjunction with his own label Active Cultures. Solo project of Max Ravitz who is also in Inhalants (with Jahiliyya Fields), Masks (with Arp), Patreke (with Terekke), and Pulpo (with Bookworms), among many other projects. Tips for listeners: consider the moment in which you exist; pay attention to how these sounds evoke physiological (rather than cognitive) responses. Listeners may find themselves deriving immense physical pleasure from exposure to these sounds. Inability to achieve such pleasure is likely attributable to over-analysis of the aforementioned audio content -- or to improper amplification. Each of Shades' three LPs features suites of tracks that, considered alone, comprise their own distinct, unique worlds. Part 1 opens with "I Know The Face, But Not The Name", an unabashedly plaintive trip through classic electro rhythms; flip it over for "The Words Are Only Sounds", a haunting affair for synthesizer and voice. Any emotional associations incurred while listening come at the listener's discretion. Furthermore, the identity of the author and/or their passions regarding the recordings herein shall bear no weight on the listener's experience. This body of work is not intended to generate ideas; rather, its goal is to produce physical sensations in the listener. Taken altogether, Several Shades Of The Same Color is kaleidoscopic, a multi-faceted techno trip. Listen in full, or listen in part. And if you consider only one of these intermittent listening notes, make it this one: Don't think; just hear. Comes in a two-panel jacket with a reverse finish; Artwork by Molly Smith.
$14.39 UPC: 804297713816 ELECTRONIC
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ORQUESTA DEL DESIERTO: Dos LP (SPIN 003LP)
Spin On Black present an expanded reissue of Orquesta Del Desierto's second release, Dos, originally released in 2003. This reissue features the songs "Rope" and "Reaching Out" which were never released in Europe and "El Diablo Un Patrono", unreleased in the United States. For those who are new to the band, prepare to hear the romance of the desert as you have never heard it before. Dos features a wider variety of arrangements that include compositions from Mark Engel and Mike Riley which created dynamic nuances in the texture of the material, songs began to take on the shape of a group that was maturing into something spectacular. Updated by Harper Hug at Thunder Underground in Palm Springs, California, this new reissue offers enhanced fidelity features not available to the band. By the time Orquesta Del Desierto convened at Rancho de la Luna in Joshua Tree to record their second, and what would turn out to be their last album, Dos, the line-up from the first album had significantly changed. The core performers, Pete Stahl, Dandy Brown, Mario Lalli, Mark Engel and Mike Riley remained in place, but gone were drummer Alfredo Hernández, percussionist Sean Landetta Carrillo, and the original San Jacinto horn section. It had been a year since the critical success of their self-titled freshman release and during that time, Brown began collaborations with the performers and writers who would appear on the second album. Added to the group were drummers Adam Maples and Pete Davidson, Tim Jones on piano, Emiliano Hernandez on baritone sax, and the lone San Jacinto trumpet of Bill Barrett. After extensive touring and the critical acclaim of Dos, Orquesta Del Desierto disbanded in 2006. What the band accomplished in their brief two-album stay has left an impressive mark on the concept of "desert rock". In the sea of drop-tuned, fuzzed-out guitars that created the image of the "desert rock" scene, Orquesta Del Desierto left behind two collections that show a dimension of the Mojave beyond urgency of volume and distortion. Founded upon music inspired and written by producer Dandy Brown (Hermano), members of the band include or have included vocalist Pete Stahl (Scream, Goatsnake, Wool), drummer Alfredo Hernández (Kyuss, Queens Of The Stone Age, Ché), guitarist Mario Lalli (Fatso Jetson, Yawning Man) and guitarists Mike Riley and Mark Engel. 180 gram vinyl; Gatefold sleeve; Edition of 500.
$25.79 EAN: 9790900105769 ROCK
A1. Life Without Color
A2. Summer
A3. Rope
A4. Someday
A5. Quick To Disperse
B1. What In The World
B2. El Diablo Un Patrono
B3. Over Here
B4. Sleeping In The Dream
B5. Above The Big Wide
B6. Reaching Out
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DE ANGELIS, GUIDO & MAURIZIO: Roma Violenta (Red Vinyl) 2LP (SUBOST 003R-LP)
Sub Ost present a complete reissue of Guido & Maurizio De Angelis's soundtrack the 1975 film Roma Violenta. This is the complete original soundtrack (with all the outtakes) for one of the most iconic Italian "poliziotteschi" films, the Italian answer to the Charles Bronson/Clint Eastwood mania of the 1970s. Written by the brothers De Angelis, the score alternates between killer, funk grooves and more laidback instrumentals. Presented here for the first time on two LPs; Comes in a gatefold sleeve, with original artwork and film stills. Presented here on limited red vinyl.
$26.39 UPC: 726679988226 SOUNDTRACK
A1. The Other Face (1:26)
A2. The Reason Of A Just War (1:45)
A3. The Reason Of A Just War (2:43)
A4. The Other Face (1:22)
A5. The Punitive Justice (2:41)
A6. Gangster Story (5:58)
B1. Casa Di Moda (4:22)
B2. The Punitive Justice (2:02)
B3. Undercover Investigation (1:25)
B4. The Reason Of A Just War (1:29)
B5. The Other Face (2:31)
B6. The Reason Of A Just War (1:29)
B7. The Reason Of A Just War (2:90)
C1. Undercover Investigation (1:32)
C2. Chicca (6:13)
C3. The Reason Of A Just War (2:37)
C4. Sliding Crime (3:43)
D1. The Punitive Justice (1:56)
D2. Undercover Investigation (1:14)
D3. Revening A Friend (1:48)
D4. The Punitive Justice (1:59)
D5. The Reason Of A Just War (2:36)
D6. The Reason Of A Just War (3:00)
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DUVELLE AND HISHAM MAYET, CHARLES: The Photographs of Charles Duvelle: Disques Ocora and Collection Prophet 2CD/BOOK (SF 110CD)
Disques Ocora, a French label dedicated to capturing and publishing the sounds of folkloric culture from around the world, is held in the highest possible regard in the realms of professional and amateur ethnomusicology. Instigated in 1958 by Pierre Schaeffer, the founder of musique concrète, Disques Ocora's sterling reputation is largely built on composer and musicologist Charles Duvelle's pioneering field recordings, as well as his now-iconic photographs and graphic design. Charles Duvelle's work is indisputably one of the most important contributions to the human understanding of the rich biodiversity of our planet's music and language. In 1977, his field recordings from Benin were selected by Carl Sagan for inclusion on the Voyager Golden Records, which were carried into outer space by the Voyager spacecraft to stand as an example of humanity's highest musical expressions for the universe's unknown listeners. Sublime Frequencies' most ambitious project to date, this 296-page fine-art photography book comprises an exhaustive collection of Charles Duvelle's field photography from 1959 to 1978 (188 black-and-white and 58 color photographs), demonstrating that this master musicologist had an equally unerring eye for photography; Includes a photo index listing the details of each photograph. It also contains an exhaustive interview with Charles Duvelle by Hisham Mayet, detailing the history of the label and offering Duvelle's unique insights into the discipline of field recording (French and English facing text). The package includes two full-length CDs of archival recordings (some of which have never been published) selected, compiled, and fully annotated by Duvelle himself. Most of the tracks on CD one (Africa) are complete versions of truncated tracks from OOP Ocora LPs. CD two, which includes performances by Sohan Lal, Kheo Oudon, and Madurai Ramaswami Gautam, is focused on material from Asia (music from India and Laos), with two long tracks that have never been released (a third track is a complete unedited version). The material focuses on the five regions surveyed during his time with Ocora: West Africa, Central Africa, Indian Ocean, Pacific Islands, and SouthEast Asia. It includes "Disques Ocora / Charles Duvelle Discography, 1959-1974", a complete overview illustrated with 94 full-color album thumbnails, "The Prophet Collection, 1999-2004" a discography of Duvelle's post-Ocora label illustrated with 41 full-color album thumbnails, "Eastern Music in Black Africa", a 17-page report prepared by Charles Duvelle at the request of UNESCO (February 1970), and a review of the Ocora catalogues (1964-1973). In a tribute to Disques Ocora's exquisite design sensibility, the book is printed on 170 gsm Lumisilk matte art paper and bound in grey buckram with gold foil stamping on the cover and spine. The front cover includes a tipped-on glossy photograph by Charles Duvelle. Hardcover book; 10"x10"; 296 pages; 4.5 lbs. Produced and edited by Hisham Mayet.
$40.40 EAN: 9780996678513 WORLD
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PEAKING LIGHTS: Little Flower 12" (TFR 002EP)
Peaking Lights are back at it. While the clouds of pessimism hover, rays of sunshine cut and break through with two new tracks for healing and conquering the shadows that loom. The vocal version of "Little Flower" features Chloe Sevigny -- a beautiful, melancholic, yet powerful chant to Saint Therese, an alchemical figure. Peaking Lights' production is a playfully psychedelic mid-tempo love jam with a lot of groove. "Conga Blue" is followed by its instrumental cut; an upbeat weirdo disco cut laying it down at 120bpm with dreamy vocals and a solid rhythm section that holds it together.
$9.79 UPC: N/A ELECTRONIC
01. Little Flower (feat. Chloe Sevigny)
02. Little Flower (Instrumental)
03. Conga Blue
04. Conga Blue (Instrumental)
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PEAKING LIGHTS: The Fifth State Of Consciousness 2CD (TFR 003CD)
Peaking Lights' fifth album, titled The Fifth State Of Consciousness, was produced in their Dreamfuzz studio over two years. It's both a departure from the new and a return to the old with a whole new twist on the psychedelic dub-pop they've become known for. Sonically the album shifts through many states from beginning to end, resonating deep, like a drive through foreign landscapes where you're glued to the window, as everything slowly changes around you. The flow and pacing of songs has a sense of wonderment, and each time you play it, there's a whole new batch of lovely sounds and eccentricities within each of the players. While bringing together their love of psychedelic music, house, electronic, and reggae, each song manages to live its own life and yet still there is some magical thread that binds them together. Produced by Aaron Coyes, the whole creative process was filled with nerdy gadgetry, playful experimentation, and deep alchemical soul searching for a musical medicine. Aaron describes Dreamfuzz as "a small junkyard with many happy mistakes." Using tape machines, writing melodies backwards then playing them in reverse, layering sound upon sound to create "pads", literally breaking electronics to get sounds, and a strict motto of "anything goes, pure creativity." Most sounds were run through Peaking Lights' 1976 16/8 Soundcraft Series Two mixing console (the same type of board used by Lee "Scratch" Perry at Black Ark, and at the infamous Cargo Studios where many of the early Factory Records bands were recorded) to add some "mojo". It's an album that is sure to be a creeper, even if you don't fall in love on the first date.
$12.99 EAN: 3481575031052 ELECTRONIC
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PEAKING LIGHTS: The Fifth State Of Consciousness 2LP (TFR 003LP)
Double LP version. Gatefold sleeve. Peaking Lights' fifth album, titled The Fifth State Of Consciousness, was produced in their Dreamfuzz studio over two years. It's both a departure from the new and a return to the old with a whole new twist on the psychedelic dub-pop they've become known for. Sonically the album shifts through many states from beginning to end, resonating deep, like a drive through foreign landscapes where you're glued to the window, as everything slowly changes around you. The flow and pacing of songs has a sense of wonderment, and each time you play it, there's a whole new batch of lovely sounds and eccentricities within each of the players. While bringing together their love of psychedelic music, house, electronic, and reggae, each song manages to live its own life and yet still there is some magical thread that binds them together. Produced by Aaron Coyes, the whole creative process was filled with nerdy gadgetry, playful experimentation, and deep alchemical soul searching for a musical medicine. Aaron describes Dreamfuzz as "a small junkyard with many happy mistakes." Using tape machines, writing melodies backwards then playing them in reverse, layering sound upon sound to create "pads", literally breaking electronics to get sounds, and a strict motto of "anything goes, pure creativity." Most sounds were run through Peaking Lights' 1976 16/8 Soundcraft Series Two mixing console (the same type of board used by Lee "Scratch" Perry at Black Ark, and at the infamous Cargo Studios where many of the early Factory Records bands were recorded) to add some "mojo". It's an album that is sure to be a creeper, even if you don't fall in love on the first date.
$17.79 EAN: 3481575031069 ELECTRONIC
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HUTCHINS, SIM: Vantablank Stare EP 12" (UIQ 008EP)
Aesthetically, Sim Hutchins's Vantablank Stare EP's roiling post-jungle-ism and fractured dub techno recalls N1L and Lanark Artefax, but its conceptually closer to Sam Kidel's Disruptive Muzak (RAVE 014LP, 2016). The music uses samples of radio waves, covert signals, and intercepted E-Comms as the raw material for an impressionistic tussle of invisible forces, translating as disembodied jungle structures in "Some Men (You) Just Want To Watch The World Burn", and as an allegory for textural attrition in "Nescience Is Not Ignorance", whilst "Some Men (Me) Just Want To Let The World Burn" is a knottier tract of warped, quicksilver dub techno.
$10.39 UPC: N/A ELECTRONIC
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COSMIC JOKERS, THE: Galactic Supermarket LP (VKM 58010LP)
Victory present a reissue of The Cosmic Jokers' Galactic Supermarket, originally released on Komische Musik in 1974. Julian Cope's review of the album on Head Heritage: "Starting with a heavy piano-drums groove like John Cale and Terry Riley's 'The Protégé' from their classic LP Church Of Anthrax, The Cosmic Jokers return to their trip with an un-cosmic dub beginning, melodicas and guitars spinning off all over the place. Gille Letmann says a couple of words before the breakdown into Clangerland, a place where goofy synthesizers call to each other over exquisite mellotrons and tinkling spacey grand piano. Again, it's just two huge tracks -- this time the ever shifting 'Kinder Des Als' and the title track 'Galactic Supermarket'. The female voices take a while to assimilate after the austerity of the first Cosmic Jokers LP, and the opening track wanders around for a while before ascending to its righteous groove. The women scream 'Schnell Schnell!' and the helicopter drums of Harald Grosskopf propel us once more into a hectic frantic major-chord trance out. It's the sheer unbalance that makes this record such a delight. At times, Klaus Schulze's synthesizer is so loud that it swamps everything in its path. The title track 'Galactic Supermarket' begins like one of Van Der Graaf Generator's greatest and most drawn out riffs. A slow 6/4 bass licks over ominous Pawn Hearts style shifting chords. Again, the piece is slow to begin, as though they are searching for harmony but each musician is confused and solitary. Manuel Göttsching freaks out in a fury of wah-guitar madness, forcing the others awake, but this really is a down-in-the-mouth scene and the whole Trip descends further and further until... an inevitable slow burning groove gets itself together and the scene whips itself up into a Shake Appeal Flip Out. The LP takes a little longer to get into than The Cosmic Jokers, but give it time and it's in your head forever. Those piercingly loud Klaus Schulze synthesizers which sound so bizarre the first time... You'll be waking up with them in your head, whistling them in the street, people will think you've lost your fucking mind. Right On."
$16.99 UPC: N/A ROCK
A1. Kinder Des Alls
B1. Galactic Supermarket
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JOY DIVISION: Love Will Tear Us Apart LP (VL 901288LP)
2017 repress. Love Will Tear Us Apart should have been the band's most shining moment, instead it became their tragic swan song. Released just a month after frontman Ian Curtis' heart wrenching suicide, the song came to be seen as the unheeded warning of the impending tragedy. This special edition features all three versions of the song that transformed Joy Division from mere band into legend. In addition to the original single version, we have two versions remixed by American producers Don Gehman of John Mellencamp fame (the 'radio version') and Arthur Baker (who also produced a hit single for Africa Bambaataa around this same time). The remaining tracks include "These Days" (which appeared on the original "Love Will Tear Us Apart" single), along with "Transmission" (their debut single released in 1979) and "Atmosphere" (originally released as a France-only single) in 1980.
$15.79 UPC: 889397901288 ROCK
A1 Love Will Tear Us Apart (Original Version) A2 Transmission A3 Love Will Tear Us Apart (Radio Version) B1 These Days B2 Atmosphere (Hannett) B3 Love Will Tear Us Apart (Arthur Baker Remix)
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HOLD, SIMON: NT 7" (VLEK 026EP)
Former half of Pitch & Hold, Simon Halsberghe steps up on Brussels's Vlek with his debut solo EP as Simon Hold. "Maqam Bruxelloise" reflects the wide-angle beauty and compelling diversity of the Belgian capital. Across a finely layered interplay of synthetic modulations and intricate polyrhythms, Hold arranges pattern-welded textures and prismatic synth motifs according to an interpretation of the traditional Arabic maqam system of improvisation. The gritty "Dhajij Doux" is a more disquieting, bipolar audio scenario. A truly haunting gem with a lead-heavy amalgam of sizzling bass and jagged drum work.
$8.39 UPC: 880319876714 ELECTRONIC
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KAWAI, KENJI: Ghost In The Shell (Original Soundtrack) (Limited Deluxe Edition) LP + 7" (WRWTFWW 017LTD)
Limited edition LP version. Includes 7" and extensive 24-page liner notes; Japanese obi; Sleeve with silver gilt printing. We Release Whatever The Fuck We Want Records present the first ever official vinyl pressing of the soundtrack for Mamoru Oshii's critically acclaimed and all around legendary science fiction anime film Ghost In The Shell (1995), adapted from Masamune Shirow's groundbreaking manga series of the same name. The haunting score is composed by Kenji Kawai, one of Japan's most celebrated soundtrack composers alongside Joe Hisaishi and Ryuichi Sakamoto, whose work includes Hideo Nakata's Ring (1998) and Ring 2 (1999), Death Note (2006), Hong Kong films Seven Swords by Tsui Hark (2005) and Ip Man by Wilson Yip (2008), and countless others. Kawai's compositions see ancient harmonies and percussions uncannily mesh with synthesized sounds of the modern world to convey a sumptuous balance between folklore tradition and futuristic outlook. For its iconic main theme "Making Of Cyborg", Kawai had a choir chant a wedding song in ancient Japanese following Bulgarian folk harmonies, setting the standard for a timeless and unparalleled soundtrack that admirably echoes the film's musings on the nature of humanity in a technologically advanced world. Ghost In The Shell is widely considered one of the best anime films of all time and its influence has been felt in the work of numerous movie directors, including James Cameron's Avatar (2009), the Wachowskis's The Matrix (1999), and Steven Spielberg's AI: Artificial Intelligence (2001). For fans of anime, manga, movie soundtracks, science fiction, ambient, folklore, Japan, Akira (1988), artificial intelligence, Midori Takada. Cut from the original master reels at Emil Berliner Studios (formerly the in-house recording department of renowned classical record label Deutsche Grammophon), the album comes in two versions: a standard LP and a limited collector's edition which comes housed in a sleeve with silver gilt printing and includes the LP, a bonus 7", Japanese obi, and extensive 24-page liner notes.
$30.39 EAN: 7640153367334 SOUNDTRACK
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LANARK ARTEFAX: Whities 011 12" (WHYTE 011EP)
A skyscraper extending its fingertips upwards, outstretched and pointing towards an unmarked ceiling that extends even more itself, spinning and slicing its way through the horizontal and the layers that are see through and infinite and stacked one on top of the other.
$11.79 UPC: N/A ELECTRONIC
01. Flickering Debris
02. Touch Absence
03. Hyphen To Splice
04. Voices Near The Hypocentre
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BURNING SOUNDS (UK):
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MCGREGOR, FREDDIE: Freddie CD (BSR 966CD)
"CD reissue of this 1979 reggae classic from Freddie McGregor, produced by Niney the Observer."
$11.75 EAN: 5036436106127 WORLD
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PHURPA: Gyer Ro 2CD (91STCYCLE)
"New offering from Russia's shamanic ritualists Phurpa. Channeling the void with their eerie and engulfing overtone ritual chants rooted in the BON tradition of Tibet, their mesmerizing rituals are used as a tool of transmogrification. The chanting meditations are accentuated by the use nga drums, rolmo cymbals, gyaling oboes, as well as telescopic dunchen horns, dunkar shells and short wandun horns. Their performances are meant as exercises in aural power, channeled primordial sounds aimed to alter ones consciousness, otherworldly prayer mantras pulsating through the chakras. This exhaustive double album was recorded in Moscow, Russia in March 2016. Let go and touch the emptiness... Edition of 500 copies in Gatefold A5 sleeve."
$11.75 UPC: 089902506919 ROCK
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MITCHELL, NICOLE: Mandorla Awakening II: Emerging Worlds CD (FPE 012CD)
"Mandorla Awakening II: Emerging Worlds is Nicole Mitchell's second album for Chicago-based FPE Records. Recorded in May of 2015 at Chicago's Museum of Contemporary Art, it features her longtime collaborators Renee Baker (violin), Tomeka Reid (cello, banjo), Alex Wing (electric guitar, oud) and Jovia Armstrong (percussion), along with new members Tatsu Aoki (bass, shamisen, taiko) and Kojiro Umezaki (shakuhachi). Also in the mix is Chicago artist, scholar and poet Avery R Young, who brings her lyrics to life with visceral humanity. Composer and flutist Nicole Mitchell, once hailed by Chicago Reader music critic Peter Margasak as the 'greatest living flutist in jazz', continues the work begun when jazz visionary Sun Ra and his Arkestra first touched down on Planet Earth and told humanity that space (outer and inner) is indeed the place. As with contemporary Afrofuturist pioneers like cosmic jazz saxophonist Kamasi Washington, post-everything beat maker Flying Lotus, R&B cyborg Janelle Monáe and dystopian noise-rappers Death Grips, she uses Afrofuturism as a platform to launch her own, unique vision. Her vast sound often encompasses contemporary classical, globally oriented fusion, gospel, spoken word, funk-inspired groove research and even brittle shards of avant-rock. Mandorla Awakening II collides dualities such as acoustic vs electric, country vs urban, simple vs complex, while also sounding through intercultural dialogue between Black, European and Pan-Asian improvisational languages. The outcome is a creative music suite that blurs musical styles into recognizable fragments that weave a unique sound fabric, where human emotion and the struggles of today swim."
$10.50 UPC: 857827004175 JAZZ
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MITCHELL, NICOLE: Mandorla Awakening II: Emerging Worlds 2LP (FPE 012LP)
Double LP version. "Mandorla Awakening II: Emerging Worlds is Nicole Mitchell's second album for Chicago-based FPE Records. Recorded in May of 2015 at Chicago's Museum of Contemporary Art, it features her longtime collaborators Renee Baker (violin), Tomeka Reid (cello, banjo), Alex Wing (electric guitar, oud) and Jovia Armstrong (percussion), along with new members Tatsu Aoki (bass, shamisen, taiko) and Kojiro Umezaki (shakuhachi). Also in the mix is Chicago artist, scholar and poet Avery R Young, who brings her lyrics to life with visceral humanity. Composer and flutist Nicole Mitchell, once hailed by Chicago Reader music critic Peter Margasak as the 'greatest living flutist in jazz', continues the work begun when jazz visionary Sun Ra and his Arkestra first touched down on Planet Earth and told humanity that space (outer and inner) is indeed the place. As with contemporary Afrofuturist pioneers like cosmic jazz saxophonist Kamasi Washington, post-everything beat maker Flying Lotus, R&B cyborg Janelle Monáe and dystopian noise-rappers Death Grips, she uses Afrofuturism as a platform to launch her own, unique vision. Her vast sound often encompasses contemporary classical, globally oriented fusion, gospel, spoken word, funk-inspired groove research and even brittle shards of avant-rock. Mandorla Awakening II collides dualities such as acoustic vs electric, country vs urban, simple vs complex, while also sounding through intercultural dialogue between Black, European and Pan-Asian improvisational languages. The outcome is a creative music suite that blurs musical styles into recognizable fragments that weave a unique sound fabric, where human emotion and the struggles of today swim."
$19.50 UPC: 857827004168 JAZZ
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U-ROY: Natty Rebel LP (GET 54092LP)
"U-Roy was a true reggae pioneer, dubbed The Originator for good reason. Bursting onto the Jamaican scene in the early 1970s, he pioneered the vocal approach called 'toasting,' which in addition to bringing Jamaican music into a new era, was also heavily influential on an American vocal style also in its infancy: rapping. Following up the Record Store Day 2017 release of U-Roy's classic Dread In A Babylon, Traffic Entertainment Group now brings us a very welcome reissue of the vocalist's 1976 full-length (and fourth) album, Natty Rebel, which has been out of print for more than 30 years. Produced by Tony Robinson (known for his work with Big Youth, Lloyd Parks, the Gladiators and many more), the album's 11 cuts range from bouncier and sometimes even disco-tinged grooves -- 'Have Mercy,' 'Go There Natty' and the album lead-off, 'Babylon Burning' -- to the classic roots stepping that drew fans to the legendary Jamaican vocalist over his long career -- including 'So Jay Jah Say' and 'Natty Kung Fu.' At its core, this is a deep journey into the heart of rasta living, spoken by one of Jamaica's most underrated dub and roots legends, and it's one of the strongest full-lengths in his expansive catalog. Whether you are experiencing U-Roy for the first time, or replacing your decades-old original LP, diving into this reissue of Natty Rebel is one hell of a way to spend an afternoon. Or, if you're not careful, a week or two."
$15.50 UPC: 664425409215 WORLD
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DOPE PRESENTS, KENNY: Down By Law/Subway Beat 7" (KAYDEE 038EP)
"Charlie Ahearn's 1983 film Wild Style holds a place in both music and cinematic history as one of the first examples of a hip-hop film. Since its original release it has been widely praised for its hybrid approach as both a narrative musical and a documentary, and as a time capsule of sorts into the culture of hip-hop during its infancy in the 1980s. Besides its classic depictions of MCing, turntablism, graffiti, and breakdancing, the film also featured now legendary figures of the genres in acting roles, such as Grandmaster Flash, Fab Five Freddy, Busy Bee Starski, and many more. Wild Style went on to garner an immense cult following, portions of the film itself would be sampled in records by artists like Nas, Beastie Boys, MF Doom, and more, and would even be exhibited by museums in Chicago and Boston as part of programs on the art of the 1980s. Beyond the film itself however, Wild Style's soundtrack has gone down in music history as a crucial piece of hip-hop handicraft. During a time where the sampling of records by Queen or Kool & The Gang was commonplace in the hip-hop scene, Ahearn took a different route in soundtracking his film, calling upon seasoned musicians like Chris Stein of Blondie and R&B session drummer Lenny Ferraro to produce an entirely original set of lyric-less groove, which would be sampled into true hip-hop instrumental tracks by turntablist Grand Wizzard Theodore. The mystery and intrigue surrounding the breaks became the stuff of hip-hop legend, and a treasure trove for crate-diggers and vinyl enthusiasts. In association with premium reissue label Get On Down, world-renowned DJ Kenny Dope, a longtime fan of the breaks that made up Wild Style's soundtrack, re-edited the tracks into full-length cuts in 2014. KayDee now presents the singles individually for the first time ever. Each 7" is a piece of hip-hop history, as some of the most highly regarded and sought-after instrumental beats of all time, from one of the most important music films of all time."
$5.75 UPC: 706091000171 HIPHOP
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DOPE PRESENTS, KENNY: Cukoo Clocking/Crime Cut 7" (KAYDEE 039EP)
"Charlie Ahearn's 1983 film Wild Style holds a place in both music and cinematic history as one of the first examples of a hip-hop film. Since its original release it has been widely praised for its hybrid approach as both a narrative musical and a documentary, and as a time capsule of sorts into the culture of hip-hop during its infancy in the 1980s. Besides its classic depictions of MCing, turntablism, graffiti, and breakdancing, the film also featured now legendary figures of the genres in acting roles, such as Grandmaster Flash, Fab Five Freddy, Busy Bee Starski, and many more. Wild Style went on to garner an immense cult following, portions of the film itself would be sampled in records by artists like Nas, Beastie Boys, MF Doom, and more, and would even be exhibited by museums in Chicago and Boston as part of programs on the art of the 1980s. Beyond the film itself however, Wild Style's soundtrack has gone down in music history as a crucial piece of hip-hop handicraft. During a time where the sampling of records by Queen or Kool & The Gang was commonplace in the hip-hop scene, Ahearn took a different route in soundtracking his film, calling upon seasoned musicians like Chris Stein of Blondie and R&B session drummer Lenny Ferraro to produce an entirely original set of lyric-less groove, which would be sampled into true hip-hop instrumental tracks by turntablist Grand Wizzard Theodore. The mystery and intrigue surrounding the breaks became the stuff of hip-hop legend, and a treasure trove for crate-diggers and vinyl enthusiasts. In association with premium reissue label Get On Down, world-renowned DJ Kenny Dope, a longtime fan of the breaks that made up Wild Style's soundtrack, re-edited the tracks into full-length cuts in 2014. KayDee now presents the singles individually for the first time ever. Each 7" is a piece of hip-hop history, as some of the most highly regarded and sought-after instrumental beats of all time, from one of the most important music films of all time."
$5.75 UPC: 706091000270 HIPHOP
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SNAKEFINGER: Manual Of Errors CD (GG 239CD)
"Snakefinger surely needs not much of an introduction. Born Philip Charles Lithman in London, he moved to San Francisco in 1971. His roots lie in the British blues scene, but he soon became friends with The Residents who also gave him the name Snakefinger based on a photograph of Lithman performing, in which his finger looks like a snake about to attack his violin. In 1972 Lithman returned to England and formed the pub rock band Chilli Willi and the Red Hot Peppers. After the lack of success of the second album, he returned to the states and work on his first solo album began. Both Chewing Hides The Sound and Greener Postures were co-written with The Residents. His third solo effort, Manual Of Errors still came out on Ralph Records, but it was mostly written by Snakefinger himself. A couple tracks were collaborations with the Eyeball ones again and some cover versions also appeared. As with our previous Snakey re-issues, Manual Of Errors will feature lots of bonus tracks again and will be remastered carefully."
$14.00 EAN: 4013438101290 ROCK
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RESIDENTS, THE: Dot.Com CD (GG 241CD)
"Between June 1999 and May 2000 Ralph America posted several Residents MP3s on their website. Shortly afterwards, these exclusive pieces were collected on a limited edition CD entitled Dot.Com. Klanggalerie are proud to present you an updated version of this album, remastered and with new artwork by Pore Know Graphics. In 2013, a new sub label of Ralph was started, Radio Thoreau, on the official Residents website. Radio Thoreau presented a collection of recent Residents tunes 'fixed' by Charles Bobuck into a more radio friendly form: singles. All material was submitted to iTunes, Amazon, Spotify, and Google Play for an undefined period. Five of these reworkings are collected here, including one which was never released to the public."
$14.00 EAN: 4013438101306 ROCK
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CHROME: Ghost Machine CD (GG 242CD)
"Chrome was founded in San Francisco in 1975. Their sound wasn't easy to label -- being ahead of their time, Helios Creed and Damon Edge created music that featured heavy elements of feedback and distortion. They experimented in mixing synthesized noise with rock instrumentation, therefore they are now seen as part of the post punk movement (even when punk was still in full flow at that time). Their breakthrough came in 1977 with their second album Alien Soundtracks. The band largely abandoned conventional rock compositions, instead employing cut-up and collage techniques and heavily processed sound to create a kind of sci-fi punk style. The album was given 4 out of 5 stars in the UK music paper Sounds, and Chrome began gradually to gain a cult reputation in the UK and in Europe. In the 1980s Damon Edge released several rather electronic records under the Chrome name, but Helios Creed had by that time left the band. He pursued a solo career but picked up the name Chrome again after Damon Edge died in Paris. The album Ghost Machine came out in 2002 on the German Dossier label. It is an often overlooked gem in the band's discography and has been out of print for over a decade. Creed reinstalled all the Chrome trademark sounds mixing electronics with his distinct guitar sound, and unusual production and mixing methods. This new edition comes in a digipack and with remastered sound."
$14.00 EAN: 4013438101313 ROCK
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SCHULZE, KLAUS: Mirage (40th Anniversary Edition) CD (MIG 1560CD)
"40th Anniversary Edition Re-Release -- 2017 digitally remastered by Tom Dams! The LP Mirage, as predicted by Record World, 'will establish Klaus Schulze as one of the most outstanding electronic music composers.' Schulze's flexibility in voice and the final product certainly show the bizarre winter scenery, especially the epic piece 'Crystal Lake', which is loved by Schulze fans all over the world. For many fans Mirage is considered to be one of the most important Klaus Schulze works of the 70s."
$15.50 UPC: 885513015600 ELECTRONIC
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SIMONETTI, CLAUDIO: Opera (Original Motion Picture Soundtrack) CD (RBL 060CD)
"To celebrate the 30th anniversary of the film, Rustblade is releasing the definitive edition of the soundtrack to Dario Argento's cult film Opera. Argento's long-time collaborator Claudio Simonetti combines classic operatic atmospheres with dark electronic grooves and violently smashing rock. Never was Argento more closely involved in the structuring of one of his film's soundtracks. Includes 3 never before released bonus tracks. Not to be missed!"
$13.00 EAN: 4250137219127 SOUNDTRACK
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SIMONETTI, CLAUDIO: Opera (Original Motion Picture Soundtrack) LP (RBL 060LP)
LP version. "To celebrate the 30th anniversary of the film, Rustblade is releasing the definitive edition of the soundtrack to Dario Argento's cult film Opera. Argento's long-time collaborator Claudio Simonetti combines classic operatic atmospheres with dark electronic grooves and violently smashing rock. Never was Argento more closely involved in the structuring of one of his film's soundtracks. Includes 3 never before released bonus tracks. Not to be missed!"
$20.00 EAN: 4250137219134 SOUNDTRACK
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LUNCH & CYPRESS GROVE, LYDIA: Under The Covers CD (RBL 061CD)
"Lydia Lunch and Cypress Grove previously unsettled the conventionally calm and respectful world of the cover song with a number of fractured productions. As you might expect, the choice of songs on this collection is a disconcerting array of material ranging from the hugely popular to the wildly obscure; from Jon Bon Jovi to Nashville troubadour Aaron Lee Tasjan, Doors and many others."
$13.50 EAN: 4250137219158 ROCK
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LUNCH & CYPRESS GROVE, LYDIA: Under The Covers LP (RBL 061LP)
LP version. "Lydia Lunch and Cypress Grove previously unsettled the conventionally calm and respectful world of the cover song with a number of fractured productions. As you might expect, the choice of songs on this collection is a disconcerting array of material ranging from the hugely popular to the wildly obscure; from Jon Bon Jovi to Nashville troubadour Aaron Lee Tasjan, Doors and many others."
$19.50 EAN: 4250137219165 ROCK
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AFOUS D'AFOUS: Tenere LP (SAHEL 042LP)
"Six piece Tuareg rock outfit from Southern Algeria. Hands down the most famous Tuareg band listened to across the diaspora, though unknown in the West. An independent album, recorded and produced in-country without the mediation of the world music industry. Classic rock aesthetic, soulful ballads and polished up-tempo driving electric guitar rhythms, with a myriad of global influences from pitch bending North African synth, reverb-drenched dub, and even Indian Tabla! One of the most complex studio albums from any Tuareg guitar band to date. Plays best in a Land Cruiser, blasting across the open desert. Limited edition, old school 3-color offset sleeves."
$13.00 UPC: N/A WORLD
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MOMBASA: Shango Over Devil's Moor: Live at Stagge's Hotel 1976 CD (SIR 2169CD)
"Mombasa was a European band, put together by LA trombonist Lou Blackburn (1922-1990) in 1973. All of their albums between 1975 and 1981 have been recorded in Germany. The trombone of Lou Blackburn carries the lead on most tracks -- snaking out wonderfully over the grooves, with a quality that's amazingly soulful, and which almost has him standing head to head with Fred Wesley as a '70s innovator on his instrument. Other members of the group include Doug Lucas on trumpet, Bob Reed on percussion, Alan Tatham on drums, and Don Ridgeway on electric bass. A great ensemble that knew to mix together jazz and African roots with a sound that's unlike anyone else we can think of -- quite unique in its approach to rhythms, sounds, and solos! On September 2, 1976 Mombasa entered the stage at legendary Stagge's Hotel in Osterholz-Scharmbeck and provided an inspiring and brilliant performance. The complete performance has been preserved and digitally reworked. We are very proud to present this unique audio document Lou Blackburn on Mombasa's music in 1975: 'In describing the music of Mombasa which is a mixture of rhythm, jazz, folklore, blues, spirituals and worksongs, I would prefer not to use the word jazz. Many people ask us, how to describe our type of music. To this I can only answer that I leave it to the audience because I don`t want to give it a label, for me it is simply ours, Mombasa`s music. During the 70's 'Stagge's Hotel' in Osterholz-Scharmbeck (close to Bremen) belonged to a fix part of the tour-schedules of many German and also international bands.' "
$13.00 EAN: 4260182981696 ROCK
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BORBETOMAGUS: Borbetomagus: A Pollock Of Sound DVD (MVD 9805DVD)
"Borbetomagus: A Pollock of Sound is the first feature-length documentary about the legendary improv/noise group Borbetomagus. Filmmaker Jef Mertens brings a raw, urgent, and unpolished vision focusing on a band that has spent almost four decades defining and redefining not just their music, but the boundaries of music itself. Band members Don Dietrich, Donald Miller, and Jim Sauter tell their story with the help of artists, writers, photographers, and filmmakers that include noted critic Byron Coley, drummer Chris Corsano, guitarist Thurston Moore, groundbreaking Japanese noise unit Hijokaidan, and Switzerland's masters of 'cracked electronics,' Voice Crack. Includes never-before-seen archival footage, amazing photographic finds, and previously unreleased recordings."
$13.75 UPC: 760137985099 Misc
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SACCHARINE TRUST: The Great One Is Dead 2LP (WUB 017LP)
"It's hard to believe that sixteen years have passed since this disc's release. It's also hard to believe that so little ink, physical or digital, has been spilled to assess its qualities -- of which there are tons. To start with the obvious: there can be no Saccharine Trust without the dark insights of Jack Brewer's lyrics and their nervous, halting delivery. The Great One Is Dead is filled to the brim with both. Brewer's writing often seems to focus on the pain of real world relationships, real world failings, and street level real world life in general. His lyrics have always been far from Utopian in scope. It is within their poetic treatment that these stark realities are often given a kind of grace. Listen to 'Water on the Dance Floor' or 'The Sadness of Apollo' or 'Untitled No. 2 (I Gave Another Dimension the Slip)' for prime examples of his lyrical prowess in these matters. Disaster Amnesiac has often been enthralled by Brewer's lyrical pictures of urban California life. The way old fishermen are described in 'Birthing the Ancestors,' and the ubiquitous liquor store of 'Neruda's Wave,' and the tweaker friend of 'Reggie's Plateau.' These, among others, have often reminded me of similar scenes in my haunts within the Golden State. Praise must also be given to Brewer for his unique, expressive and highly personal vocal style. When you hear Jack Brewer, you know its Jack Brewer. Score one for individuality in the face of boring (industry) standards! On The Great One, Brewer uses varied mic and recording effects to alter the sound of his vocals to great effect, too. Speaking of sound, one would be pressed to find as creative a guitar player as Jack's long-time cohort in Saccharine Trust, Joe Baiza. That is not to say that Baiza's technical prowess is lacking -- it is not. Joe's guitar playing has been in continuous development for thirty-plus years now, as anyone who has followed Saccharine Trust and Universal Congress Of can attest to. From the early, skewed punk rock chord sounds of early S.T. to his later jazz-inflected capital 'L' lead playing of both bands, Baiza has grown as a writer and player, all the while retaining the rawness and edge (hey, it's the blues, once again!) so necessary for effective, impacting, physical oomph that makes for great rock guitar. Joe adds many purely noise/sound effects to his more linear guitar parts on The Great One. These industrial (in the machine/scrap metal sense, not in the NIN/Skinny Puppy spooky dance sense), paired with his dexterous runs, lead and color the tunes. His guitar tone is fuzzy and echo-y, adding to the raw, claustrophobic feel of the overall sound of the disc. Great, disturbing cover illustration from Joe, to boot." Gatefold sleeve.
$19.50 UPC: N/A ROCK
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ABRONIA: Obsidian Visions/Shadowed Lands LP (WW 021LP)
"Debut LP by Portland Oregon sextet! One can find evidence of a pretty broad array of musical touchstones on Abronia's Obsidian Visions/Shadowed Lands: Morricone Spaghetti Western soundtracks, spiritual free jazz, Tuareg guitar bands of the Sahara, drone metal, 70's Krautrock, Ethiopiques, Glenn Branca, outlaw country, various tribal music, 60's psychedelia, and maybe even a little 80's goth. Recorded onto 2" tape by Jason Powers (Grails, Moon Duo etc.) at the venerable Type Foundry Recording Studio, this album is a document of the first five completed compositions by the six piece. Replacing your standard drum set with an early 70's 30" marching drum, which proves to be a proper centerpiece for the guitars, lap steel and saxophone to create mesmerizing and sometimes cacophonous soundscapes. Everyone gathered around the drum and played together, with minimal overdubbing. It's a snapshot of a band coming right out of the gate with a powerful, realized vision, that in actuality was a long time coming for this group of veteran players."
$11.50 UPC: N/A ROCK
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THROTTLE ELEVATOR MUSIC: Area J LP (WH 3022LP)
"Throttle Elevator Music Area J 'Absolutely Thrilling sophomore release from the jazz-rock outfit, who bring a garage band attitude to some very tuneful songs. Comprised of Wide Hive label artists (The Wide Hive Players) and featuring saxophonist Kamasi Washington, who just burns on this recording without sacrificing a bit of lyricism. Trumpeter Erik Jekabson guests on a few tracks, too. For jazz fans who like their music to spit fire and rock fans who like a sax that knows how to break down walls. Recommended' --Wondering Sound."
$11.50 UPC: 698873032213 JAZZ
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DIE VOGELPERSPEKTIVE: Talente 10" (ADUB 034EP)
As dark as the sea at the dawn, as hypnotic as a silk scarf breezing in the wind, as powerful as a massif passing by in the twilight, experienced from an enraptured bird's eye perspective.
$8.39 UPC: 880319872211 ELECTRONIC
A1. Talent Freaks
B1. Be No Fool
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RAYFORD, SUGARAY: The World That We Live In CD (BF 104CD)
Blind Faith Records unveils one of blues music's true hidden gems, Caron 'Sugaray' Rayford. At 6'5, Sugaray is a vocal giant in every sense, but on stage he moves with pure grace and energy. His music has even been endorsed by the legendary Brian Wilson, who could hear the star quality in this undiscovered jewel. Somehow, to most people, he has managed to slip through the net, but not anymore. Italian soul ambassador Luca Sapio made it his mission to bring Sugaray's music to the forefront and tracked him down to record his latest album, The World That We Live In. It was recorded in Luca's analog studio in Italy, with racks of vintage gear and a killer house band. What they have so magically created is an album which sounds like an instant classic. When Sugaray belts out a song, you not only hear it, you feel it. The excitement in the room is palpable when he takes to the stage; his dynamic voice is large just like the man and stands up to comparisons with all-time greats of soul, blues, and old-school R&B, such as Solomon Burke, Muddy Waters, Otis Redding, and Teddy Pendergrass. Texas-born Sugaray began his musical career at the tender age of seven, singing and playing drums in church, and his gospel influences definitely shine through in his music. The soulful gravel in his voice hints at his first-hand experience with hardship, and a childhood marked by poverty and loss. With the help of Blind Faith Records, Sugaray is focused on presenting his latest project, The World That We Live In, a collection of ten original songs and his debut soul album, to the world. It carries the gift of universal appeal that towers above tastes and trends, and it's an album destined to become an instant classic.
$11.79 EAN: 8056099000713 ROCK
01. Take Me Back
02. The World That We Live In
03. Don't Regret A Mile
04. What Do We Own
05. Home Again
06. Keep Moving
07. Dig A Little Deeper
08. Ain't Got No Business To Die
09. The Boogey Man
10. Troubles
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RAYFORD, SUGARAY: The World That We Live In LP (BF 104LP)
LP version.
$13.79 EAN: 8056099000720 ROCK
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NAUMAN, BRUCE: Soundtrack From First Violin Film LP (BLUME 005LP)
Blume present a reissue of Bruce Nauman's Soundtrack From First Violin Film, originally released in 1969. Since the mid-1960s, Nauman has laid the groundwork -- in thought, context, practice, and materiality -- for nearly every fine-artist that has followed in his wake. Even those who do not directly draw on the ground he gained, must contended with a world in his image. Initially issued by Tanglewood Press in 1969 -- a component of the art multiples edition 7 Objects/69 (also including David Bradshaw, Eva Hesse, Stephen Kaltenbach, Alan Saret, Richard Serra, and Keith Sonnier) -- Soundtrack From First Violin Film is a crucial element in Nauman's diverse the canon of contributions; It bridges the emerging practices of performance, video, and sound. Blume's release -- along with the Die Schachtel's 2016 reissue (DSART 013LP) -- marks the first time this seminal work has been available to a broader audience, making it a historic event. Soundtrack From First Violin Film, while resembling music, is one of the earliest gestures of sound art as it has come to be understood. It falls within Nauman's larger body of solitary actions and performances. In 1968, the artist moved briefly to New York, occupying Jasper Johns's then vacant studio in the Hamptons, beginning to build the body of work for his first solo show at Leo Castelli Gallery, documenting them in what became the very first works of video art. Within the larger body of effort, emerged a series of works featuring him playing the violin. It is from this world, that the LP Soundtrack From First Violin Film, with its disembodied sounds, grew. Nauman's violin works, as they exist in the world, are only distant cousins of performance and compositions. They are objects, doubling the signifiers of music and the body back upon themselves. Rather seeking entirely new and liberated sonic realms, they employ conceptual practice, instrument, and rhythm to strike direct confrontation. They could be understood as a conceptual inversion of recordings by John Cage or of musique concrète. Rather than seeking to utilize non-instrumental sources to create music, Nauman used instrumental sounds and references to make something which is not music at all, highlighting the dimensional possibilities of meaning, and the elasticity of language. Comes in full-color cover with printed inner sleeve housing a Nagaoka anti-static record sleeve; Includes an original insert that functions as Obi; Yellow-colored vinyl; Edition of 300.
$16.99 UPC: 769791966949 SOUNDTRACK
A1. Soundtrack From First Violin Film 99:48)
A2. Violin Problem No. 29 (4:08)
B1. Rhythmic Stamping (Four Rhythms In Preparation For Video Tape Problems) (19:58)
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BUTCHER, JOHN: Resonant Spaces LP (BLUME 006LP)
Blume present the first vinyl issue of John Butcher's Resonant Spaces, originally released on CD in 2008. More than a half century into its development, free improvisation remains nearly impossible to define. Of course there are concrete definitions, canons, and well-trod paths -- familiar idioms, structures, relationships, textures, and tones, but by its very nature -- something free, when practiced with faith, it is elusive, constantly shifting, and reforming in the hands of those who call the art form their own. Of the improvisers emerging from the remarkable European contexts over the last four decades, few demand the respect, or have plumbed the depths of the English saxophonist John Butcher. An entirely singular voice, since appearing on the scene during the late 1970s and early '80s, Butcher has continuously defied and shattered standing presumptions of his form. Exemplifying this, there may be no better example than a series of solo performances recorded on a lonely tour of remote areas of Scotland with Akio Susuki during 2006. Entitled Resonant Spaces, the album stands as one of his most ambitious, radical, and revelatory bodies of work. Across the '80s and '90s, he performed with the lion's share of Britain's leading lights: Derek Bailey, Phil Minton, John Russell, Phil Durrant, Steve Beresford, and countless others. It was during this period that he began to develop the trajectories for which he is often most recognized: solo performances, capitalizing on resonance, overtone, and space. Resonant Spaces is the fruit born of decades of work; a rare product of artistry, seeming to have simply appeared -- an organic disembodied form. Astounding on nearly every count -- miles from the social unrest from which this idiom was born -- an uncharted meditative realm -- a towering body of creativity and tone. Recorded in the wilds of Scotland against Neolithic standing stones, within an emptied oil storage tank, and caves, like all free improvisations, Resonant Spaces is a conversation, but one unlike others before. Where musicians working in ensembles and groups, shift, adapt, and respond to those with whom they share the stage, Butcher's conversation is with the unexpected responses of a given space and the returned transmogrified body of his creative self. A shimmering world of resonance, ambience, structure, and craft. Comes in full-color cover with printed inner sleeve housing a Nagaoka anti-static record sleeve; Includes original insert that functions as Obi; Blue-colored vinyl; Edition of 250.
$16.99 UPC: 769791966956 JAZZ
A1. Sympathetic Magic (Stone) (7:49)
A2. Calls From A Rusty Cage (7:28)
A3. Wind Piece (3:09)
A4. Floating Cult (6:15)
B1. Close By, A Waterfall (6:10)
B2. New Scapa Flow (6:19)
B3. Styptic (3:24)
B4. Frost Piece (2:17)
B5. Sympathetic Magic (Metal) (5:49)
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DE OLIVEIRA, JOCY: Estorias Para Voz, Instrumentos Acusticos e Eletronicos LP (BLUME 007LP)
Blume present the first vinyl reissue of Jocy De Oliveira's legendary debut Estorias Para Voz, Instrumentos Acusticos e Eletronicos, reissued for the first times since its original release in 1981. Defined by a body of singular music spanning seven decades, within the histories and continuing legacies of avant-garde practice, she is without equivalent. Her debut album Estórias Para Voz, Instrumentos Acústicos e Eletrônicos resonates through a shimmering body of organized sound, unveiling truths lingering in the shadows, the sins suffered by the Latin American avant-garde, with the actualities of its astounding heights. Oliveira began her career as a concert pianist. She left Brazil at young age to study in America and Europe, before being recruited by major orchestras across both continents, working under Stravinsky, and having pieces written for her and premiering of works by Berio, Xenakis, Santoro, Cage, and Manuel Enriquez. During the early 1960s, Oliveira shifted her efforts toward composition. She embarked on a process of folding organized sounds across nearly every context it could inhabit, blurring the lines between performance and composition, and incorporating diverse media well beyond the world of sound. In 1961, within a collaborative theater work written with Luciano Berio, Berio Apague Meu Spot Light, she instigated the first performance of electronic music staged in Brazil. Released in 1981, during the last years of her country's military dictatorship, Estórias Para Voz, Instrumentos Acústicos e Eletrônicos was met by controversy before quickly sinking from view, heard by almost no one beyond Brazil's borders. Among the most astounding realizations of electroacoustic process ever recorded, it is a series of sonic stories for voice, and acoustic and electronic instruments: prepared piano, violin, percussion, synthesizers, electric celesta, etc. The album's singularity, culture, humanity, and introspection cannot be displaced; like its composer, Estórias Para Voz, Instrumentos Acústicos e Eletrônicos is Brazilian. Its draws on a diverse range of the country's music and percussion traditions, as well as Indian raga structures, and Japanese Shōmyō singing, inspired in part by the sounds of immigrant communities within São Paulo, the city where Oliveira grew up. A landmark classic from the '70s Brazilian electronic music scene. To quote Keith Fullerton Whitman, this is the "lost Tropicalia/psych/free-vocal/ring-modulator freakout/jam hybrid that you've only dreamt about!" Comes in a full-color cover with a printed inner sleeve housing a Nagaoka anti-static record sleeve; Includes original insert that functions as Obi; Red-colored vinyl.
$16.99 UPC: 769791966963 ELECTRONIC
01. Estória II (9:34)
02. Wave Song (5:51)
03. Dimensões Para Quatro Teclados (8:06)
04. Estória IV (22:34)
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BROCKMANN // BARGMANN: Licht CD (BB 269CD)
Esteemed for their improvisational audacity, hurtling forwards to a motorik beat, there is another side to the Berlin "Krautrock Guerilla" trio Camera which sees them explore landscapes of sound. This is exactly what the two founder members Franz Bargmann (guitar) and Timm Brockmann (keyboards) present their purely instrumental debut album Licht. Harmonic and melancholic, tender and tough, planar and rhythmic -- yet never dull. In 2013, Franz Bargmann left Camera to join La Düsseldorf drummer Hans Lampe as the live band for Michael Rother (NEU!, Harmonia). A year after Bargmann's departure, Brockmann also quit, in his case to devote himself primarily to studio work. This led him first to Boris Wilsdorf, engineer and "in-house" producer for Einstürzenden Neubauten since the year 2000. Brockmann later took on the role of personal engineer for the Tiger Lillies. When Timm Brockmann and Franz Bargmann were ready to record the Licht album, they turned to Tiger Lillies singer Martyn Jacques, who set them up in his studio. The album documents an intense journey of exploration into sound, with improvisation as its compass. Stylistic barriers pale into insignificance for Brockmann // Bargmann. Their sound is warm and compact, channeled through analog synthesizers, pianos, and guitars. Occasionally an open room microphone draws the listener right into the recording studio. Brockmann // Bargmann display the utmost respect for their musical antecedents or pioneering predecessors and do so in the most diverting fashion. Cluster are often alluded to in reverential terms, whilst a hint of Jean- Michel Jarre shines through at certain moments. Sometimes Brockmann // Bargmann align themselves with contemporaries such as Ulrich Schnauss or Rival Consoles, elsewhere they revert to the ferocity of Camera. The time they spent in the studio allowed plenty of scope for experimentation: material already recorded was rearranged, layered vertically or side-by-side. Random occurrences and transformation processes were embraced, as exemplified by the track "Prisma". Whilst a drum computer comes into play here and there, drummer Achim Färber (Automat, Project Pitchfork) was invited to bring his rhythms to the track entitled "Schatten". Towering tribal drum patterns collide with sub bass and guitar drones. The density increases constantly, subtly, evoking images of escalation and destruction before the sonic walls ultimately dissolve into ethereal "delay".
$11.99 EAN: 4015698010831 ROCK
01. Aura (1:26)
02. Deepmind (3:44)
03. Softarps (3:04)
04. Horizont (4:54)
05. Prisma (5:33)
06. Sylvester (4:34)
07. Spektrum (2:39)
08. Muezzin (3:09)
09. Schatten (10:35)
10. Meer (3:24)
11. Puls (4:32)
12. Hyper (2:49)
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BROCKMANN // BARGMANN: Licht LP+CD (BB 269LP)
LP version. Includes CD.
$16.39 EAN: 4015698010848 ROCK
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NURSE WITH WOUND: Dark Fat 3LP BOX (DPROM 120LP)
Triple LP box set of Nurse With Wound's 2016 release Dark Fat. Dark Fat is a celebration and documentation of ten years of NWW shows, but to call Dark Fat a live album is far too simplistic. It is an entirely new recording constructed by combining the most interesting moments of the past decade into unique tracks. M.S. Waldron is to thank as he is archival commandant of the NWW oeuvre, and since 2006 he has recorded every single thing. He has recorded all the live shows, sound-checks, rehearsals, off-stage events, and even covertly recorded the private conversations of the band. These recordings have been studiously and lovingly crafted into a unique sonic tapestry by Waldron and Steven Stapleton with delicate embroidery and filigree added by Andrew Liles and Colin Potter. This is now spread over six sides of luxurious vinyl and encased in a box with a gatefold insert, all featuring the art of Steven Stapleton aka Babs Santini. Listen in the Dark and soak up the Fat.
$39.40 EAN: 5060446121542 ELECTRONIC
01. That Leaking Putrid Underbelly
02. Noble Cause Corruption
03. Devil Dreamon'
04. Servants Of The Paraclete
05. Congregatio Pro Doctrina Fedei
06. Lost In The Ocean
07. Banality With A Beat
08. Whoosh (A Radicalized View)
09. Doing What We Are Told Makes Us Free
10. Congealed Entrance
11. Devil Is This The Night
12. Eat Shop Relax
13. Rock N' Rolla 1959
14. The Machinery Of Hearing
15. I Put My Mouth To The Lips Of Eternity
16. An Attempt By Badgers To Cull Worrisome Farmers
17. Doing What We Are Told Makes Us Free (Embedded Version)
18. Untitled
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SOUNDWALK COLLECTIVE: Transmissions 4LP BOX (FANTOM 001LP)
A four-record anthology of Soundwalk Collective. Hertzian frequencies, radio interceptions, fragments of voices, singing sands, shortwave transmissions, archival recordings, vanished worlds, chaotic harmonies, daunting moments of confusion, an audible entropy, elation, and an endless search for beauty into chaos. The box set gathers four previously unreleased studio compositions by the New York and Berlin-based group of artists-musicians: Ulysses Syndrome, Medea, Empty Quarter, and Bessarabia, and a booklet including "Black-Winged Night", an essay by musician and writer David Toop, and a conversation between Soundwalk Collective and Dischi Fantom founder, Massimo Torrigiani. The four compositions -- mastered by Stefan Betke -- are the result of extensive journeys and field recordings in the Mediterranean basin, the Black Sea, the Rub' al Khali Desert, and the region around Odessa, once known as Bessarabia. An international genre-bending group of artists-musicians with studios in New York City and Berlin, the three members of Soundwalk Collective (Stephan Crasneanscki, Simone Merli, and Kamran Sadeghi) bound in Manhattan to produce concept albums, sound installations, and live performances, often in collaboration with other artists, musicians, and writers. Selected tracks from Transmissions are being broadcast internationally as part of Every Time A Ear Di Soun, the radio program of documenta14, curated by Adam Szymiczyk. The program includes a headphone installation in the Press and Information Centre in Kassel, designed by Aristide Antonas, and in the ASFA Library in Athens. An excerpt from the included essay by David Toop: "I hear this displacement of refrains. I am not fixed within signs but adrift within signals. Like a bat or a dolphin, I hear scanned frequencies otherwise inaudible to my human limitations and these voices and tones captured from the aether seem to me to
be our equivalent of those voices of gods who spoke 'words that flew'; music asserts its regional and cultural affiliations and yet at the same time it drifts unmoored
in the ocean of sound." Graphic design by Fabrizio Radaelli; Photography by Stephan Crasneanscki; Printed and assembled in Italy by Grafiche Antiga. Record pressing: Optimal Media, Germany; Mastering by Stefan Betke at ~Scape Mastering, Berlin; 160 gram vinyl; Edition of 300.
$54.60 UPC: 769791966970 ELECTRONIC
Ulysses Syndrome
A1. Troia
A2. Keramoti
A3. Andros
A4. Kythira
A5. Valletta
A6. Jarbah
A7. Circeo
A8. Stromboli
B1. Bonifacio
B2. Scilla
B3. Ceuta
B4. Qarṭāj
B5. Pantelleria
B6. Siracusa
B7. Sarandë
B8. Ithakē
Medea
A1. Istanbul
A2. Zonguldak
A3. Trabzon
A4. Batumi
A5. Poti
A6. Sokhumi
A7. Novorossiysk
B1. Kerch
B2. Yalta
B3. Chornomors'ke
B4. Odessa
B5. Sulina
B6. Constanta
B7. Burgas
Empty Quarter
A1. Wāḥḥat Līw
A2. Shaybah
A3. Ash Shisar
A4. Ataq
A5. As Sulayyil
A6. Najrān
A7. Umm Al Melh
B1. Abhā
B2. Marib
B3. An'ā'
B4. Layla
B5. Nadqan
Bessarabia:
A1. Bilhorod-Dnistrovs'kyi
A2. Izmayil
A3. Chișinău
A4. Tiraspol
A5. Iași
B1. Bălți
B2. Soroca
B3. Mohyliv-Podil's'kyi
B4. Dubăsari
B5. Basarabeasca
B6. Bolhra
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REGIS: Gymnastics (21st Anniversary Edition) 2LP (DNLP 002R-LP)
For the 21st anniversary of Regis's pivotal debut album, the Brum techno overlord has remade the scene of the crime from original stems and salvaged 8-track tapes. The unyielding results effectively present a doctored version of his seminal -- some may say game-changing -- record, featuring new studio versions and unreleased sequences. It's basically a stronger, fitter version of his most prized LP, loaded with sounds as brutally functional as the city which birthed them. Originally recorded in September 1996 in Room 406, Digbeth, Birmingham aka Scorn's studio -- sandwiched between Tony De Vit and Broadcast's recording spaces -- Regis used one drum machine, one synth, and one FX unit to nail home a back-to-basics approach to techno; one inspired as much by the direct immediacy of Chicago house as the febrile DJ sets of Jeff Mills, but also drawing a crucial "X factor" from his background as a bit of a hooligan, with form in a number of post-industrial, EBM, and punk units. When Gymnastics first hit the 'floor, it was considered shocking anathema to the swell of manicured, proggy arrangements which were by then dominating the spotlight of British dance in clubs and the media. It was loopy, stripped-to-the-bone, and shark-eyed, always moving forward and without the faintest recourse to melody or harmony -- simply reveling in the gnashing tension and swerve of raw, clattering drum machines, and monophonic synth jabs. Big Beat or trance it fucking well wasn't. 21 years later its lip-biting force is now felt stronger than ever. From the grumbling refusal of "We Said No" and the austere wall-banger "Allies" that boot off the album, through the 16th note nag of "Translation" to the rictus jag of "Sand" and the metallic bite of "The Black Freighter", this is timeless, primal dance music that still causes friction wherever it's deployed. James Brown is dead. Long live Regis. New reworked artwork (original featured the Twin Towers photographed in 1996). Remastered and cut by Matt Colton.
$16.99 UPC: N/A ELECTRONIC
01. We Said No
02. Allies
03. Keep Planning
04. Careless Pedestrian
05. Translation
06. Sand
07. Cold Water
08. The Black Freighter
09. Model Friendship
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VA: African Typic Collection CD (STEW 012CD)
1989 release. A brilliant synthesis of Cameroonian makossa, Congolese soukous, and American disco, Sam Fan Thomas's "African Typic Collection" was an enormous hit all over Africa and in African émigré communities around the world in 1984 and for years after. It remains a dance-party favorite to this day, an enduring phenomenon on the order of "Wanna Be Startin' Somethin'". African Typic Collection includes two more hits by Thomas, along with tracks by two other stars of the super-makossa style, Charlotte Mbango and Koko Ateba, as well as Tam Tam 2000's popular "Zouk En Avant", which connects the Cape Verdean islands to the Caribbean Islands. African Typic Collection is tropical dance music at its hottest.
$8.99 UPC: 740042151222 WORLD
01. Sam Fan Thomas - African Typic Collection (6:38)
02. Charlotte Mbango - Dikom Lam La Mota (7:16)
03. Sam Fan Thomas - Noa (6:08)
04. Sam Fan Thomas - Si Tcha (6:15)
05. Tam Tam 2000 - Zouk En Avant (6:45)
06. Koko Ateba - Nelson Mandela (Will Never Give Up) (4:20)
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TONE, YASUNAO: AI Deviation #1, #2 CD (EMEGO 241CD)
Yasunao Tone on AI Deviation #1, #2: "I have had an idea if I apply the neural network to create my sound work for long time. When I had a performance at Centre Pompidou with Peter Rehberg and other friends I tried to talk about the idea with a French guy from IRCAM. But, he couldn't understand my idea, which by using neural network the sound I create would never have any repetitions. That was 2002 and I had to wait until 2015 when I had a grant from New York State Council on the Arts through ISSUE Project Room, then its director Lawrence Kumpf applied for my new work. The grant finally made possible for making my cherished idea, the neural network piece, reality. I had talked about the idea with Prof. Tony Myatt at Surrey University, UK and he developed the software for the piece with a team included Dr. Paul Modler. At the lab in the University a series of my performances of my MP3 Deviation were captured and used to train Kohonen Neural Networks to develop artificial intelligences that simulate my performances. Hence a birth of new piece AI Deviations. I had a premiere at ISSUE Project Room on June 9th, 2016 and the venue was more than packed and here is the performance of the piece." Recorded at ISSUE Project Room, Brooklyn, June 9th, 2016 by Bob Bellerue. Photo by Cameron Kelley; Layout by Stephen O'Malley. Mix and mastered by Russell Haswell.
$10.99 EAN: 5050580675193 ELECTRONIC
01. AI Deviation #1 (40:32)
02. AI Deviation #2 (33:24)
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SANDERS, PHAROAH: Pharaoh Sanders Quintet LP (ESPDISK 1003LP)
ESP-Disk present a reissue of Pharoah Sanders Quintet, originally released in 1965. Recorded on September 10, 1964, prior to his well-known association with John Coltrane, this eponymous album (later renamed Pharoah's First) is the debut release of the iconic tenor saxophonist, Pharoah Sanders. (Yes, there are some spelling oddities here: the artist -- birth name Ferrell -- only later changed the spelling from the standard Pharaoh to the more personalized Pharoah). With one foot in mainstream jazz -- pianist Jane Getz had played with Charles Mingus -- and the other, tentatively at times, in the avant-garde, this is a fascinating glimpse of Sanders's style before he wielded the unremitting fierceness of his playing with Coltrane and the modal mysticism of his later solo albums on Impulse. Interestingly, in recent years he has deployed a more polished version of this sort of avant-flavored bop, bringing his career full circle and strongly suggesting that the hybrid heard here was not due to any failure of nerve on his debut but rather was the cornerstone of his conception. ESP-Disk has issued this album under three different covers; for its 21st-century reissue on vinyl, they have chosen to use the second and most beautiful. It is augmented with liner notes by a current ESP-Disk artist, tenor saxophonist Ras Moshe Burnett of The Red Microphone, who can be heard accompanying Amina Baraka on their eponymous release (ESPDISK 5021CD, 2017). Personnel: Pharoah Sanders - tenor saxophone; Stan Foster - trumpet; Jane Getz - piano; William Bennett - bass; Marvin Pattillo - percussion.
$17.79 UPC: 825481100311 JAZZ
A1. Seven By Seven (26:07)
B1. Bethera (23:31)
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ADOLFO, ANTONIO: Viralata LP (LPA 003LP)
Far Out Recordings present the first vinyl reissue of Antonio Adolfo's Viralata, originally released in 1979. Far Out Recordings are working again with master composer, arranger, and pianist, Antonio Adolfo for the first time since releasing his Destiny album in 2007 (FARO 121CD). This time the label present his era-defining Viralata album: An essential album from Brazil's majorly progressive heyday of late seventies jazz-funk. Viralata is a sacred artefact of Brazilian music, which Antonio himself describes as "a product of my hybrid musical influences that joins together flavors of marchinhas de carnaval, frevo, toada, classical, baião, mpb and jazz, etc." The album's first track "Cascavel" is the emotionally charged, celebratory dance anthem, which became a London jazz-dance classic in the early '90s after Far Out Recordings label boss Joe Davis discovered a handful of copies in a second hand shop in Sao Paulo and brought them back to London to sell to DJs like Gilles Peterson and Patrick Forge. In recent years the track has been played out by the likes of Floating Points, Mr Scruff, and Andrew Ashong, it was also the last song ever to play on the hallowed soundsystem of London's beloved club Plastic People. Sean McAuliffe of Plastic People & NTS Radio on its play at the club: "Saturday nights at Plastic People wouldn't have been the same without this album. 'Cascavel' was such an important track for the club, it was the last tune we played there before the doors were closed forever." Viralata sits comfortably on the same pedestal as Azymuth's 1979 album Light As A Feather (FARO 170CD) and Joao Donato's Quem É Quem (1973), which is no coincidence. All three keystone LPs were recorded and engineered by Toniniho, considered by many to be "the Brazilian Rudy Van Gelder", whose magic touches in the studio also helped to produce Marcos Valle's Previsão Do Tempo (1973) and Joyce's Água E Luz (1981), among many other holy grails and unassailable classics of soulful Brazilian music. Antonio's work has been widely performed by his legendary Brazilian contemporaries including Sergio Mendes, Emilio Santiago, and Erasmo Carlos, but also by platinum-selling American icons including Stevie Wonder, Herb Alpert, and Dionne Warwick. Following an early '70s spell of studying jazz in the USA, Viralata's release in 1979 arrived at the height of a flourishing period of Antonio's career. With his late '60s and '70s output following through on his influences of Tropicalia, funk, MPB, and easy listening, the almost entirely instrumental Viralata marked an apex for Brazilian jazz. Comes on 180 gram vinyl.
$17.79 EAN: 5060211503504 WORLD
A1. Cascavel
A2. Paraiba Do Sul
A3. Brincadeira Em Ré
A4. Brincadeira Em Mi Bemol
A5. Caminhada
A6. Vermelhinho
B1. Nordeste
B2. Alegria De Carnaval
B3. Diana E Paulo
B4. Viralata
B5. Assanhada
B6. A Marcha
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GREENSPAN AND TARAVAL: Greenspan And Taraval LP (GJ 006LP)
A strange confluence of sound that sounds part krautrock synth label Brain records, part Hyperdub techno haze and synth wormholes, with spectacular sound design that has banged at Berghain and sound-tracked winter night drives. Jeremy Greenspan is known mainly for his work with Junior Boys and Jessy Lanza. Taraval is a longtime touring member of Caribou, but both have released several 12" and EPs of electronic exploration over the past few years. Inspired by synthesizer minimalists like JD Emmanuel, Cluster, and John Carpenter, the two attempted to create a type of dance music with hardware that was indebted to their influences, but did not feel intrinsically retrogressive. The idea was to make a type of raw synthesizer and drum machine music that could be listened to beside the hypermodern techno of Pearson Sound or Actress. The cover art is a tribute to a mysterious mural that looms over the Hamilton, Ontario area where the album was recorded. Each of the five tracks were edited down from much longer recording jams which were done with hardware sequencers in real time. The recording was done completely off-the-floor with no overdubs or added material after the fact. As this release might appeal to synthesizer hobbyists and enthusiasts, it seemed appropriate to compile a list of the instruments used in the original recordings: ARP Odyssey, Pioneer Toraiz SP-16, Eurorack Modular System, Roland JX8P, DSI Tempest, Simmons SDS-8, Roland SH101, Roland Jupiter 6 Yamaha CS50, Oberheim OB-XA.
$11.79 UPC: 666017319216 ELECTRONIC
01. Earthly Delights
02. Hold Time For a Day
03. Follow The Moonlight
04. Be Last
05. Daff
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JUTLAND SONGS: Charm On The Chain/Spark Out 7" (WAAT 066EP)
Jutland Songs is an indie-rock band from Glasgow, Scotland. The current lineup formed in October 2014 and consists of Colin Kearney (Eska, Monoganon, Stage Blood), Paul Carlin (Dananananaykroyd, American Men), Cecilia Stamp (Futuristic Retro Champions, The Machine Room, Errors), and Brian McKinnon (Pine and Bone, West Palm). Jutland Songs' vibe is chunky, chiming guitars, boy/girl vocals, rolling drums, and an anchor of a bass -- they belong to the 1990s. Influences include: Superchunk, The Replacements, Sebadoh, Guided By Voices.
$7.79 EAN: 5055869504867 ROCK
A1. Charm On The Chain
B1. Spark Out
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HUBBARD, FREDDIE: The CTI Years 1970-1973 2CD (HH 3066CD)
Freddie Hubbard, the CTI Years 1970-1973. When top jazz trumpeter Freddie Hubbard began recording for the CTI label in the early 1970s, he combined his mastery of bop with forays into fusion and imaginative interpretations of contemporary rock and soul hits. With more than two hours of music, this two CD compilation showcases Hubbard at the head of several lineups at four different concerts, broadcast on different radio stations: WRSU-FM, WBCN-FM, and KCUV-FM. Hubbard performs songs from his popular albums Red Clay (1970), First Light (1971), and Straight Life (1971). It is presented here, digitally remastered, with background notes and images.
$13.79 EAN: 5297961306615 JAZZ
Rutgers University, New Brunswick, NJ (Spring 1970) WRSU-FM
1.01. Ugetsu (Fantasy In D)
1.02. Red Clay (Bass Solo)
1.03. Calypso Fred
The Jazz Workshop, Boston (September 26th,1972) WBCN-FM
1.04. First Light
1.05. The Intrepid Fox (Drum Solo)
The Jazz Workshop, Boston (September 26th, 1972) WBCN-FM
2.01. Mr Clean
The Jazz Workshop, Boston (October 9th, 1973) WBCN-FM
2.02. Betcha By Golly Wow
Ebbet's Field, Denver (October 30th, 1973) KCUV-FM
2.03. Spirits Of Trane (Drum Solo)
2.04. Uncle Albert > Admiral Halsey
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WILLIAMS LIFETIME FEATURING ALLAN HOLDSWORTH, THE NEW TONY: Live At The Village Gate CD (HH 3088CD)
The New Tony Williams Lifetime, featuring Allan Holdsworth, live from the Village Gate, New York, September 22nd, 1976. In 1975, the groundbreaking drummer Tony Williams assembled a new version of Lifetime, this time featuring the visionary guitar of Allan Holdsworth, as well as Alan Pasqua's innovative keyboards and Tony Newton's funky bass. They collaborated on two albums, as well as playing acclaimed gigs. Their unique brand of fusion is perfectly captured on this remarkable set, originally broadcast on WRVR-FM in New York. The entire broadcast is presented here, digitally remastered, with background notes and images.
$11.99 EAN: 5297961308817 JAZZ
01. Intro By Les Davis
02. Mr. Spock
03. Proto-Cosmos
04. Fred
05. Wildlife
06. Red Alert
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WILLIAMS LIFETIME FEATURING ALLAN HOLDSWORTH, THE NEW TONY: Live At The Village Gate LP (HH 3088LP)
LP version.
$16.99 EAN: 5297961308824 JAZZ
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LIL UGLY MANE: Three Sided Tape Volume 1 2LP (H 032LP)
Vinyl edition of Three Sided Tape Volume 1, a collection of unreleased songs and instrumentals from Lil Ugly Mane, originally released in 2013. Includes a secret fourth side. "Smokeclears" features Ilwad Awale. "Part beat tapes, part odd-and-ends compilations, all dope, these collections covered all the ingredients in Ugly's supersonic cauldron, from noise-based experimentation to flat-out brilliant feats of lyricism (recorded through computer microphone) to found cassette samples, from cocaine cowboy-era funk-driven fruity loops beats to one-man black metal band practice. . . . It's a joyous wonder that more rappers haven't yet lifted beats from these tapes for their own purposes" --Samuel Diamond, Tiny Mix Tapes.
$25.79 EAN: 5055869559034 HIPHOP
A1. Nasty Awful Rappers
A2. Hello
A3. Steelspittin
A4. Bath Time
A5. Cap Peel
A6. Forever I B Stangin (*Polo Right First Version)
A7. Can Sex Me (Tru Freek Bmore Edition)
A8. Iron Door
A9. Syko 4 Dat Ass
B1. Radio
B2. Downwiththisclick
B3. Radiation (Second Version)
B4. ___________
B5. Bed Time
B6. Jesus Piece
B7. Ethics
B8. Found Tape
B9. Hennesy And Seagrams Gin
B10. Smokeclears (feat. Ilwad Awale)
B11. Brion Gysin With A Cool Hat On
B12. Deer Gas
B13. Vudmurk
C1. Cut
C2. Down
C3. Citynitesfoxblues
C4. Spagetti Strap Gun Holster
C5. Maniaaac
C6. RIP
C7. Dream
C8. Longrange
C9. Old Person Controller
C10. Slack In My Mack (First Version)
D1. Secret Side
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BROWN, STEPHEN: LF RMX 002 12" (LFRMX 002EP)
LF RMX is a new series featuring edits and remixes originally made by Len Faki. The second edition presents two complementary contrasting versions of "Deep In" by Stephen Brown. Sticking to the strengths of the source material, Faki's sleek polish makes the centerpiece acid bassline and playful cut-up vocal stand out from the mix even more. Already quite a force to begin with, the momentum only keeps growing as old school drum-breaks and additional percussion roll in. The original's linear progression is traded for murky, modulating analog squelches on the "Deepspace Mix", turning the tune into a dubby late-night groover.
$10.39 EAN: 4260544820243 ELECTRONIC
A1. Deep In (Len Faki Hardspace Mix)
B1. Deep In (Len Faki Deepspace Mix)
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CROSBY WIH JERRY GARCIA, PHIL LESH AND MICKEY HART, DAVID: Live At The Matrix, December 1970 LP (LOV 2005LP)
David Crosby, live at the Matrix, San Francisco, December 15th, 1970. Recorded for broadcast on KSAN-FM, before a small San Francisco audience as Crosby completed his classic solo debut (issued in February 1971), this superb set finds the former Byrd moonlighting from CSNY and collaborating with three members of the Grateful Dead on a mixture of standards and more recent compositions. The singing and guitar playing are outstanding throughout, and this release is sure to delight his many fans. Includes background notes, with an interview with David Crosby from Rolling Stone Magazine July 23rd, 1970, and photos.
$16.99 EAN: 5296293200523 ROCK
A1. Drop Down Mama
A2. Cowboy Movie
A3. Triad
A4. The Wall Song
B1. Bertha
B2. Deep Elem Blues
B3. Motherless Children
B4. Laughing
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TAJ MAHAL: Ultrasonic Studios, Long Island, October 15th 1974 LP (LOV 2013LP)
Taj Mahal, live at the Ultrasonic Studios, Long Island on October 15th, 1974. One of the most revered figures in late 20th century American blues and roots music, by 1974 Taj Mahal had devised a unique style drawing on a huge variety of sources. This superb set typifies his eclectic approach and mastery of the guitar. The entire WLIR-FM broadcast is included here, digitally remastered, comes with background notes and images.
$16.99 EAN: 5296293201322 ROCK
A1. Intro (0:18)
A2. Going Up To The Country Paint My Mailbox Blue (4:08)
A3. Good Morning Little Schoolgirl (5:52)
A4. Blackjack Davey (5:34)
A5. Why Did You Have To Desert Me (10:22)
B1. Further On Down The Road (4:37)
B2. Stealin' (9:25)
B3. Instrumental (3:24)
B4. Johnny Too Bad (7:13)
B5. Take A Giant Step (4:32)
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JENNINGS, WAYLON: Turn Back the Years - Live in Dallas 75 LP (LOV 2028LP)
Waylon Jennings, live at the Electric Ballroom, Dallas, Texas (Early Show), Late August 1975. In the mid-1970s, Waylon Jennings had just risen to country music superstardom as a figurehead of the outlaw movement. Originally broadcast in 1975 on KAFM/KLRD in Dallas, Texas, these performances from the city's Electric Ballroom include the hits "I'm A Ramblin' Man", "You Ask Me To", "Amanda", "Good Hearted Woman", "Clyde", "Are You Sure Hank Done It This Way", and "Bob Wills Is Still The King." Also featured is "Storms Never Last," which would become a duet hit for Jennings and his wife Jessi Colter, along with highlights from his 1975 album Dreaming My Dreams. The entire KAFM/KLRD broadcast is presented here, digitally remastered, with background liners.
$16.99 EAN: 5296293202824 ROCK
A1. Only Daddy That'll Walk The Line
A2. You Ask Me To
A3. Amanda
A4. Waymore's Blues
A5. Good Hearted Woman
A6. Let's All Help The Cowboys (Sing The Blues)
A7. Storms Never Last
B1. I've Been A Long Time Leaving
B2. Willy The Wandering Gypsy And Me
B3. Let's Turn Back The Years
B4. Are You Sure Hank Done It This Way
B5. Clyde
B6. Bob Wills Is Still The King
B7. I'm A Ramblin' Man
B8. Outro'
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ZAFFIRI, ENORE: Musica Per Un Anno CD (MZ 008CD)
Musica Per Un Anno is a pivotal project by Italian pioneer of electronic music Enore Zaffiri. In 1968, Zaffiri devised a project to create music for each hour of the year, by providing precise instructions to organize various layers of sinusoidal sounds. Working in isolation but ideally sharing the same attitude of La Monte Young's approach to sound in time and space of those same years, Zaffiri created some tape versions of his masterpiece. The version presented on this album is a radically pure digital implementation of one hour of Musica Per Un Anno, and has been realized by Andrea Valle in strict cooperation with Zaffiri, faithfully respecting the composer's original, abstract project. Enore Zaffiri on the composition: "Electronic music for the sonorization of environments. It is music in time, designed for the duration of one year. The sound event changes imperceptibly but continuously in relation to months, days, hours, minutes. Every moment has its own unique music that blends with the light and the surrounding atmosphere. It is a 'presence'. It is a music that should not impose itself, that should not distract or daze, that should not force the user to immobility. Being music in time, without beginning or end, it is always 'important' at any time you want to listen to. It is a music that responds to the needs of the contemporary man that, while visiting an exhibition or a museum, absorbs multiple experiences addressing appropriately and actively the cultural needs of our time."
$11.79 UPC: 769791966987 ELECTRONIC
01. Musica Per Un Anno - March 28th, 6 p.m. (60:00)
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PAPIRO: Automare LP (MUSCUT 007LP)
From the city that brought you LSD comes a new album by Marco Papiro, the Swiss-Italian musician and graphic designer who has gained some notoriety with his album covers for the likes of Panda Bear and Sun Araw. Automare is Papiro's seventh solo album, recorded on 4-track cassette, on hard-disk, in public and in private, entirely self-produced and now released on Nikolaienko's Muscut label. The five hauntingly evocative tracks offer a variety of atmospheres from surreal to arcane, from celestial to subaqueous. Synthetic sounds (some mature EMS, Moog, and Roland) are combined with other assorted instruments (organ, shehnai, electric guitar, and bass), and emulsified through various time-and-space-bending devices. There are no percussions, with one surprisingly groovy exception, in which a drum machine is being generously treated with phaser and envelope filters -- think of early Cabaret Voltaire with a North Saharan touch. Papiro's handcrafted artificial vocals are anything but human, but all the more compelling: out of the fluorescent plankton of the side-long opening track "Rhenus Rebus" rises a siren's voice, reminiscent of Alide Maria Salvetta in Battiato's "Campane", joined in a final mantra by an oboe borrowed from an inebriated Third Ear Band. Entering a chimeric karaoke bar, the title track "Automare" makes the album even more bizarre by introducing a distinctive pop feel. Back to the abstract world, the following "Polmonella" -- a live recording with additional musicians Anthony Glass (aka Antenna Tony Monorail) and Markus Stähli (of Roy & The Devil's Motorcycle) -- is a fever-y exploration of cosmic territories in the manner of Harmonia, while the alien articulation of "Incom" sounds unlike anything else ever recorded. Edition of 300.
$16.99 EAN: 8713748985103 ELECTRONIC
A1. Rhenus Rebus
B1. Automare
B2. Polmonella
B3. Incom
B4. Latana Supurea
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FIXMER, TERENCE: Force EP 12" (OSTGUT 106EP)
With Force EP, the Berghain resident offers four congenial techno scenarios for club use. The signal horn on the record's eponymous track starts as sudden as the staggered kick drum, reoccurring throughout the cut's six minutes. "Sidewalk" puts more focus on synth -- like its predecessor a techno cut per se, but with a stronger accent on hypnotic motifs. "Melting Planets" is slightly slower than the other three and the bass drum sounds extra vivid -- a lulling, mesmerizing meditation in dub techno. "Striking Patterns" combines bone-dry bass drum hits and distinctive brazen noises, pulsing synths pads, and sizzling sounds.
$8.99 UPC: 880319867415 ELECTRONIC
A1. Force
A2. Sidewalk
B1. Melting Planets
B2. Striking Patterns
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MCPHEE AND BRYAN EUBANKS, JOE: My Undocumented Alien Clarinet LP (PP 030LP)
What constitutes an unidentified sighting, the rarely heard "alien" clarinet playing of Joe McPhee and the ineffable electronics of Bryan Eubanks? Penultimate Press present My Undocumented Alien Clarinet: a strange sensual addition to the ever inquisitive McPhee canon. My Undocumented Alien Clarinet is a beguiling document of a performance held at Alternative Books, Kingston, New York, Sunday, August 6, 2006 under the auspices of the Pauline Oliveros Foundation's New Vanguard Series. My Undocumented Alien Clarinet captures a unique intimate improvisation exploring the outer reaches of the form. Joe McPhee, (b.1939 USA) is a multi-instrumentalist, composer, improviser, conceptualist and theoretician. He has collaborated with Pauline Oliveros, Graham Lambkin, Peter Brötzmann, Evan Parker, Raymond Boni, among many others. With a career spanning nearly 50 years and over 100 recordings, he continues to tour internationally, forge new connections and reach for music's outer limits. "His magical take on avant-garde sax remains one of the wonders of the scene. He still has one of the most beautiful tones on the planet, even when he's reaching for jazz's outer limits" --Time Out, New York. Bryan Eubanks (b. 1977, USA) is a musician composing electronic and acoustic works for small ensembles, solo instruments, and custom generative software; improvising in collaboration; and working with acoustic holography, a stereophonic recording and diffusion technique. Personnel: Joe McPhee - B-flat and E-flat alto clarinet, Roland MC202 Micro Composer synthesizer; Bryan Eubanks - Open-circuit electronics (sinetones). Artwork by Jerry Starpoli; Liner notes by Joe McPhee; In memory of Jerry Starpoli. Edition of 499.
$16.99 UPC: 769791967007 JAZZ
A1. My Undocumented Alien Clarinet
B1. My Undocumented Alien Clarinet
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GUFFOND, JASMINE: Traced LP (PATT 004LP)
Following 2015's remarkable Yellow Bell, Jasmine Guffond finally unveils her sophomore album for Sonic Pieces: Traced develops a broad sound spectrum that goes far beyond her previous efforts. Influenced by digital surveillance technologies, Guffond examines data generated from facial recognition systems and global monitoring networks and translates their algorithms into auditory shapes. She draws sonic portraits that manage to capture what normally eludes human perception, turning peripheral data into deeply engaging compositions. These pieces unfold through shifting drone patterns interspersed with refined cut-up vocal snippets. Commanding bass pulses are counterposed against assemblies of beats and subtly measured guitar. Emotionally suspenseful, the album alternately rises to intense highs that descend into soundscapes almost trance-like in affect. Collectively, the tracks on Traced attest to Guffond's profoundly sensitive approach to communicating contemporary ideas re-imagined as intricately inventive tonal possibilities. Traced is a living recording that sounds like something yet encountered. It suggests humanity at the spot it has maneuvered itself into: surrounded by machines, humans have simultaneously become the traceable components of a much wider network. The album's success lies in its ability to transform socio-technological observations into driving and compellingly expansive sonic structures. Cover with laser-cutting and printed inner sleeve; Includes download code; Edition of 500.
$23.79 UPC: 880918228211 ELECTRONIC
01. Post Human (5:46)
02. GPS Dreaming (8:20)
03. Vision Strategy Coordinators (5:47)
04. Swan Song (10:57)
05. Say Yes (6:29)
06. Boundless Informant (7:03)
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PAUVROS & GABY BIZIEN, JEAN-FRANCOIS: No Man's Land LP (FFL 026LP)
Souffle Continu Records present a reissue of Jean-Francois Pauvros and Gaby Bizien's No Man's Land, originally released on Un-Deux-Trois in 1976. Whether it is with the label Palm, or for Un-Deux-Trois, Jef Gilson has produced some of the best albums of French free jazz and improvisation. But that's not all: he also offered perfect recording conditions enabling some of the fresh young talent to emerge, including Daunik Lazro, André Jaume, and Jean-François Pauvros, all three of whom released their first recordings on one of those labels. Recorded by Jean-François Pauvros (guitar, but not only...) alongside Gaby Bizien (drums, percussion, aquatic trombone, marimba, bird calls), and, of course, produced by the audacious Jef Gilson, the appropriately named No Man's Land had virtually no equivalent in France (nor worldwide) when it came out in 1976. Radical, free, primitive, timeless: in the image of the musicians, it is not for nothing that it appears in the famous Nurse With Wound list of major influences concocted in 1979. No label can be placed on this vertiginous sensory adventure: an explosive flow of shrapnel and tearing intensity, full of mystery and life. To be clear, No Man's Land is the key recording of French improvisation. So much so that it is difficult to imagine it coming out of nowhere, the two musicians must surely have been listening to the latest forays of the British Music Improvisation Company and decided to reply in their own way. But not at all! If you believe what the protagonists have to say, these experiments were carried out in secret isolation, and with a total lack of awareness of everything that was going on in the avant-garde of improvised music. Indeed, it was only after the album was published that Jean-François Pauvros and Gaby Bizien learned that there was a movement going on with similar ideas. That tells us something about the level of invention of this album, which comfortably bears comparison to other similar duos such as Derek Bailey and Tony Oxley, Fred Frith and Chris Cutler, John Russell and Roger Turner, or Gary Smith and John Stevens... The Frenchmen were well served by their unbridled variety and poly-instrumentalism. Licensed from Jean-François Pauvros. Obi strip; Reverse printing; Edition of 500.
$15.79 EAN: 3491570053522 JAZZ
A1. No Man's Land (9:11)
A2. Une Plage De Bling (2:53)
A3. La Barre D'Etel (4:13)
A4. Dr. Livingstone I Presume (1:19)
B1. Gloire A L'Aéropostale (5:33)
B2. Une Plage De Blang (2:53)
B3. Christophe Colombe (11:43)
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PAUVROS & GABY BIZIEN, JEAN-FRANCOIS: Pays Noir LP (FFL 027LP)
Previously unreleased, the three tracks on Pays Noir come from recording sessions held at the same time as those for the cult album No Man's Land (FFL 026LP), produced by Jef Gilson in 1976, and published on vinyl by Souffle Continu Records in 2017. Singled out at the time of its release by Actuel, Rock & Folk, and Melody Maker, the tabula rasa of No Man's Land is the result of free-flowing experiments born of chance, if the two musicians are to be believed. Indeed, their approach to free improvisation was uninfluenced by those in the know of what was going on in such circles, which makes it even more incredible. To emphasize the point, the saxophonist Evan Parker (already a leader in the field) remarked on the album at the time, surprised by the innovation of the two Frenchmen. Brimming with the same fervor as No Man's Land, mainly on guitar and drums (but once again, not only...), Jean-François Pauvros and Gaby Bizien invent an amazing unbridled chaos of instinctive combinations, which are the fruit of their immense complicity, born of days on end playing together, trying to transform the rebelliousness of rock into free-form sparks unlike anything heard before, and which are often poetic -- ah, that final song! Carried along by the frenzied clatter of Gaby Bizien, Jean-François Pauvros emerges without doubt as one the great French improvising guitarists, alongside Gérard Marais (Dharma Quintet, Stu Martin Trio), Joseph Dejean (Cohelmec Ensemble, The Full Moon Ensemble), Raymond Boni (who, like Pauvros and Bizien, is present on the Nurse With Wound list), Dominique Répécaud, Noël Akchoté, and Jean-Marc Montera. Furthermore, the duo has a crazy intensity heard only on recordings by duos such as Bill Orcutt and Chris Corsano, Arto Lindsay and Paal Nilssen-Love, Thurston Moore and John Moloney, and Mesa Of The Lost Women. A kind of French no wave ahead of its time. Licensed from Jean-François Pauvros. Obi strip; Reverse printing; Edition of 500.
$14.39 EAN: 3491570053621 JAZZ
01. Gris Nez Et Blanc Nez (8:52)
02. Au Pays Noir (10:50)
03. La Deûle (2:07)
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BERROCAL, JAC: La Nuit Est Au Courant LP (FFL 028LP)
Souffle Continu Records present the first vinyl edition of Jac Berrocal's La Nuit Est Au Courant, originally released on In Situ in 1991. Ornette Coleman's "Lonely Woman" on the radio, Renaissance motets, his grandfather in a Zouave military band, Syrian deserts... Columns of tanks in the streets, the soundtrack to Robert Bresson's A Man Escaped (1956), Juan Manuel Fangio's car, the fall of the Berlin wall: from the first and fantastic Musiq Musik (1973), this is where Jac Berrocal's trumpet comes from -- an indescribable cataclysm to which he constantly returns for inspiration. When he published, at the beginning of the 1990s, La Nuit Est Au Courant, Jac Berrocal had already recorded his famous "Rock'n'Roll Station" and collaborated three times with Nurse With Wound, he figures on their 1979 list as an important avant-garde influence. In Situ, the French label which published this album, produced several other historically important albums in the same year by people like Steve Lacy, François Tusques, Un Drame Musical Instantané, and Daunik Lazro in a duo with Joe McPhee: such were the times. Backed by two bassists (including the jazz critic Francis Marmande) and a drummer, Jacques Thollot (who recorded Jeter La Girafe À La Mer (1971), one of the highlights of the French underground), Jac Berrocal does here what he does best: defy labels and slalom between genres; constructing a strange kaleidoscope of enchanting mish-mash. "What is vulgar... ", he states, "... is to refuse what pleases you". Jac Berrocal refuses nothing and tries everything he can imagine. With the trumpet multiplied here and there by reverb, the nocturnal perambulations for insomniacs of La Nuit Au Courant make it an ambient album with Prague, Sartrouville, Ivry-sur-Seine or East Berlin amongst the backdrops... An album of what Fernando Arrabal called "panic music", an elegant term for "no wave"... Listening to it over and again, it sounds like Don Cherry jamming with David Bowie and Brian Eno in Berlin. There is one thing you should know: Jac Berrocal is an intrepid man. He stands exposed -- and "sullies his soul", on the edge of the precipice. The nights are all-knowing. Licensed from In Situ. Obi strip; Reverse printing; Includes four-page booklet; Edition of 700.
$16.99 EAN: 3491570054024 EXPERIMENTAL
A1. Café Slavia (2:24)
A2. Et Du Givre Aux Pylones (4:09)
A3. Early Reflection (2:33)
A4. Chambre Ouest / Chambre Est (3:23)
A5. Lidice (5:07)
A6. Palmyre (2:25)
A7. Tel Un Effondrement (3:17)
B1. La Nuit Est Au Courant (10:14)
B2. Automne Perdu (1:42)
B3. Früh In Berlin (0:44)
B4. Warsawza (8:02)
B5. Untitled (1:15)
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KRAUSE, PANTHERA: Cloud Cake EP 12" (STEP 015EP)
Spell Pets backwards to get Step. Step Recordings is the new vinyl-only label from the founders of Pets Recordings -- Catz 'N Dogz -- with a focus on the rawest forms and root functions of dance music. Step Recordings searches for the fundamentals with under-the-radar house and techno that's not afraid to be rough around the edges. It's all about the music. Includes a remix by Simon Haydo.
$9.79 EAN: 4260038319109 ELECTRONIC
A1. Cloud Cake
A2. Illusions
B1. In My Hand
B2. Illusions (Simon Haydo Remix)
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KAMISOKO, AMINATA: Malamine CD (STCD 1079CD)
1997 release. There's more to being a jelimuso (hereditary poet and musician of the Mande people of West Africa) than recounting history and singing praises. If she's dignified and bold enough, she speaks truth to power and denounces customs that perpetuate superstition and injustice. Aminata Kamisoko is that kind of jelimuso. The title song of her album Malamine decries the antiquated belief that a barren woman is cursed and a disgrace to her family and husband, and in its verses she reveals that she is the infertile but proud mother of her adopted children. Her first child, Lamine Soumano, is the kora player and guitarist in this album. No wonder she's proud.
$10.39 UPC: 740042107922 WORLD
01. Ma Lamine (5:14)
02. Kounfeko (3:48)
03. Titati (5:21)
04. Mamadou Kamissoko (4:45)
05. Kani Ba (4:05)
06. Sokona Ba (3:01)
07. Baya (4:12)
08. Benson Ba (4:41)
09. Mama Konekeou (2:46)
10. Djeli Kandja (4:11)
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MADILU SYSTEM: La Bonne Humeur CD (STCD 1104CD)
2007 release. Jean Bialu Makiese -- or Madilu System, as the great Congolese bandleader Franco dubbed him -- possessed the high wistful voice featured in so many T.P.O.K. Jazz records of the 1980s, including Franco's biggest hit, "Mario". After Franco's death in 1989, Madilu System began a successful solo career. In addition to his own projects, he recorded duets with soukous stars such as Papa Wemba and Mbilia Bel, and sang leads as a guest on albums by Kékélé and Africando. Although his voice was no longer so high, Madilu was singing better than ever in the spring of 2007 when he recorded La Bonne Humeur, which was also graced by the guitars of Syran Mbenza, Dally Kimoko, and Papa Noel, and the harmony voices of Nyboma Mwan'dido and Wuta Mayi. Sterns Africa was preparing the album's release when Madilu died from diabetic shock in a Kinshasa hospital in August of that year. La Bonne Humeur was posthumously hailed by The Beat magazine as the late singer's best album and proof that soukous was alive and well in the 21st century.
$10.39 UPC: 740042110427 WORLD
01. Mélancholique (9:04)
02. Kupanda (7:46)
03. Aminata (10:39)
04. Jalousie (7:10)
05. Vincent (7:35)
06. L'heure C'est L'heure (6:50)
07. Tonton Gigolo (6:45)
08. Kamul Inter (7:38)
09. Sydegi (8:59)
10. Bruno Dika (6:38)
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PAPA WEMBA: Mwana Molokai 2CD (STCD 3019-20CD)
2004 release. In the 20 years that these two discs span, 1977-1997, Papa Wemba rose from a cult following in Zaire (Congo) to global stardom. Mwana Molokai is a collection of Wemba's most outstanding recordings, featuring tracks that were never previously available on CD or outside Africa, including several rare singles. In addition to duets with Pépé Kallé, Wendo Kolosoy, and Koffi Olomidé, the album showcases Wemba's celebrated band Viva La Musica. With Papa Wemba's death in 2016 at the age of 66 after collapsing on stage during a concert in Abidjan, Ivory Coast, this compilation is the best retrospective of the trendsetting soukous songwriter, singer, and bandleader.
$12.39 UPC: 740042301924 WORLD
1.01. Mére Supérieure (8:00)
1.02. Télégramme (9:40)
1.03. Amina (9:15)
1.04. Loni (8:53)
1.05. Analengo (Original Version) (7:47)
1.06. Efeka Mandundu (6:19)
1.07. Matebu (7:35)
1.08. Bukavu Dawa (11:02)
2.01. Malimba (5:14)
2.02. Kitida (8:57)
2.03. Esclave (Original Version) (9:09)
2.04. M'balumuna (2:43)
2.05. Adidas Kiesse (6:39)
2.06. Victime De La Mode (5:25)
2.07. Aladji-Djambo (6:09)
2.08. Jingle Amina (0:45)
2.09. Mi Amor (5:55)
2.10. Mama (5:24)
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VA: Sampa Nova CD (STCD 2017CD)
2003 release. Sampa is what the 12 million people of São Paulo call their city. Beneath the ultra-modern skylines stretching into the favelas there's a clash of cultures like nowhere else in the world and a vibrant, multifaceted music scene to go with it. Sampa is where Tom Zé, the subversive leader of the Tropicália movement in the 1960s and '70s, chose to live and work after he got bored with Rio de Janeiro, and where Fernanda Porto went to study music and stayed. It's where bands like Nação Zumbi, singer-songwriters like Otto, and other young iconoclasts from the farthest reaches of Brazil landed when they were ready to make it in the big city. It's where innovative DJs like XRS Land, Anvil FX, and DJ Dolores came to hone their chops, and where the ingenious sound-artist Suba discovered Cibelle and produced Bebel Gilberto's global breakthrough Tanto Tempo (2000), released not long before he died tragically in a studio fire. Sampa Nova captures the hard-edged energy and avant-garde vibe of 21st-century São Paulo but also that distinctly Brazilian feeling of alegria -- love of life. Features: Suba, Cibelle, Tom Zé, Otto, Drumagic, DJ Dolores, Nação Zumbi, XRS Land, Fernanda Porto, Jair Oliveira, Max De Castro, Bojo, Anvil FX, and Edu H.
$10.39 UPC: 740042201729 WORLD
01. Suba - Sereia (feat. Cibelle) (6:00)
02. Tom Zé - Desafio (2:40)
03. Otto - Bob (4:34)
04. Drumagic - Easy Boom (5:41)
05. DJ Dolores - Catimbó (4:15)
06. Cibelle - Deixa (5:19)
07. Nação Zumbi - Do Mote Do Doutor Charles Zambohead (2:07)
08. XRS Land - The Secrets Of Floating Island (9:07)
09. Fernanda Porto - Sambassim (4:14)
10. Jair Oliveira - São Paulo, Fim Do Dia (3:41)
11. Max De Castro - O Futura Pertence Á Jovem Vanguarda (1:18)
12. Bojo - Tempo (3:02)
13. Anvil FX - Seja O Que For (4:46)
14. Otto - Bob (Edu H Mix) (4:59)
15. Tom Zé - Chemegá (3:43)
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EULBERG & ESSAY, DOMINIK: Dream Machine 12" (TRAUM 211EP)
Dominik Eulberg has been playing the unreleased "pop" track "Dream Machine" in his sets and it has created a big stir in the fan community. Traum release the track here on a limited one-sided vinyl. "Dream Machine" was written together with German musician Essáy. Together they have written this club hymn! "Dream Machine"'s captivating quality is its compelling friendliness. A smooth track incorporating a flute and a floating beat, which is very untypical for Dominik. The release manifests in a clear transparent vinyl. Includes separate artwork by Miro D'Oro.
$10.39 UPC: 880319874017 ELECTRONIC
A1. Dream Machine
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MARCO V: Simulated (Bas Amro Edit) 12" (WOLF 039EP)
Wolfskuil Records present Dutch dance pioneer Marco V and his classic trance track "Simulated", remixed by fellow Dutchman and multi-faceted producer Bas Amro. "Simulated" notably influenced a new wave of producers such as Fedde Le Grand, Sander van Doorn, Hardwell, and many others. Bas Amro offers a fresh rework of this fifteen-year-old hit; updating Marco V's classic trance vibes with his ululating sensual techno. The minimized arrangement of this remix pulls the listener deeper amongst the sounds of playful synths wavering throughout, driven by a crowd-pleaser of a kick. Silk screen cover; UV printed B-side; Vinyl-only.
$12.39 UPC: N/A ELECTRONIC
A1. Simulated (Bas Amro Remix)
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CONTROLLED BLEEDING: Carving Songs CD (AOF 293CD)
"Following 2016's much-lauded Larva Lumps And Baby Bumps, Controlled Bleeding returns with Carving Songs, a massive remix album totaling 20 tracks, including a 21st track, 'TROD', a brand new Controlled Bleeding composition which founder Paul Lemos referred to as 'a really a major piece for us... a VERY dark song.' The hand-picked cast of remixers includes Japanese noise-guru Merzbow, Justin K. Broadrick from industrial-metal act Godflesh (not to mention Jesu), as well as Monolake, Crowhurst, Ramleh, Child Bite, and many others. Even notorious experimental guitarist (and current Lydia Lunch Retrovirus member) Weasel Walter makes an appearance. The remixes range from straight up power noise, to post-black metal, to industrial-influenced beats, and are as varied as Controlled Bleeding itself, a project known for being impossible to classify. An essential release in the long, storied history of one of America's foremost experimenters."
$10.50 UPC: 628070629329 ELECTRONIC
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CONTROLLED BLEEDING: Carving Songs (Green Vinyl) 2LP (AOF 293G-LP)
Double vinyl version. Green vinyl.
$27.00 UPC: 628070629398 ELECTRONIC
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CONTROLLED BLEEDING: Carving Songs 2LP (AOF 293LP)
Double LP version.
$23.00 UPC: 628070629312 ELECTRONIC
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DON'T DJ: Wiederganger 12" (BH 039EP)
"Some insane electro and techno excursions and two very difficult titles for every person that doesn't have a good grasp of the German language. Mastering by CGB of the mighty Dublates and Mastering clan. 180 gram vinyl cut and some beautiful artwork by Sandhya."
$12.50 UPC: N/A ELECTRONIC
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LOUD-E: The Brasserie Heroique Edits Part 4 12" (BH 040EP)
"Loud E is undoubtedly one of our biggest heroes in this label and of course one of the most underrated artists in this god forsaken planet. The first time I saw this man mixing disco records was in Athens and I will never forget that night. The Discos Paradiso crew is calling him the 'Jeff Mills Of Disco' and if you ever see this man on a good night, the description is not very far away from the truth. Also, Loud E is the hybrid between an amazing collector of music and a proper DJ that knows how to use these records for major dancefloor impact. The Intergalactic FM crew knows this man really well cause his mixes for Interr-Ference are quite legendary (go to the Intergalactic FM shop and buy them, they are definitely better that some of the mix CDs that I see these days). In 2008 he released Loudiefied, an LP of some of his favourite edits. We picked four of our favourite ones and we created this EP to shed some light to this man cause if we have to be honest, we love underrated guys like him. What can we say, we just adore the misfits that never sold their soul to an energy drink. Four disco bangers that will destroy your disco session and will definitely put a smile on the face of the most cynical DJ."
$12.50 UPC: N/A ELECTRONIC
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OSSIA: Tumult 12" (BH 041EP)
"This is a strictly Bristol affair. Ossia comes back after his last deep and spiritual journey for Berceuse Heroique and this time he is vexed. He cooked this tasty stew of hardcore, grime and dancehall and it bangs like a motherfucker. African Head Charge on bloody steroids bruv. On the b-side, one of our favourite producers the last few years, badman Lurka took this mission to harness the wild style of Ossia and let me tell you something, this mercenary doesn't fuck around. Heavy electro vibes with the precision of Photek when he was gracing us with tunes like 'Ni Tien Itch Ryu'. Scorched Earth Policy with this one"
$12.50 UPC: N/A ELECTRONIC
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CAMPBELL, CORNELL: Sweet Baby CD (BSR 957CD)
"1978 Burning Sounds release now issued on CD for the first time."
$14.00 EAN: 5036436108725 WORLD
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JARRETT/EARL SIXTEEN, WINSTON: Rocking Vibration & Songs For A Reason CD (BSR 961CD)
"Two early '80s albums on one CD."
$14.00 EAN: 5036436106622 WORLD
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CAMPBELL, CORNELL: Meets The Gaylads With Sly And Robbie + Sweet Baby CD (BSR 962CD)
"Two classic reggae albums first time on one CD. Produced by Linval Thompson & Roy Cousins and featuring Sly and Robbie."
$14.00 EAN: 5036436106523 WORLD
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SKA ALL STARS: Ska Instrumentals CD (BSR 9959CD)
"12 Classic Ska Instrumentals including 'Guns of Navarone', 'Return of Django', 'One Step Beyond' and more."
$14.00 EAN: 5036436108220 ROCK
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STRONGMAN, PHIL: Anarchy! McLaren Westwood Gang 2DVD/7" (CADIZ 148DVD)
"Anarchy! McLaren Westwood Gang is being released to celebrate the 40th anniversary of the birth of punk - director Phil Strongman was at the heart of the punk movement chronicling the period in the book, Pretty Vacant - A History Of UK Punk. Described as 'Fascinating' by Wendy Ide in The Observer, 'Interesting...shrewd' by Peter Bradshaw in The Guardian. Mike Wearing, producer of Edge of Darkness, called the film 'the Apocalypse Now of art documentaries', while Kieran Cashell of LIT hailed it as 'a masterpiece'. However, Anarchy! McLaren Westwood Gang is about so much more than the short lived punk phenomenon and explores the notion of Malcolm McLaren as the great architect of British punk. The film includes candid interviews with McLaren, some stunning unseen footage about his childhood, his 1960's activism, meeting with Vivienne Westwood, the Kings Road shops, and focuses on his key role in the punk 'anti-fashion' and the Sex Pistols and many others. Three films in one: it's a history of European Anarchism; a biog of McLaren and a compelling exposé of the real birth of the Sex Pistols (with contributions from The Clash, 101ers, Bow Wow Wow, Adam Ant, Boy George, Don Letts, Tony Wilson, Tracey Emin, Stuart Christie, Nick Egan, Vivienne Westwood). Anarchy! McLaren Westwood Gang is an authentic and remarkable document of a febrile moment in time that left such a long shadow over modern culture. A 2xDVD set featuring the film and also some great extra features, including the last ever filmed interview with McLaren. Additionally the set includes a 7 inch single contacting Malcolm McLaren speaking over music, a badge and a booklet with an with essay written by Flexipop! founder Barry Cain. Also included are a postcard signed by director Phil Strongman and a poster. This edition of Anarchy! McLaren Westwood Gang comes in a box with lift off lid featuring all original artwork by Jonny Halifax."
$20.00 UPC: 844493061489 ROCK
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FALL, THE: New Facts Emerge 2x10" (BRED 706LP)
Double 10" version.
$23.00 EAN: 5013929170612 ROCK
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FALL, THE: New Facts Emerge CD (CDBRED 706CD)
"Newest release from the Fall Contains 11 new tracks recorded at various studios in the UK and produced in conjunction with Mark E Smith. The band, now in their 41st year, have proven a major influence to many a band in both the UK and around the world (bands such as Pavement, Hole and even Faith No More). New Facts Emerge is their third studio album for Cherry Red and adds to the list of over 100 live and studio albums released by the band over the years. Formed in 1976 by Mark E Smith, the band has gone through numerous line ups but retain a consistency that many other bands would envy. New Facts Emerge is being released on two physical formats: CD and limited double 10" vinyl. The audio has been mastered by long time Fall engineer Andy Pearce (assisted by Matt Wortham) and art by designer Becky Stewart."
$11.75 EAN: 5013929170636 ROCK
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RESIDENTS, THE: Snakey Wake LP (SR 009LP)
"Recorded in 1987 in tribute to their lost friend and collaborator Philip 'Snakefinger' Lithman who died of a heart attack while on tour with his band, The Vestal Virgins. This piece was performed live one time, at a Snakefinger wake in San Francisco. The studio version was originally released as a fan club only, limited edition CD. This LP includes both the studio version and the live version and has been remastered for vinyl. This is a limited edition of only 300 copies on cyan blue vinyl pressed exclusively for MVD by Secret Records."
$23.00 UPC: 760137035213 ROCK
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GEOGRAPHIC NORTH (UNITED STATES):
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HIRO KONE: Love Is The Capital LP (GN 040LP)
"Love Is The Capital the debut LP by Hiro Kone, the recording alias of Nicky Mao. The album is a follow-up to the incredibly well received Fallen Angels cassette, bringing with it some of Mao's most emotionally and politically driven work yet. It is Hiro Kone's long coming opus, examining a number of all-too-relevant themes: capital, the state, egoism, anxiety, and steadfast optimism. The eight songs on Love Is The Capital highlight Mao's austere, politicized techno battling for the greater good. Songs are visceral meditations of rhythm, noise, and melody in the vein of Pan Sonic, Chris & Cosey, Muslimgauze, and Kangding Ray. The sounds were often recorded in scenes of isolation, whether physically or emotionally. 'Infinite Regress' was during a trek with RLoveoxy Farman (Wetware) up to the sleepy, upstate NY town of Palenville. There, frozen in a cabin with the most DIY of recording booths, Mao recorded Roxy's vocals and what would be the track that would put into motion the entire album. 'Less Than Two Seconds' was written in a single afternoon in late December 2015 when it was revealed that the grand jury had declined to indict the police officer who shot to death 12-year old Tamir Rice. The taut techno, industrial minimalism, and aural upheaval is embedded in tracks 'Rukhsana' (featuring Drew McDowall, formerly of Coil & Psychic TV, on modular synthesizer), 'The Place Where Spirits Get Eaten,' and 'Less Than Two Seconds,' an emotionally wrought blitz of serrated Monomachine tones flanked by timeless recordings of essayist, poet, and social writer James Baldwin. Mao ventures deep into heady, prismatic runs of hypnotic techno, on 'Don't Drink the Water' and 'The Declared Enemy.' On opener 'Being Earnest' and 'Love is the Capital,' foreboding motifs brood their way back into the narrative. Still, the album maintains a sense transformation, burdened with an alien tension- the awareness of an impending and necessary collapse. And what may come next."
$11.75 UPC: 684334901068 ELECTRONIC
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MOON DIAGRAMS: Lifetime Of Love 2LP (GN 041LP)
"Lifetime Of Love is the debut album by Moon Diagrams, the solo recording project of Deerhunter co-founder and drummer Moses John Archuleta. Recorded in Georgia (Atlanta and Athens) and Manhattan (East Village) over a 10-year period, Lifetime Of Love finds Archuleta processing various stages of love, loss, and regeneration via forlorn pop, minimal techno, and weightless experimentation. Throughout each of the 8 songs, Archuleta follows fits of inspiration or moments of chance. By lifting samples from thrift store-sourced LPs, removed from their sleeves and chosen at random to find loops and textures, Archuleta lets the unknown happen naturally, but still confined to a specific set of boundaries. 'Bodymaker' and 'Nightmoves' feature Archuleta's earliest solo recordings, captured between the release of Deerhunter's 2007 breakout LP Cryptograms and 2008 LP Microcastle. The two songs also show Archuleta's willingness to venture outside of the taut, mesmerizing drone rock of his main band. The chilling, ambient techno of 'Nightmoves' perfectly foils and compliments the broodingly sullen but sincerely beautiful shuffle into the dark. In 2012, Archuleta decided to pick up his recording activity, challenging himself to make a solo album. Locking himself in his practice space and using only the spare instruments laying around, Archuleta would enter fugue states in recordings. This period yielded a disparate mix of sonic sketches, from eerily bucolic choir recordings ('Playground'), dusty art-pop ('Moon Diagrams'), and infectiously jubilant dance pop ('End of Heartache'). For the final period, Archuleta found inspiration after an extended stint in Berlin, estranged from his friends and family. But Archuleta used the relative isolation to take in the city's dark energy, eventually returning home to finish the album with a newfound sense of resolve. Subtly grandiose and quietly epic, the album explores a nascent beginning, a morose middle, and a bittersweet, optimistic end."
$19.50 UPC: 684334901075 ROCK
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MADE IN GERMANY (GERMANY):
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SCHULZE & SOLAR MOON SYSTEM, KLAUS: Ultimate Docking 2CD (MIG 1622CD)
"New release of the remarkable Klaus Schulze & Solar Moon System album Docking (long sought after and once released in the strictly limited wooden 10CD boxset Contemporary Works), advanced with unpublished material from the original Klaus Schulze/Solar Moon System sessions. This 2CD album became an Ultimate Docking definitely. It was a surprise when Klaus Schulze called out of the blue some late night in year Y2K Solar Moon System. A few days later they met Klaus in his infamous recording studio somewhere in the woods of northern Germany. After talking and 'vibing' for hours, they started to initiate the 'docking sequence' by putting on one of the typical Solar Moon System beats in a loop. Klaus joined in with one of his beloved Moogs. Ultimate Docking showcases/documents a space rendezvous of a different kind right at the very point of reaching the same orbit... which neither of them would have known existed before they even met. Listening back now to what they created 17 years ago, they remember mystical moments, supernatural feelings and a space station with all cockpit lights and gadgets on high alert."
$16.50 UPC: 885513016225 ELECTRONIC
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BROSELMASCHINE: Indian Camel LP (MIG 1921LP)
"Peter Bursch's Bröselmaschine - Rise of a Krautrock-Legend! 32 years after the release of their last studio album (Graublau, 1985) the Krautrock veteran Bröselmaschine is back with a phenomenal new album as 180 gram gatefold vinyl plus download code. Diversified, soulful and skillful the formation around guitar guru Peter Bursch is presenting the new songs. In June 2014 the remarkable debut from 1971 was voted by the New York music blog Pigeons & Planes on rank 9 of the most important Krautrock albums. The new one, Indian Camel, with female singer and model Liz is another album for eternity. Featuring famous comedian, multi-instrumentalist and former band member Helge Schneider on saxophone and Nippy Noya on percussions."
$19.50 UPC: 885513019219 ROCK
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BROSELMASCHINE: Indian Camel (Color Vinyl) LP (MIG 1929LP)
Color vinyl version.
$25.00 UPC: 885513019295 ROCK
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MARIONETTE (CANADA):
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FRIEDMAN, BURNT: Dead Saints Chronicles 12" (MARIONETT 005EP)
"Another utterly brilliant salvo from Friedman -- after the future-classic 'Masque', and the Pestle EP for Latency. Six kinds of musical occultism -- transcendent and nocturnal, geometric but intuitive, like a djinn testing a logic map -- nodding to Solomon and West's compendious book about near-death experiences."
$12.50 UPC: N/A ELECTRONIC
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MUG-SHOT PRODUCTIONS (UNITED STATES):
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ROLLINS, SONNY: Saxophone Colossus DVD (MVD 9686DVD)
"Tenor saxophone master Sonny Rollins has long been hailed as one of the most important artists in jazz history, and still, today, he is viewed as the greatest living jazz improviser. In 1986, filmmaker Robert Mugge produced Saxophone Colossus, a feature-length portrait of Rollins, named after one of his most celebrated albums. The project began in May of that year when Mugge and a small crew accompanied Sonny and Lucille Rollins to Tokyo, Japan where the Yomiuri Nippon Symphony Orchestra premiered his Concerto for Tenor Saxophone and Orchestra with Heikki Sarmanto of Finland conducting and Rollins himself soloing throughout. The next big shoot was in August, when Mugge and a larger crew filmed Rollins and his ensemble performing at sculpted rock quarry Opus 40 in Saugerties, New York. The most surprising part of the latter concert was that, midway through his performance, Rollins leaped from a 6-foot cliff, fell to his back on the ground and, in spite of suffering a broken heel, continued to play his saxophone. Rounding out the production were interviews with Rollins in Japan, with Heikki Sarmanto in Japan, with Rollins and his wife Lucille in New York City, and with jazz critics Ira Gitler, Gary Giddins, and Francis Davis, also in New York City. A soundtrack album, G-Man, released by Fantasy Records, was named by Village Voice music critic Robert Christgau as the best album of 1987, whether jazz or rock, and the fourth best album of the decade. For MVD Visual's new release of Saxophone Colossus on both Blu-ray and DVD, the film has been given 4K remastering, and an updated commentary by Mugge is included as a bonus feature."
$13.75 UPC: 760137968696 JAZZ
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ROLLINS, SONNY: Saxophone Colossus BLU-RAY (MVD 9687BR)
Blu-ray version.
$13.75 UPC: 760137968788 JAZZ
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MVD VISUAL (UNITED STATES):
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FRANKLIN, ARETHA: Divas Live LP (MVD 9938LP)
"This all-star tribute to Aretha, recorded live at Radio City Music Hall pays tribute to one of this country's national treasures. Previously unreleased on DVD or CD, the undisputed Queen of Soul is joined by some very special guest stars including Mary J. Blige, Jill Scott, the Backstreet Boys, Kid Rock, and more. Originally broadcast on VH1 in 2001, this program features many of her greatest hits; a one-of-a-kind performances that will never be repeated."
$15.50 UPC: 760137993810 ROCK
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THE TRILOGY TAPES (UK):
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BULLION: Blue Pedro 12" (TRILOGY 058EP)
"From his 'Rivertrance' remix for Model 500 on R&S to 2015's middle-eastern jig 'Stuck In The Muddle', Bullion has shown a consistent interest in combining ancient Celtic polyrhythms with modern production. His recent cassette for The Trilogy Tapes, All Abawd, which garnered praise from Ben UFO, contained more nods to Gaelic culture alongside a unique blend of broader world influences. His latest 12 expands on 3 tracks from the TTT mixtape, applying a focused and groove-based approach. A-side 'Blue Pedro' presents a joyful reel set to staccato synth rounds and a progressive backbeat. 'Muy Quimeda' adopts a sweeter, but nonetheless driving tone; forlorn female vocals and lush harmonies swooning over an arpeggiating foot-to-the-floor swing. 'Spin2Glory' shows a darker and heavier intention, with punchy kicks and claps bolstering FM bass hooks. A sea shanty gone overboard."
$12.50 UPC: N/A ELECTRONIC
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UNSEEN WORLDS (UNITED STATES):
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C-SCHULZ: Fruhe Jahre CD (UW 014CD)
"Frühe Jahre is the first time reissue of C-Schulz's early work from late 1980s and early '90s. Schulz's first LP, 10. Hose Horn, was introduced alongside other debut LPs from Jim O'Rourke and Frank Dommert on Dommert's Entenpfuhl label in 1991. Combining the cathartic sounds of industrial, early techno, and innovative pop with inspiration from acousmatic, New Music, and Dada, Schulz's music is a prime example of the Cologne experimental music scene of the time. Rhythmic delights, outlandish juxtapositions and a sustained, unresolved, aurally-fascinating tension evoke dramatic, film-like meditations. Liner notes written by Marcus Schmickler, who also co-produced many of the tracks. Remastering by Rashad Becker." Comes with a download of the complete Frühe Jahre set, as well as a stand-alone digital download/stream with a previously unreleased, digital-only bonus track, "Borkup". CD version presented as a mini-LP with metallic printing.
$9.50 UPC: 728028400106 ELECTRONIC
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C-SCHULZ: Fruhe Jahre LP (UW 014LP)
LP version. Stoughton "tip-on" LP jacket; Includes download code.
$15.00 UPC: 728028400083 ELECTRONIC
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STONE, CARL: Electronic Music From The Seventies And Eighties 3LP (UW 015LP)
"This 3LP set contains a selection of seven early works by American composer Carl Stone, all previously unpublished except for 'Shing Kee,' which appeared on the 1992 New Albion CD release, Mom's. Notorious, formerly elusive recordings like 'Sukothai,' 'Shibucho,' and 'Dong Il Jang' exemplify how Stone masterfully guided his art through the transition period when New Music exited the loft scene of the 1970s for a stab at commercial presence in the 1980s, satisfying both impulses by fusing his compositional ambition with systems of live performance that were simultaneously pop savvy, commercial suicide, and technologically and aesthetically forward thinking. His live performance practice, documented here in a carefully restored archival recording of 'Kuk Il Kwan' at The Kitchen in 1981, has merged seamlessly with today's computer-driven methods. The earliest works of this collection, 'LIM' and 'Chao Praya,' realized on the Buchla 200, date to the early 1970s while Stone was a student of James Tenney and Morton Subotnick at CalArts, a rare glimpse of Stone working with purely electronic source material. Liner notes by Carl Stone, Jonathan Gold, Richard Gehr, and Marc Weidenbaum accompany on a gatefold sleeve. Download card is included with a digital-only bonus track, 'Unthaitled' from 1978. Mastered and cut by Rashad Becker. 'Of the serious composers to come out of 1980s California, Carl Stone is the one who has always performed in nightclubs as well as concert halls, for spiky-haired punks as well as the Ph.D-and-ponytail set -- his brand of electro-acoustic bricolage was probably better known among jazz musicians than it was to the blue-haired Monday Evening Concerts crowd.' --Jonathan Gold, from the liner notes."
$31.50 UPC: 728028400090 ELECTRONIC
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WOE TO THE SEPTIC HEART! (UK):
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SHACKLETON WITH ANIKA: Behind The Glass 2LP (SEPTIC 002LP)
"Unapologetically ambitious, complex, staggeringly powerful music, simultaneously haunting and moving. A collaborator of Jandek and Michael Rother, amongst others, Anika spins a surreal tale of longing and fate, with a quasi-religious delivery in deadpan counterpoint to its account of lust and fury, domination and submission. Shackleton's vivid, detailed sound-world is an inimitable blend of his own devotional and trance styles -- lingeringly melodic, sometimes atonal, with odd, overlain time signatures, and a general, imperious disregard for conventional song-making."
$18.00 UPC: N/A ELECTRONIC
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